Book and Lyrics Bruce Joel Rubin Music and Lyrics Dave Stewart and Glen Ballard Based on the film produced by Paramount Pictures and Bruce Joel Rubin ...
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Book and Lyrics Bruce Joel Rubin Music and Lyrics Dave Stewart and Glen Ballard Based on the film produced by Paramount Pictures and Bruce Joel Rubin
VOCAL SCORE LONDON 1st TECHNICAL REHEARSAL SCORE – 27th MAY 2011
This vocal score remains the property of: Ghost London Ltd Suite 526, Linen Hall 162-168 Regent Street LONDON, W1B 5TE © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
Ghost: Musical Cue List ACT ONE 1 1a 2 3 4 5 6 7 8
[Opening Act I] Here Right Now
Don't Want The Bubble To Burst Unchained Melody I More (This Is The Life) Three Little Words Sam's Murder / Higher Spirits Ball Of Wax Funeral (Ball Of Wax reprise)
Chase / First Transition / First Subway Scene / Harlem / Willie's Apartment
Sam's Lament Are You A Believer
9 Oda Mae Hears Sam / With You Intro 10 11 With You 11a Ditto / Oda Mae & Sam Enter Loft [Act I Finale] Suspend My Disbelief 12 More (reprise) I Had A Life
ACT TWO [Opening Act II] 13 Rain Hold On 14 Life Turns On A Dime 14a Second Subway Scene 15 Focus (Subway Ghost) 16 Talkin' 'bout A Miracle Death of Willie 17 [Bank Sequence 1] 18 Nothing Stops Another Day [Bank Sequence 2] 19 Talkin' 'bout A Miracle (reprise) 20 I'm Outta Here 20b Transition to Loft 20c I Can't Take It Any More 21 Unchained Melody II (dance) The Fall Of Carl 22 [Finale] 23 Three Little Words (reprise)
Ascension
24 Bows & Playout
Cue List as of 27th April 2011
!"#$%&%#'()*+#,))#-).%/(/)#!0+#12 " ò i$ % Steady & Mysterious (q.=c.65)
4
rit.
! Tempo
ten.
7
9
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11
cresc.
13
rall.
cresc.
15
ò ff
17
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20
24
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26
28
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32
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? Here
right
(clicks)
35
.
q=150
? now,
Here
right
G
now,
This is
what we're
liv -
D/G
[arpeggiator]
39
? -
ing
for.
This is
when
we
give
C/G
in
-
to
the
mo -
Em/G etc.
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42
? ment and
let
go.
Here
right
now,
G
Ev -'ry - thing we're dream
D/G
47
? - ing
of
is
com -ing through if
C/G
we
step up
and own
it.
Let
it
flow.
Em
light drum fill
51
2
? Here
right
now,
Here
right
now,
Here is
where we make
Here
right
now,
Here
right
now,
Here is
where we make
-
E
B
A
strong mf
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57
? it
ev - 'ry - thing
we'll e
-
ver need.
Here
right
now,
it
ev - 'ry - thing
we'll e
-
ver need.
Here
right
now,
-
C©m
E
B
62
? Here
right
now,
Now is
when
I
tru
-
ly
know that we
were meant to
be.
Here
right
now,
Now is
when
I
tru
-
ly
know that we
were meant to
be.
-
67
A
C©m
0
? One foot in front
of the oth - er.
We'll be
al -
ways for - e - ver.
One foot in front
of the oth - er.
We'll be
al -
ways for - e - ver.
-
E
B
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A
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72
? This is
why
we
give
it
ev -
'ry - thing
we
have
and
more.
As long as we
We'll get
there.
C©m
E
As long as we
76
? stay
to - ge - ther,
We'll just
keep
get - ting bet - ter.
stay
to - ge - ther,
We'll just
keep
get - ting bet - ter.
rea - lly
does - n't
It
-
B
A^
80
? mat
-
ter
what
comes
af
-
ter
or
be - fore.
We'll get
there.
C©m
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83
G
?
I
A
don't
be - lieve
D/A
in
luck,
I
don't
be - lieve
stronger f
87
? But this
is
so
But this
is
so
much
more than I
could e
-
ver
con-
much
more than I
could e
-
ver
con-
-
A
in
fate.
tem
-
pate.
I
can't
be - lieve
tem
-
pate.
I
can't
be - lieve
D/A
91
? -
you
walked
in - to
you
walked
in - to
-
A
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$ 6%4 / þ / %) ,3 4 .%7 ow%(3 8 / n,n3 %A2 .%,)%%9%8 A
&
94
? my
life
and you're
still here.
When I'm
with you
there's no con -fu -
my
life
and you're
still here.
When I'm
with you
there's no con -fu -
-
C©
F©/C©
98
? - sion,
ev - 'ry - thing
is
clear.
And we'll have
weeks and months and years,
- sion,
ev - 'ry - thing
is
clear.
And we'll have
weeks and months and years,
-
C©
F©/C©
102
? what -e - ver.
we were meant to be
to -ge - ther.
You were sent
to me
for -e
- ver.
what -e - ver.
we were meant to be
to -ge - ther.
You were sent
to me
for -e
- ver.
-
C©5
C©
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C©5
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107
!
?
-
F©
[guit]
C©
111
B
D©‹
115
F©
C©
119
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122
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127
ò
? Here
right
now.
This is
what we're
liv -
This
is
as far
as we've e - ver come,
etc.
B¨
But I
know that we've
on - ly just
be - gun.
mf
131
? - ing
for.
This is
when
we
give
in - to
the
mo
-
ment and
let
go.
3
You're gon - na
F‹7
see.
A¨
135
? Here
right
now.
-
E¨
I
know
life
is
-
n't
al - ways
fair;
B¨
this
time
we're
cresc. to the end
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138
? Ev -'ry - thing we're dream
- ing
of
is
com -ing
through if
we
step up
and
own
gon - na end up
where
we should
A¨^
be.
C‹7
K
142
? it.
Let
it
flow.
Here
right
Here
right
-
D¨2
145
? now.
Here
right
now.
now.
Here
right
now.
-
A¨2/C
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! " /! " /þ ! $ $ %$ 7&" '
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[Gtr]
p 4
7
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[Clar] p
12
17
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5
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D
dar - ling,
9
D time.
13
18
do
Are
D
touch
A
and
I
(Elvis)
C speed
lone - ly
(floated)
still mine?
Oh
So God
long
slow - ly
D
you
E‹
my
C so
your love,
B‹ need your love.
your
E‹
much.
G need
21
so
Mol - ly,
E‹
goes by
G can
Oh
E‹
Time
D time
for
G
(And)
E‹
G
I've hun - gered
G* # s(& + # , ms jo$n
G
Mol - ly
ba - by,
you know that
I
D your love
G* OST(& $þ " # # $' ( ) *n$/$+ ,- w. þ ,$/$B. ==. þ / $( n/ - þ $=*0 - n0 - $,o$1 2 os,$3 on/ on$3 ,/
to
þ þ /" " /þ " # # $# þ %" "
, 24
þ 4$5 n0 2 . *n- / $5 - =o/ # $*$$6$7 þ
G me.
mp
26
B
F©
29
G©‹
E
B
G©‹
2
2
32
F©
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þ þ /" " /þ " # # $# þ %" "
þ 4$5 n0 2 . *n- / $5 - =o/ # $*$$6$7 >
34
37
B
B^/D©
F©
E
G©‹
E6
F©7“
F©7
, :(C, % (SFX ê :(C, * (o''('$n! /(c0 o# + 3: & ê # own(G!
G* OST(& $þ " # # $' ( ) *n$/$+ ,- w. þ ,$/$B. ==. þ / $( n/ - þ $=*0 - n0 - $,o$1 2 os,$3 on/ on$3 ,/
þ þ /" " /þ " # # $# þ %" "
GHOST!©"2[ 11"Ru# in"/"$ ü ewa$ ü "/"Baü ü a$ ü "unü e$ "ü i% en% e"ü o"G>o&ü "Lonü on"Lü ü
Bü an! "page
3.!"oú e 1: Cu! SF"
3
(clicks)
2: ?Cut o## last f hor$ #2) 3: as SF" ! stablish! $ [syn bs]
4
More
and
more
and
more
and
more
and
more.
More
and
more
and
more
and
more
and
more.
f marcato
F
B¨
7
More
and more
and more
and more
and more.
More
and more
and more
and more
and more.
F
GHOST & %þ " ! ! %' u( )n%/%* + w, r %/%B, 55, r. %un. + r%5)/ + n/ + % o%0 1 o2 %3 on. on%3 .
poco cresc
B¨
! " /" # /þ " ! ! %! ! þ þ !
>4%5 or+ %%6%7 þ
11
A
Carl
C This
is
the life.
This
Life!
New
is
the time
we're gi - ven.
York.
F
B¨
15
C It's
fight or
Fight!
flight.
'Cause
Flight!
New
it's the
way
we're dri - ven.
York.
F
GHOST & %þ " ! ! %' u( )n%/%* + w, r %/%B, 55, r. %un. + r%5)/ + n/ + % o%0 1 o2 %3 on. on%3 .
B¨
! " /" # /þ " ! ! %! ! þ þ !
>4%5 or+ %%6%7 >
19
C This
is
the score.
This
Score!
New
is
the des
-
ti - na - tion.
York.
F
B¨
23
C Where it takes
More!
more.
You need
More!
New
York.
F
GHOST & %þ " ! ! %' u( )n%/%* + w, r %/%B, 55, r. %un. + r%5)/ + n/ + % o%0 1 o2 %3 on. on%3 .
the right
the
e - qua - tion.
ci - ty
keep - ing
score.
B¨
! " /" # /þ " ! ! %! ! þ þ !
>4%5 or+ %%6%7 "
B
27
C More and more
and more
and more
and more.
More and more
and more
and more
and more. Oh
More and more
and more
and more
oh
oh
and more.
G‹7
F
31
C
oh
More and more and more
and more and more.
More and more and more
and more and more. Oh
oh
More and more and more
oh
oh
oh
oh
and more and more.
G‹7
GHOST & %þ " ! ! %' u( )n%/%* + w, r %/%B, 55, r. %un. + r%5)/ + n/ + % o%0 1 o2 %3 on. on%3 .
F
! " /" # /þ " ! ! %! ! þ þ !
>4%5 or+ %%6%7 #
Carlþ %5 orn)n0 %( o224 Samþ %5 mm4%%%Carlþ %0 * 8%2o%w+ %1 , . % o%mov+ %! our% 1 r+ + %o'/ 5o/ * %w) 1 %Bo( %* , 1 , n% o 9our%o'/ 5o/ * %2o% 1 , %! ou%/ ou5. %2: u+ + þ + %)n%0 , r! %A55+ n4%%)%1 o7 + %! ou%. on' %m)n. 4 36
C
play twif !
New
York.
[gtr]
F
B¨
Carlþ %A52o8% 1 + %( o, r. %m+ + )n0 %)n%3 4A4%1 , 2%( + + n%/ on9)rm+ . %9or% 1 + %! þ 1 4%%)'v+ %0 o %! ou%on% 1 + %! , 4m4%95)0 1 4 40
[pizz str]
F
[spicc str]
[pizz str]
[spicc str] etc.
B¨
Samþ %)%21 ou5. %/ , n/ + 5% 1 , % r)7 4%%, ou%r+ , . %, ( ou % 1 o2+ % wo%/ r, 21 + 2?%%3 1 + 2+ % 1 )n0 2%, 5w, ! 2%1 , 7 7 + n%)n% 1 r+ + 24 44
F
B¨
Carlþ %3 1 r+ + 2?%%* , m8%0 + %2+ r)ou24%%, ou%5+ , . %, %/ 1 , rm+ . %5)9+ 4 Samþ %, + , 1 8%2o%. ). % 1 + ! 4%%Am, þ )n0 8%1 u1 ?%%'u2 %5)* + % 1 , 4%%B5, / * ou 4
48
F
B¨
GHOST & %þ " ! ! %' u( )n%/%* + w, r %/%B, 55, r. %un. + r%5)/ + n/ + % o%0 1 o2 %3 on. on%3 .
! " /" # /þ " ! ! %! ! þ þ !
>4%5 or+ %%6%7 ;
52
Carlþ %'+ 2u28%5oo* %, % 1 , %3 , m( or0 1 )n)4%%3 1 , '2% 1 + %* )n. %o9%/ , r%)'m%0 onn, %. r)v+ %w1 + n%)'m%m, * )n0 %, %m)55)on%7 + r4 Samþ %B+ + r%7 , ! %o99%! our%mu2 , n0 %9)r2 4
F
56
B¨
drum fill
D More and more
and more
and more
and more. Oh
More and more
and more
and more
oh
oh
oh
oh
and more.
G‹7
F
60
More and more
and more
and more
and more. Oh
More and more
G‹7
and more
and more
oh
oh
oh
oh
and more.
F
GHOST & %þ " ! ! %' u( )n%/%* + w, r %/%B, 55, r. %un. + r%5)/ + n/ + % o%0 1 o2 %3 on. on%3 .
! " /" # /þ " ! ! %! ! þ þ !
>4%5 or+ %%6%7 7
64
E
"El! vator"
Samþ %* o%/ , r58%w1 , %. ). % 1 + %. o/ or%2, ! ?
Bossa nova track (no band)
68
73
Carlþ %1 + %2, ). %) %w, 2%/ on , 0 )ou24%%< + r! %/ on , 0 )ou24%%)%21 ou5. n' %( + %0 o)n0 % o%wor* % o. , ! 4%%Bu %w1 , %/ ou5. %)%. o? Samþ %An. %w1 , %, ( ou % 1 + %r, 21 ?
Carlþ %< o %0 oo. 4%%) '2%27 r+ , . )n0 %+ v+ r! w1 + r+ 4 Samþ %0 n%! our%0 + n) , 52%, 0 , )n? Carlþ %+ v+ r! w1 + r+ 4%%1 + %2, ). % o%( + %2ur+ %no % o% ou/ 1 %, n! on+ 4
77
Ens
This
is
the
life.
whoosh
GHOST & %þ " ! ! %' u( )n%/%* + w, r %/%B, 55, r. %un. + r%5)/ + n/ + % o%0 1 o2 %3 on. on%3 .
! " /" # /þ " ! ! %! ! þ þ !
>4%5 or+ %%6%7 >
(! " m#&#$ " %l#get#off,#l" ug& 'ng,#" nd#ente%#" #l" %ge#off'( e) 80
F
(r, n. om%num( + r2)
This
is
the time
F
we're gi
-
ven.
It's fight or
flight.
B¨
84
The
F
ci - ty
keep - ing
score.
oh
oh
B¨
88
More and more
and more
and more
and more. Oh
More and more
G‹7
and more
and more
oh
oh
and more.
F
GHOST & %þ " ! ! %' u( )n%/%* + w, r %/%B, 55, r. %un. + r%5)/ + n/ + % o%0 1 o2 %3 on. on%3 .
! " /" # /þ " ! ! %! ! þ þ !
>4%5 or+ %%6%7 !
92
93a
More and more
and more
and more
93b
and more. oh
Oh
More and more
and more
and more
G‹7
oh
oh
oh
and more.
F
Assistantþ %0 oo. %morn)n0 8%5 r4%0 1 + , 4 Samþ %0 oo. %morn)n0 8%* u2, n4%%3 )2 + n8%w1 + n% 1 + %* 1 , n0 1 , )%7 + o7 5+ %0 + %1 + r+ 444 Assistantþ %3 1 + ! 'r+ %1 + r+ %now4 Samþ %A5r+ , . ! ?%%3 1 + ! 'r+ %+ , r5! = 94
G [syn solo] ("bank figures")
[Str & K2]
p sub.
F‹7
B¨2/F
Assistantþ %)%* now4%%An. %An. ! %. )55on%/ , 55+ . 4%%1 + %2, ). %1 + %n+ + . + . %! ou% o% r, n29+ r% 1 + %7 , ! ro55%, / / oun %r)0 1 %, w, ! 4 Samþ %' )0 1 %, w, ! ?%%C, r58%/ , n%! ou%1 , n. 5+ %) ? Carlþ %* ur+ 8%'u2 %5+ %m+ %1 , v+ %! our%, / / + 22%/ o. + 4 Samþ %. )2/ r+ )on8%1 u1 ?%%An. %w1 )5+ %! ou'r+ %, %) %/0 < +8%! ou%/ , n%. o% 1 + 2+ %, 2%w+ 554 Carlþ %, ou%( + 4
last tim! 100
1.
D¨^/F
G('4)/F
C/F
GHOST & %þ " ! ! %' u( )n%/%* + w, r %/%B, 55, r. %un. + r%5)/ + n/ + % o%0 1 o2 %3 on. on%3 .
2.
F5
VAMP
whoosh
! " /" # /þ " ! ! %! ! þ þ !
>4%5 or+ %%6%7 ! "
106
H
C We're just play - ing
a
num - bers
Now!
game.
And ev - 'ry sec -ond
the
num - bers change.
More!
[gtr]
F‹7
B¨2/F
110
C This is what I live to feel
It's the beau - ty of the deal.
This is the ess -ence of
Fast!
Life!
Deal!
Go!
D¨^/F
G('4)/F
C/F
F‹7
GHOST & %þ " ! ! %' u( )n%/%* + w, r %/%B, 55, r. %un. + r%5)/ + n/ + % o%0 1 o2 %3 on. on%3 .
! " /" # /þ " ! ! %! ! þ þ !
>4%5 or+ %%6%7 ! !
114
C high
fi - nance.
So ma - ny steps when you
do
this dance.
This is al - ways such a rush,
Yes!
Move!
B¨2/F
D¨^/F
I ad lib.
118
C Send -ing mill - ions with one touch.
Rush!
Touch!
G('4)/F
C/F
GHOST & %þ " ! ! %' u( )n%/%* + w, r %/%B, 55, r. %un. + r%5)/ + n/ + % o%0 1 o2 %3 on. on%3 .
New
This is
the life,
G
! " /" # /þ " ! ! %! ! þ þ !
>4%5 or+ %%6%7 ! þ
122
C York,
Makes you
This
is
the
time
feel
we're gi
in
-
-
vin
-
ci
ven.
-
It's
ble.
fight or
flight.
C
125
C You
are
G
GHOST & %þ " ! ! %' u( )n%/%* + w, r %/%B, 55, r. %un. + r%5)/ + n/ + % o%0 1 o2 %3 on. on%3 .
the
ci - ty
keep - ing
score.
the
ci - ty
keep - ing
score.
C
! " /" # /þ " ! ! %! ! þ þ !
>4%5 or+ %%6%7 ! >
Carlþ %1 + ! %* , m4%%3 on0 %. , ! 8%1 u1 ?%%0 o , %2+ / on. ?444%%%%/LONG SCENE+ Samþ %444. r)n* %/ 1 + , 7 %w)n+ %ou %o9%7 5, 2 )/ %0 5, 22+ 24%%0 , nn, %. ro7 %( ! %5, + r? Carlþ %< o4%%3 oo%mu1 %wor* % o%. o4%%)%w, n %/0 0 %0 < +%, %9u55%r+ 7 or 8% 1 ou0 1 4%%* + + %! ou% omorrow4
128
last tim!
J
Ens! mbl! Gp1 & 2
This is the chance,
LONG VAMP
Ens! mbl! Gp1 & 2
whoosh
"Bank figures"
p sub.
132
K
[silent bar]
Ens! mbl! Gp2
New
York,
Ev -'ry -
one's
in - vi
-
si - ble.
Ens! mbl! Gp1
This
is
the time
to take
it,
No
turn -ing
back
Ens! mbl! Gp1
G
C
GHOST & %þ " ! ! %' u( )n%/%* + w, r %/%B, 55, r. %un. + r%5)/ + n/ + % o%0 1 o2 %3 on. on%3 .
! " /" # /þ " ! ! %! ! þ þ !
>4%5 or+ %%6%7 ! "
136
You
are
the
If
we ex -
G
ci - ty
pect
keep - ing
score.
to make it in the
ci - ty
keep - ing
score score
C
140 ...ore and more
and more
and more
and more.
and more
and more
and more
and more. Oh
and more
and more
and more
oh
oh
oh
oh
oh
oh
oh
oh
and more.
A‹7
G
144
More and more
and more
and more
and more. Oh
and more
A‹7
and more
and more
and more.
G
GHOST & %þ " ! ! %' u( )n%/%* + w, r %/%B, 55, r. %un. + r%5)/ + n/ + % o%0 1 o2 %3 on. on%3 .
! " /" # /þ " ! ! %! ! þ þ !
>4%5 or+ %%6%7 ! #
4!bar #a$ ! to nothing
148
More and more
and more
and more
and more. Oh
and more
and more
and more
oh
oh
oh
oh
and more.
A‹7
G dim. al fine
152
More
A‹7
and
more
and
more
and
more
and
more.
and
more
and
more
and
more
and
more.
dim. al fine
GHOST & %þ " ! ! %' u( )n%/%* + w, r %/%B, 55, r. %un. + r%5)/ + n/ + % o%0 1 o2 %3 on. on%3 .
G
! " /" # /þ " ! ! %! ! þ þ !
! " OST## 2011 Rubin / Ste$ a% t / ! alla% d unde% licence to Ghost & ondon & td
! lank " age
""# ú %m& " 'oú "( 5)
!"#$%&''#()***'#++&*,
* Mo>>! :" w" # # " $ " ö ö " " oup S" $ . 2
q = 96-100
C5/G
5
A‹7
mp
C5
A‹7
7
C/E
F2
C5/G
A‹7
SAFETY (Vocal last time)
11
S+ m
S (last x)
C/E
I say it with my eyes,
F2
When I hold you close at night,
C5/G
14
16
S When I make you scram -bled eggs,
A‹7
When I tell you
C/E
GHOST"$ 2011 Ruö (# / S>ew" ö > / ö " ll" ö > u# >eö l(ce# ce >o G) os> p o# >o# p >>
sil -ly jokes,
When I
turn out the
F2
10/05/2011 1' :22
5. =) ö ee p (>>le Woö >s - p 2
%
18
Mo>>! 3
M Some -times you need to hear it Sam.
I need to hear it.
S light.
C5/G
C
A‹
S+ m:Moll" p " ou'ö e # o>...
21
M So I
can real -ly feel,
D‹7('4)
So I
G(“)
can real -ly feel it's true.
G/F
C2
No,don’tspeak,don’t talk,you love me, Sam,
Dm7
25
M I
know you
G(“) G(“)/F
do.
I see it in your eyes. I know what’s in your heart.
C2
C
There
A‹
29
M are no se -crets there, no lies.
D‹7('4)
Still,when we’re a - part,
G(“)
G7/F
I get this fear and I need to hear,
C2/E
GHOST"$ 2011 Ruö (# / S>ew" ö > / ö " ll" ö > u# >eö l(ce# ce >o G) os> p o# >o# p >>
I
D‹7('4)
10/05/2011 1' :22
5. =) ö ee p (>>le Woö >s - p 3
ú
33
M love you.
I
love...
You,
C
G(“)
mf
here in my life
C^9/E
And
ev -'ry -thing a -bout us is right.
C
F2
C^9/E
37
M When you find it there's no rea -son to hide
Am
F2
From thosethree lit - tle words
F2
mp
Gsus4
that come from
/F
S+ m:Co$ e o# . p e>'s go.
41
M deep down in - side.
/E
/D
C
C
C
C7
[=e$ p oö " ö " Moll" l(# e]
M But they say it, Sam;
S Peo -ple may say it ev - 'ry day,
mf
F
But it's real - ly not the on - ly way
Fm
GHOST"$ 2011 Ruö (# / S>ew" ö > / ö " ll" ö > u# >eö l(ce# ce >o G) os> p o# >o# p >>
to re - veal it.
C
10/05/2011 1' :22
5. =) ö ee p (>>le Woö >s - p 5
47
M Sam,theysay it.
S Does -n't mat -ter what they're say - ing
C7
If words are all that they're con -vey - ing.
F
If you
Fm
50
S feel
it,
Gsus4
and
be -lieve
it,
then it should
be
/F
/E
h
all
you need
to
know it's
/D
3
3
M Some - times you need to hear it Sam,
I need to hear it.
Or else you be -gin to fear,.
S true.
C
Am7
GHOST"$ 2011 Ruö (# / S>ew" ö > / ö " ll" ö > u# >eö l(ce# ce >o G) os> p o# >o# p >>
Dm7('4)
10/05/2011 1' :22
5. =) ö ee p (>>le Woö >s - p 5
55
M You be -gin to fear it is -n’t
true.
G7sus4
I’d love to hear it ev - 'ry day.
C
Dm7
But
ev -en just this one time, it’s O.
Gsus4
59
M K.
I can live that
way.
It’s
not like I ev - er doubt
it,
But I'd
S Not like you have to doubt
C
C7
F
62
M real -ly like to hear a - bout
it,
What you're feel- ing.
What are you feel - ing?
S it.
Fm
I don't want to have to
shout it
Gsus4
What I'm
Gsus4/F
GHOST"$ 2011 Ruö (# / S>ew" ö > / ö " ll" ö > u# >eö l(ce# ce >o G) os> p o# >o# p >>
feel - ing?
Gsus4/E
Gsus4/D
10/05/2011 1' :22
5. =) ö ee p (>>le Woö >s - p 6
E M You,
here in
my
life,
And
ev - 'ry -thing a - bout us
is right.
S I say it when I sing,
f
C
Cmaj9
When I make you tea
at night,
When I mas -sage your
C
F2
Cmaj9
68
M If
it's
love how can you keep it
in - side?
You could
S feet,
When I ask
if you're all
F2
right.
F2
Am
71
M just say
it
now,
Sam,
Give
me
a
sign.
You,
here in my life,
S I shout it with my
f
Gsus4
mf cresc.
/F
/E
GHOST"$ 2011 Ruö (# / S>ew" ö > / ö " ll" ö > u# >eö l(ce# ce >o G) os> p o# >o# p >>
/D
C
C
Cmaj9
10/05/2011 1' :22
5. =) ö ee p (>>le Woö >s - p 7
74
M And
ev - 'ry -thing a - bout us is
right.
S touch
When I
vi - si - ting your aunt,
When I put a - way your shoes,
C
F2
C^9
When I laugh at
all your
F2
77
M It's
ad lib
just
S jokes.
mf
3 don't
I
A‹
C^/G
three
lit - tle
know
why
I
can't.
F2
80
M
Gsus4
words
Sam,
/F
do
/E
GHOST"$ 2011 Ruö (# / S>ew" ö > / ö " ll" ö > u# >eö l(ce# ce >o G) os> p o# >o# p >>
you
/D
10/05/2011 1' :22
5. =) ö ee p (>>le Woö >s - p *
82
M love
Gsus4
/F
/E
/D
h & + d"s& g- & 5."S+ m.s"h & + / h
GHOST"$ 2011 Ruö (# / S>ew" ö > / ö " ll" ö > u# >eö l(ce# ce >o G) os> p o# >o# p >>
10/05/2011 1' :22
! egue"fú o$ T! " ee L#tt)e W$ " d%
5!"S##$%"&##'("!")#g(#*"S€#*#'% P" #me & VAMP
e=165
me?
!W"##"e ap p oac% e &
bass pulse
)a% t t#me !W"##"e wa#k 'owa ö 4
VAMP
Sa) &
hotrods on Orch BD, with varied accents
)a% t t#me 7
VAMP
!W"##"e a''ack Sa) &
Brass
2 GHOST ( "2011"& ub*+ "/"! ˜ ew- ú ˜ "/". - //- ú "u+ eú "/*0 e+ 0 e"˜ o"1 2 os˜ "3 o+ o+ "3 ˜
22/0% /2011"12&3'
' ."! - $ 's"3 e- ˜ 2 "6 "7 *g2 eú "! 8 *ú *˜ s""-"8 2
11
13
!GUNS! O=& 17
15
20
dim.
)a% t t#me
)a% t t#me
Sam&"4 o//y*"!1 5 ]
VAMP
22
q.=57 23a
24
(clicks)
23
VAMP
A
drone & perc continue and fade
2 GHOST ( "2011"& ub*+ "/"! ˜ ew- ú ˜ "/". - //- ú "u+ eú "/*0 e+ 0 e"˜ o"1 2 os˜ "3 o+ o+ "3 ˜
22/0% /2011"12&3'
' ."! - $ 's"3 e- ˜ 2 "6 "7 *g2 eú "! 8 *ú *˜ s""-"8 3
26
Rec$ " ded ' $ ca)%
There
is
no
28
day,
There
is
no
30
night.
Here
sha - dows
fade
33
in
-
to
the
light.
2 GHOST ( "2011"& ub*+ "/"! ˜ ew- ú ˜ "/". - //- ú "u+ eú "/*0 e+ 0 e"˜ o"1 2 os˜ "3 o+ o+ "3 ˜
22/0% /2011"12&3'
' ."! - $ 's"3 e- ˜ 2 "6 "7 *g2 eú "! 8 *ú *˜ s""-"8 %
>- /˜ eú + - ˜ *ve"ú T! e" e #% ( $ deat! "/"T! e" e'% $ ( )y )#feú *
37
There
is
no
poco accel.
day...
39
ff
ff
42
45
CUT OFF ON SFX "WHOOSH"
p resound as necessary
2 GHOST ( "2011"& ub*+ "/"! ˜ ew- ú ˜ "/". - //- ú "u+ eú "/*0 e+ 0 e"˜ o"1 2 os˜ "3 o+ o+ "3 ˜
22/0% /2011"12&3'
6. ö a"" Of Wa# $No A%&e' P $) e
q = ca.112 (Swung e)
" o p $% a&'G( o %
! G Hel - lo there young man,
you’re new I can tell.
C
Well
E
5
3
! G let me as - sure you,
that this is - n’t hell.
F
But it ain’t heav -en ei - ther, so you might as well re - lax,
D7
C
B
Bb
'cause
A
!
9
! G this my friend is a
whole new ball of wax.
It
(clarinets & add kit)
D7
G
ain’t like be -fore,
C
G" OS='$ 2011 R ö &n / S'ew$ ö ' / ö $ p p $ ö % n%eö p &cence 'o G) os' p on%on p '%
and it can fool you at first.
There's an
E
23/05/2011 13:5#
6. ö $ p p Of W$ + !No =&me$ - p 2
13
3
! G ec -ho of hun ger
and
F
17
not quite a thirst.
And if you thought it was o - ver with a
D9
C
B
Bb
In a
A
*
Sa) :W) o $ ö e * o ?
3
tag on your toe,
3
! G bag with a zip - per, well I'm a - fraid it ain't
D9
so.
I’m
G
21
wait -ing for my wife. She's in the
C
Dr brushes
3
! G car -di -ac wing.
E
She’s fight -ing it, but
fight -ing it was al -ways her thing.
F
She’ll be done soon and we’ll be
D9
C
25
B
Bb
28
! G out -ta this place,
free of this world, of
A
D7
time and
G
G" OS='$ 2011 R ö &n / S'ew$ ö ' / ö $ p p $ ö % n%eö p &cence 'o G) os' p on%on p '%
space.
There's not much
C
Eº
23/05/2011 13:5#
6. ö $ p p Of W$ + !No =&me$ - p 3
30
+
! G here to
do,
so it you're feel - in'
blue
I got a trick that -'ll help
see you through.
It's a
Am
E7
34
! G lit - tle
dance
I
like to
do
and
D
I’ll
be
G
hap -py to
teach it
Am
B¨º
to
you.
G/B
D
38
! G Goes some -thing
like
this:
N.C.
C
E
42
! G
F
D9
C
G" OS='$ 2011 R ö &n / S'ew$ ö ' / ö $ p p $ ö % n%eö p &cence 'o G) os' p on%on p '%
B
Bb
A7
23/05/2011 13:5#
6. ö $ p p Of W$ + !No =&me$ - p 5
" G:$ o 'p p c$ 'c) on soon eno g) . p e' me 'ep p * o $ secö e'. , ooö s $ &n'' $ s ö $ %$ s * o ') &nk. ö &p ö $ p . =) e* $ &n'' no') &n' $ ' $ p p . $ o 'p p see. Sa) :W) o $ ö e $ p p ') ese...p eop p e? " G, W) o $ ö e ') e* ? =) e* 'ö e g) os's. Sa) ,'G) os's? 46
! G 3
G
D9
C
E
F
51
! G 3
D9
C
B Bb A7
D9
" G,'$ e$ ) . p &ke * o . Sa) , $ %on'' ) $ ve '&me foö ') &s. " G:=&me? W) $ ' &s &' * o %on'' n%eö s'$ n%? $ o 'ö e %e$ %m* fö &en%. Come on fep p $ sp 'ep p ) &m ) ow &' woö ks. ! &' &' g * s. 57
VAMP AND CUT ON CUE
C
B Bb
G( o % '- '. M/ 61
There's
3
A7
G" OS='$ 2011 R ö &n / S'ew$ ö ' / ö $ p p $ ö % n%eö p &cence 'o G) os' p on%on p '%
D13 run
23/05/2011 13:5#
6. ö $ p p Of W$ + !No =&me$ - p 5
63
E no
time
here
in
the
af
-
ter
-
life, since
there's
67
no
71
time,
you
don't
need
stress
or
strife.
G( o % '0 '. M/
No
fast
or
slow time,
your watch
is
ne
-
ver
No
fast
or
slow time,
your watch
is
ne
-
ver
G" OS='$ 2011 R ö &n / S'ew$ ö ' / ö $ p p $ ö % n%eö p &cence 'o G) os' p on%on p '%
23/05/2011 13:5#
6. ö $ p p Of W$ + !No =&me$ - p 6
75
G( o % '1 '. F/
...no time
here on the
o
- ther side.
right. There's al -ways no time
here on the
o
- ther side.
right. There's al -ways no time
here on the
o
- ther side.
p
F
82
mp
90
. G ee2 'G/
o 98
G" OS='$ 2011 R ö &n / S'ew$ ö ' / ö $ p p $ ö % n%eö p &cence 'o G) os' p on%on p '%
103
106
VAMP
23/05/2011 13:5#
6. ö $ p p Of W$ + !No =&me$ - p 7
108
Double-time feel (straight e)
! &&'p aÚ $e
111
It's just - let
G -
go time,
so don't
put
up
a
fight.
No more than
-
go time,
so don't
put
up
a
fight.
No more than
! &&'Me2
It's just - let
C
D9
114
faux - time
cause there's
no
day
or
night.
Just - let
-
it
-
faux - time
cause there's
no
day
or
night.
Just - let
-
it
-
A¨9
G7
G" OS='$ 2011 R ö &n / S'ew$ ö ' / ö $ p p $ ö % n%eö p &cence 'o G) os' p on%on p '%
23/05/2011 13:5#
6. ö $ p p Of W$ + !No =&me$ - p #
116
flow time,
cause there's no
end
in
sight.
You know there's
no
time
hereon the
flow time,
cause there's no
end
in
sight.
You know there's
no
time
hereon the
C
D9
A¨7
"
119
oth - er
side!
No time!
oth - er
side!
No time!
G7
C
G
D7
A9
122
Slow
time!
Slow
time!
E¨7
G" OS='$ 2011 R ö &n / S'ew$ ö ' / ö $ p p $ ö % n%eö p &cence 'o G) os' p on%on p '%
23/05/2011 13:5#
6. ö $ p p Of W$ + !No =&me$ - p -
124
Look -out - be - low
time!
Look -out - be - low
time!
G
A9
P $) e 126
Tempo primo
4 Mmm
" G
3
3
! G Hmm,she's not gon -na make it.
) e$ ö 'ö e$ ' mon&'oö
E¨7
I've seen it, I know.
C) oö s ! UM
C
G" OS='$ 2011 R ö &n / S'ew$ ö ' / ö $ p p $ ö % n%eö p &cence 'o G) os' p on%on p '%
E
23/05/2011 13:5#
6. ö $ p p Of W$ + !No =&me$ - p 10
130
3
Ooh
3
! G It's eit -her look out a -bove
3 look out be - low.
or
You
nev - er
know which way the
C) oö s OO!
E
F
E¨
D7
C
B
Bb
3
133
3
3
3
! G wind is
gon -na
blow.
Up or down,
A
it’s a crap shoot.
Who knows where they’ll go?
G13
D7
136
Aah
! G We're get - ting
down to brass tacks.
Like I
told you be - fore,
it's a
C) oö s * !
C
B
Bb
A
G" OS='$ 2011 R ö &n / S'ew$ ö ' / ö $ p p $ ö % n%eö p &cence 'o G) os' p on%on p '%
D7
23/05/2011 13:5#
6. ö $ p p Of W$ + !No =&me$ - p 11
. G ee2 'G5 /
Slower 139
142
!!"a#"i$ % $ ! G whole new
ball
of wax.
G5
143
click
E‹9
3
Reco Ú eÚ 'voca&
There
C2
is
no
day.
There
E‹9
is
no
C2
146
night.
E‹9
Let
dark - ness
fade.
C2
G" OS='$ 2011 R ö &n / S'ew$ ö ' / ö $ p p $ ö % n%eö p &cence 'o G) os' p on%on p '%
23/05/2011 13:5#
6. ö $ p p Of W$ + !No =&me$ - p 12
K Held back, accel poco a poco
149
Em
-
brace
Your
mo -ney's no good here,There's noth -ing to buy.
No
Your
mo -ney's no good here,There's noth -ing to buy.
No
Your
mo -ney's no good here,There's noth -ing to buy.
No
Your
mo -ney's no good here,There's noth -ing to buy.
No
the
light.
C6
E7
f
152
dead -lines
or bread - lines,
Just
let
it
all
slide.
You can't take it
with
you and there's
dead -lines
or bread - lines,
Just
let
it
all
slide.
You can't take it
with
you and there's
dead -lines
or bread - lines,
Just
let
it
all
slide.
You can't take it
with
you and there's
dead -lines
or bread - lines,
Just
let
it
all
slide.
You can't take it
with
you and there's
F
D9
G" OS='$ 2011 R ö &n / S'ew$ ö ' / ö $ p p $ ö % n%eö p &cence 'o G) os' p on%on p '%
C
E‹7/B B¨7b5
23/05/2011 13:5#
6. ö $ p p Of W$ + !No =&me$ - p 13
155
no
go - ing back;
no
go - ing back;
no
go - ing back;
no
go - ing back;
You
You
A7
get here with noth - ing, but there's noth -ing you lack.
Through -
You
and there's noth -ing you lack.
Through -
get here with noth - ing, but there's noth -ing you lack.
Through -
You
Through -
get
get
here
here
and there's noth -ing you lack.
D9
G7
3
3
158 Tempo
out hu -man his - t'ry, It's
al - ways a mys - t'ry. Some fight it,
some cry,
some go with the flow.
out hu -man his - t'ry, It's
al - ways a mys - t'ry. Some fight it,
some cry,
some go with the flow.
out hu -man his - t'ry, It's
al - ways a mys - t'ry. Some fight it,
some cry,
some go with the flow.
out hu -man his - t'ry, It's
al - ways a mys - t'ry. Some fight it,
some cry,
some go with the flow. 3
C6
E7
A7
G" OS='$ 2011 R ö &n / S'ew$ ö ' / ö $ p p $ ö % n%eö p &cence 'o G) os' p on%on p '%
D‹6
3
23/05/2011 13:5#
6. ö $ p p Of W$ + !No =&me$ - p 15
162
But till that mo -ment
you
real - ly don't know.
It's like we told you be - fore:
It's a whole
new
But till that mo -ment
you
real - ly don't know.
It's like we told you be - fore:
It's a whole
new
But till that mo -ment
you
real - ly don't know.
It's like we told you be - fore:
It's a whole
new
But till that mo -ment
you
real - ly don't know.
It's like we told you be - fore:
It's a whole
new
C
E‹7/B B¨7b5
A7
D9
G6
F6/G
Double-time tempo 166
ball
of
wax!
ball
of
wax!
ball
of
wax!
ball
of
wax!
F©6/G
G7
f cresc
G" OS='$ 2011 R ö &n / S'ew$ ö ' / ö $ p p $ ö % n%eö p &cence 'o G) os' p on%on p '%
23/05/2011 13:5#
6. ö $ p p Of W$ + !No =&me$ - p 15
168
G" OS='$ 2011 R ö &n / S'ew$ ö ' / ö $ p p $ ö % n%eö p &cence 'o G) os' p on%on p '%
23/05/2011 13:5#
! " #
" © 2011 # ubin / SŒ ewarŒ / BaŒ Œ arŒ unŒ er Œ iü enü e Œ o Gho!Œ LonŒ on LŒ Œ
BΠan" =age
7.!F"’ $’ %&!'(%&&!O)!W%x* ! "â "s$ e% !"" s"we"say"farewe##" o"o" r"fr$eˆd "Sa "% & ea
"[' ( )
3
3
3
3
mf
5
8a
C& % '!"* "& ere "+ o##
we"are"a##" rave##ers
( osp"$ & ')G* os$ 3
8b
3
This is the hard part,
You should just look a - way; 3
8e
8c
3
It 3
will on -ly up -set
8f
most you can
G( OS>)©", *
do
is
just
learn to
3
3
re - lax,
"R" b$ˆ"" "S ewar "" ". a##ard"" ˆder"#$ceˆce" o"' & os "/ oˆdoˆ"/ d
Cause it's
8d
you and it's too late to pray.
The
8g
all
o - ver
now.
It's
* "* ",*
a
" - !* -
ˆ "F" ˆera#"ˆ. a##"( f"% ax0"" "p,
8h
9
whole new
ball
+
10
of wax.
p
con ped. 15
p
p
18
G( OS>)©", *
"R" b$ˆ"" "S ewar "" ". a##ard"" ˆder"#$ceˆce" o"' & os "/ oˆdoˆ"/ d
* "* ",*
" - !* -
!. "hase / Sub"a# / Sam's $ament Prime C! r #$&$% o##& $' ( itr $$) oor $c#os' sr $[! " # 1
q=94
When Willie enters, play low bass pulse (C# quavers) under whole section 5
sim.
11
17
VAMP - CUT OFF ON CUE
Wi##i' $* r o+ s$his$gu, $[Q$ ICK % A& ' ( SI) ' * C' #
Wi##i' $' ( itsr $) oor $c#os' sr $[! " " * #
GHOST © 2011 R. bi/ , S01 2 ar0 , Ba33ar4 . / 4 1 r 3ic1 / c1 05 ! h5 s0 ) 5 / 4 5 / ) 04
2+ , 0+ , 2011 00:+ -
88 Chas1 , S. b2 ay , Sa9 :s ) a9 1 / 0 ; p2
Wi##i' $' ( itsr $) oor $c#os' sr $[! " # 24
A
VAMP - CUT OFF ON CUE
28
sim.
34
S! - $co- + #' t' #& $go, ' $thr ough$* oor r $[% A& ' AS SA6 6 " RPHS 7 HR" $ ! H & " " R# 40
(Pink D#) Wi##i' $! + + ' ! r s$[! " # 46
46a q=137
47
(clicks)
(whoosh)
GHOST © 2011 R. bi/ , S01 2 ar0 , Ba33ar4 . / 4 1 r 3ic1 / c1 05 ! h5 s0 ) 5 / 4 5 / ) 04
2+ , 0+ , 2011 00:+ -
88 Chas1 , S. b2 ay , Sa9 :s ) a9 1 / 0 ; p3
"Willie's Phone Call" 47a
47b
47e
47f
47c
47d
47g
47h
(kick drum) 48
"1st Subway Transition"
F‹
B¨2/F
52
D¨^/F
G'4/F
C/F
F‹(^)
56
B¨2/F
GHOST © 2011 R. bi/ , S01 2 ar0 , Ba33ar4 . / 4 1 r 3ic1 / c1 05 ! h5 s0 ) 5 / 4 5 / ) 04
D¨7/F
2+ , 0+ , 2011 00:+ -
88 Chas1 , S. b2 ay , Sa9 :s ) a9 1 / 0 ; p+
60
G'4/F
C/F
F‹(^)
64
B¨2/F
D¨7/F
G'4/F
68
C/F
F‹(^)
B¨2/F
72
D¨7/F
GHOST © 2011 R. bi/ , S01 2 ar0 , Ba33ar4 . / 4 1 r 3ic1 / c1 05 ! h5 s0 ) 5 / 4 5 / ) 04
G'4/F
2+ , 0+ , 2011 00:+ -
88 Chas1 , S. b2 ay , Sa9 :s ) a9 1 / 0 ; pB
Subway Ghost: "S0ay 5 << 9 y 0rai/ 8" Sam: "Y5 . r 0rai/ = > h5 ar1 y5 . = Ar1 y5 . a ? h5 s0=" SG: "7 his 0rai/ is 9 i/ 1 8 S0ay 5 <<8"
) oor s$c#os' [! " " * #
tempo slows over eight bars to q=102
75
(q=102) 78
last time VAMP
Sam: "I ca/ :08 I ha@ 1 05 ? 1 0 5 / 8 ) 5 5 kA I 4 5 / :0 k/ 5 2 y5 . A a33 ri? h08 I 4 5 / :0 2 a/ 0 a/ y 0r5 . b31 A b. 0 I ha@ 1 05 b1 5 / 0his 0rai/ 8"
Boom! 80
B
./ r ! i, $* ' + ! r ts0
SG: "> h5 ar1 y5 . ="
Sam: "> h5 ar1 y5 . ="
1 SG: "7 his is 9 i/ 1 8 ! 1 0 5 <<8"
82
Sam: "A/ 4 h5 2 a9 I s. pp5 s1 4 05 4 5 0ha0="
2 84
1st Slomo SG gr ! r s$S! -
3
4 SG: "! 1 0 5 << 9 y 0rai/ ! * 5 2 !"
88
SG r ' #' ! s' s$S! -
SG gr ! r s$r ! g
5
GHOST © 2011 R. bi/ , S01 2 ar0 , Ba33ar4 . / 4 1 r 3ic1 / c1 05 ! h5 s0 ) 5 / 4 5 / ) 04
2+ , 0+ , 2011 00:+ -
88 Chas1 , S. b2 ay , Sa9 :s ) a9 1 / 0 ; pC
Sam: "H5 2 4 5 y5 . 4 5 0ha0= H5 2 4 5 y5 . 9 5 @ 1 0hi/ ? s="
2nd Slomo 90
SG thr o1 s$r ! g
SG t! k' s$h! t
SG t! k' s$c! r * ig! ,
SG t! k' s$, ' 1 s+ ! + ' r
SG t! k' s$to1 ' #
7
6
94 SG thr o1 s$to1 ' #
Sam "! 1 0 5 << 9 1 8 P. 0 9 1 4 5 2 / 8" SG #ir ts$S! -
SG gr ! r s$S! -
8
SG: "& 5 2 / = C5 9 1 h1 r1 8"
9 SG: ") ik1 0rai/ s="
98 SG tur , s$S! - $ov' r
3rd Slomo SG + uts$S! - 's$h' ! * $thr ough$1 i, * o1 11
10
SG: "! 1 0 5 <<8 ! 1 0 5 <<8 ! 1 0 5 <<8" 102
SG r ' #' ! s' s$S! -
Wi, * o1 $s- ! sh
13
12
105
* oor s$o+ ' ,
14 (4)
SG: "S0ay 5 <<8 7 his 0rai/ is 9 i/ 1 8" Sam: "J1 s. s8 > ha0 0h1 h1 33 is a33 0his= H1 y! Y5 . !"
Suddenly faster q=130 107
SG thr o1 s$Sam$or r $tr ! i,
Boom!
GHOST © 2011 R. bi/ , S01 2 ar0 , Ba33ar4 . / 4 1 r 3ic1 / c1 05 ! h5 s0 ) 5 / 4 5 / ) 04
112
drum fill
2+ , 0+ , 2011 00:+ -
88 Chas1 , S. b2 ay , Sa9 :s ) a9 1 / 0 ; p-
114
C
(r ! ck$o, $str ' ' t2$S+ ! , ish$3 ! r #' - )
Am
A‹/C
B¨
C6
119
B¨
Am
Am
A‹/C
124
127
B¨
C6
B¨
130 [Sp gtr]
3
Am sub. pp
134
A‹/C
B¨
3
C6
B¨
GHOST © 2011 R. bi/ , S01 2 ar0 , Ba33ar4 . / 4 1 r 3ic1 / c1 05 ! h5 s0 ) 5 / 4 5 / ) 04
Am
2+ , 0+ , 2011 00:+ -
88 Chas1 , S. b2 ay , Sa9 :s ) a9 1 / 0 ; p8 3
137
Am
A‹/C
B¨
142
C6
B¨
Am
Willie: Y5 . ar1 a h5 00i1 A y5 . k/ 5 2 0ha0= Sam: * 5 ! ; [" * #
last time Slowing down over 4 bars to q=120 146
VAMP
A5
151
D
Sam
I
f C©5
can't
feel
a - ny more.
D2
GHOST © 2011 R. bi/ , S01 2 ar0 , Ba33ar4 . / 4 1 r 3ic1 / c1 05 ! h5 s0 ) 5 / 4 5 / ) 04
2+ , 0+ , 2011 00:+ -
88 Chas1 , S. b2 ay , Sa9 :s ) a9 1 / 0 ; p9
155
I
can't
breathe.
C©5
E
D
C©5
159
dance accents
E
163
I
can't
C©5
167
help
D2
a - ny more.
Help
A
GHOST © 2011 R. bi/ , S01 2 ar0 , Ba33ar4 . / 4 1 r 3ic1 / c1 05 ! h5 s0 ) 5 / 4 5 / ) 04
2+ , 0+ , 2011 00:+ -
88 Chas1 , S. b2 ay , Sa9 :s ) a9 1 / 0 ; p10
171
me,
Help
me,
E
D5
175
Mol
-
ly.
C©5
179
F
mp
REPEAT AND FADE
simplify upon fades
> i0h s0rai/ s 5 < Unchained Melody i/ !"! #!! ª %%%
GHOST © 2011 R. bi/ , S01 2 ar0 , Ba33ar4 . / 4 1 r 3ic1 / c1 05 ! h5 s0 ) 5 / 4 5 / ) 04
2+ , 0+ , 2011 00:+ -
!"ø$þ eø&o'ø$ø(e)&eþ eþ ? ! r#m$ % SAFETY (USUALLY ONCE)
Slow Gospel - Swing 8ths q = 72 3
f
G7
5
F7
& ou#' $
3
C
3
G7
3
3
Grant us the gift
of your
3
3
F7
C7
3
all
-
3
3
see - ing pres - ence.
Lift us
up
in - to your
3
mp
G7
8
F7
3
lu
-
3
3
C
G7
C5# r#
mi - nes -cence.
3
F7
& ou#' $
3
3
Our sis -ter will be with us short -ly.
Are you
3
C
G
A
( ) ( * + ,©%þ " ! ! %& ' ( )n%/%* +, w- þ +%/%B- ==- þ . %' n. , þ %=)/ , n/ , %+o%0 1 os+%2 on. on%2 +.
C7
3
! " /" # /þ " ! ! %! þ :# "
93%Aþ , %- o' %A%B, =), þ , þ ?%%4%5 þ $ r' ,* # n ## ( o
11
& ou#' $ 3
3
read - y?
Yes,I’m read - y.
3
B¨
15
3
F
Are you 3
read -y?
B¨
C5# r#
3
You
got -ta be
- $ * or& $ & ,vo* # 5'
rea - dy.
3
F
C
& ou#' $
with us.
Hal - le - lu – jah!
D
I think I’m
3
C
A A Tempo
$ r' ,* # n ## ( o 3
3
We’re not here to fool
Hal - le - lu – jah!
C
G
D
(! #n* ,A) 19
C5# r#
ya.
3
Praise be to Je
-
Hal - le - lu – jah!
(clicks)
sus!
Hal - le - lu – jah!
(clicks)
D
C
G
( ) ( * + ,©%þ " ! ! %& ' ( )n%/%* +, w- þ +%/%B- ==- þ . %' n. , þ %=)/ , n/ , %+o%0 1 os+%2 on. on%2 +.
D
! " /" # /þ " ! ! %! þ :# "
93%Aþ , %- o' %A%B, =), þ , þ ?%%4%5 >
Faster - Funky 23
120 B (gtrq =lick)
( & # ,$ # $ :%1 , ! 6
G‹
27
( & # ,$ # $
Mis -sus San -ti - a - go,
I’m
O - da May
Brown.
I’m here to help
bring your
G‹
30
3
loved
one
down.
Praise be to Je - sus,
D
let us
pray.
G‹
C
33
I be - lieve he’s
gon - na be with
us
to - day.
Hit me!
But there’s no tel - lin' 'bout those & ou#' $
But there’s no tel - lin' 'bout those
F#m
Fm
Em
( ) ( * + ,©%þ " ! ! %& ' ( )n%/%* +, w- þ +%/%B- ==- þ . %' n. , þ %=)/ , n/ , %+o%0 1 os+%2 on. on%2 +.
Em
[+string passages]
B7
! " /" # /þ " ! ! %! þ :# "
93%Aþ , %- o' %A%B, =), þ , þ ?%%4%5 "
36
spir -its
up
there.
You can phone'em up
till you're blue in
the
face.
spir -its
up
there.
You can phone'em up
till you're blue in
the
face.
Em
Am
Em
B7
Em
Am
39
They go shop - ping, play bin - go,
run eve -ry - where.
They can hard -ly stay in one place.
* #' $ r'
They can hard -ly stay in one place.
Em
B7
Em
Am
B
Em/B
&
42
So you got -ta get read - y.
You
got -ta
pre -pare.
Read - y.
B
Em
B7
( ) ( * + ,©%þ " ! ! %& ' ( )n%/%* +, w- þ +%/%B- ==- þ . %' n. , þ %=)/ , n/ , %+o%0 1 os+%2 on. on%2 +.
Get read - y.
Em
Am
! " /" # /þ " ! ! %! þ :# "
93%Aþ , %- o' %A%B, =), þ , þ ?%%4%5 #
45
If you real -ly want to
reach
up
there.
Reach!
Em
B7
Up
Em
there.
Am6
You can yell,
You can cry,
yell,
cry,
Em
B
48
You can shout!
You got - ta cast out your doubts.
shout!
Em/G
51
$
Am6
You got - ta cast out your doubts.
B7
Double-Time Gospel h = 110
Are you a
be - liev - er, are you
real -ly are you
read -y
to
re - ceive?
* #' $ r' ,þ ,r$ * or& $ & ,vo* # 5'
Are you
G7
G7
( ) ( * + ,©%þ " ! ! %& ' ( )n%/%* +, w- þ +%/%B- ==- þ . %' n. , þ %=)/ , n/ , %+o%0 1 os+%2 on. on%2 +.
read - y?
C7
! " /" # /þ " ! ! %! þ :# "
93%Aþ , %- o' %A%B, =), þ , þ ?%%4%5 7
57
Oh
Tell me, are you
Are
you a
re - ceiv - er, are you
read -y
are you
read -y
to
re -
rea - dy?
C7
G7
G7
63
- ceive?
Yeah
Are you
rea - dy?
C7
Are you a
Tell me, are you
rea
-
be - liev - er?
dy?
C7
G7
68
Are you a be -liev
-
er, are you
read -y
to
re
- ceive?
Oh
Are you
G7
C7
( ) ( * + ,©%þ " ! ! %& ' ( )n%/%* +, w- þ +%/%B- ==- þ . %' n. , þ %=)/ , n/ , %+o%0 1 os+%2 on. on%2 +.
read - y?
yeah!
Tell me, are you
C7
! " /" # /þ " ! ! %! þ :# "
93%Aþ , %- o' %A%B, =), þ , þ ?%%4%5 7
74
Are
you a
be - liev - er? Are you
read - y, are you
read -y
to
be - lieve?
rea - dy?
Are you
G7
G7
C7
/
80
We’re
rea - dy?
Tell me, are you
rea
-
cal - lin' all
spi - rits.
We're wait - in' by
the phone.
dy?
C7
G7
[gtr]
86
Don't leave us
hang - in' here pray
-
in' all
a - lone.
We're just
[gtr]
p
( ) ( * + ,©%þ " ! ! %& ' ( )n%/%* +, w- þ +%/%B- ==- þ . %' n. , þ %=)/ , n/ , %+o%0 1 os+%2 on. on%2 +.
C7
! " /" # /þ " ! ! %! þ :# "
93%Aþ , %- o' %A%B, =), þ , þ ?%%4%5 þ
(
92
Feel it
now,
we’re en - ter -ing
the
zone.
* #' $ r'
dang - ling.
Why can't
you
just...
Mmm,
sub. mp
G7
G7
98
Come on
Lord,
bring it
all
down home.
yeah!
Ho
C7
( ) ( * + ,©%þ " ! ! %& ' ( )n%/%* +, w- þ +%/%B- ==- þ . %' n. , þ %=)/ , n/ , %+o%0 1 os+%2 on. on%2 +.
-
ho
- ho -
home!
C7
! " /" # /þ " ! ! %! þ :# "
93%Aþ , %- o' %A%B, =), þ , þ ?%%4%5 9
103
Don’t
just
sit there
rest - ing on
your
throne.
Give
Get up!
G7
Get up!
Get up!
Get up!
Get up!
Come on
down,
G7
107
us
a
sign,
throw
us
a
bone.
* #' $ r' ,þ ,r$ * or& $ & ,vo* # 5'
sfz
Ooh
C7
111
C7
) We’re
Come on
G7
wait - in’ here
down.
Lord,
read -y
to
be
shown.
Come on
down,
G7
( ) ( * + ,©%þ " ! ! %& ' ( )n%/%* +, w- þ +%/%B- ==- þ . %' n. , þ %=)/ , n/ , %+o%0 1 os+%2 on. on%2 +.
! " /" # /þ " ! ! %! þ :# "
93%Aþ , %- o' %A%B, =), þ , þ ?%%4%5 ! "
115
En - ter - ing
Come on
down.
your
mys - ter - y,
Come on
C7
C7
down,
C7
119
touch -ing
the
Come on
un
-
known.
down.
I
G7
can
G7
123
feel
A7
it.
I know it's
real.
So come on
down.
D7
( ) ( * + ,©%þ " ! ! %& ' ( )n%/%* +, w- þ +%/%B- ==- þ . %' n. , þ %=)/ , n/ , %+o%0 1 os+%2 on. on%2 +.
! " /" # /þ " ! ! %! þ :# "
93%Aþ , %- o' %A%B, =), þ , þ ?%%4%5 ! !
( & # ,$ # $ :%1 þ - )s, %+1 , %2 oþ . 3%%)%8, , =%som, +1 )n0 3%%. ). %1 , %* now%som, on, %w1 o's%5 - ss, . %oþ , þ 9% som, on, %n- m, . %Ann- 333%%: - þ ! 333%%Cons' , =- 333%%: - þ )- ? $ r' ,* # n ## ( o:%* )9%s)6%%1 )s%m- m- 3%%* 1 , 's%: - þ )- 3 ( & # ,$ # $ :%)%* n, w%)+3%%1 , 's%w)+1 %1 )s%m- m- 3 * # m:%0 1 %m! %0 o. 3%/C: 2 %0 8 8 %: : * )C,
127
#
1 A$ ! ,2,* u ,on,* u$
G‹
G‹
( $ * (
! r#m$ 131
& # ,$ # $ :%0 1 - +? r' ,* # n ## ( o:%0 1 - +? #' $ r' :%0 1 - +? & # ,$ # $ :%1 mm3%/0 0 ,
( & # ,$ # $ :%* om, +1 )n's%/ om)n'%+1 þ o' 0 1 9%! '- ==3 )%+1 )n* %)%8, , =%som, +1 )n'%/ om)n'%+1 þ o' 0 1 3 )+'s%0 , ++)n'%/ =os, þ 3%%)+'s%0 , ++)n'%/ =os, þ 3
(! #n* ,A#)
0
! 5# 3 , w#* $
134
Hal - le - lu - jah!
D
C
Hal - le - lu - jah!
G
( ) ( * + ,©%þ " ! ! %& ' ( )n%/%* +, w- þ +%/%B- ==- þ . %' n. , þ %=)/ , n/ , %+o%0 1 os+%2 on. on%2 +.
D
! " /" # /þ " ! ! %! þ :# "
93%Aþ , %- o' %A%B, =), þ , þ ?%%4%5 ! þ
( & # ,$ # $ :%)'m%- 8þ - ). %+1 )s%)s%+oo%1 - þ . 3%%; ow%)%0 o+%+wo%so' =s%)%0 o++- %/ on+- / +;%&' =)o%- n. %: - þ )- 3 )%. on'+%* now%- ( o' +%+1 - +3%%)+'s%. )88)/ ' =+9%! o' %* now3%%2 1 , %5 - )n;%+1 , %, 88oþ +3 * #' $ r' :%(sung)%2 1 , %5 - )n;%+1 , %, 88oþ +3 $ r' ,* # n ## ( o:%)%5 - ! %moþ , 3%%1 ow%m' / 1 ?%%1 ow%m' / 1 ? C5# r# :%1 ow%m' / 1 %! o' %0 o+? * # m:%0 - ! %+o%0 o3%%: )=* %1 , þ %8oþ %, þ , þ ! %5 , nn! 3%%/C: 2 %2 1 , %: : * )C,
! r#m$ 138
1 A$ ! ,2,* u ,on,* u$
*
* #' $ r' ,(# ,# n3 ,4 o#n ,#n, ) #' ,v# m4 )
The pain;
the
ef - fort...
E5
( & # ,$ # $ :%1 , ! 6%%%$ r' ,* # n ## ( o:%0 1 - +?%%%* #' $ r' :%0 1 - +?%%%( & # ,$ # $ :%: - n3 $ r' ,* # n ## ( o:%8 )þ , %. o==- þ s3%%%* #' $ r' :%8 )þ , %. o==- þ s?%%%( & # ,$ # $ :%&, s' s333
A tempo
* #' $ r'
142
ad lib.
Je
-
-
-
sus!
[Drum hits]
D5
(! #n* ,B) 145
( & # ,$ # $
Mis -sus San - ti - a - go,
It's hap -pen -ing
now.
His
spi -rit is
in - fus -ing me
and
Gm
( ) ( * + ,©%þ " ! ! %& ' ( )n%/%* +, w- þ +%/%B- ==- þ . %' n. , þ %=)/ , n/ , %+o%0 1 os+%2 on. on%2 +.
! " /" # /þ " ! ! %! þ :# "
93%Aþ , %- o' %A%B, =), þ , þ ?%%4%5 ! >
148
break -ing me
down.
Gm
You're gon - na see
it
right be - fore your eyes.
Gm
D
&
151
* #' $ r'
Hold on tight and watch me be trans - mog -ri - fied.
Tell me, are you
she
real - ly real - ly
A
Gm
156
0 . - %: - , %+- =* )n0 %)n%+on0 ' , s%/%- . %=)( s%' n+)=%, n.
rea - dy
rea - dy? Is
to
re
-
* #' $ r' ,þ ,r$ * or& $ & ,m# 5$ ,vo* # 5'
ceive?
You be - lieve,
- $ * or& $ & ,5# & #$ ' ,vo* # 5'
Could be
rea - dy;
Yes, she might be
rea - dy.
D
( ) ( * + ,©%þ " ! ! %& ' ( )n%/%* +, w- þ +%/%B- ==- þ . %' n. , þ %=)/ , n/ , %+o%0 1 os+%2 on. on%2 +.
! " /" # /þ " ! ! %! þ :# "
93%Aþ , %- o' %A%B, =), þ , þ ?%%4%5 ! "
161
you
be - lieve?
Yes,
A7
she might
be
You
be - lieve,
You
be - lieve,
rea - dy.
A7
165
you
be - lieve?
Yes,
D7
she might
be
rea
-
dy!
D7
169
you
be - lieve?
You
Yes,
A7
she might
be
be - lieve,
rea - dy.
A7
( ) ( * + ,©%þ " ! ! %& ' ( )n%/%* +, w- þ +%/%B- ==- þ . %' n. , þ %=)/ , n/ , %+o%0 1 os+%2 on. on%2 +.
! " /" # /þ " ! ! %! þ :# "
93%Aþ , %- o' %A%B, =), þ , þ ?%%4%5 ! #
173
you
be - lieve?
Yes,
D7
177
she might
be
rea
-
dy!
D7
$ Rea - dy!
Rea - dy!
Rea - dy!
Rea - dy!
Rea - dy!
Rea - dy!
Rea - dy!
Rea - dy!
Rea - dy!
( ) ( * + ,©%þ " ! ! %& ' ( )n%/%* +, w- þ +%/%B- ==- þ . %' n. , þ %=)/ , n/ , %+o%0 1 os+%2 on. on%2 +.
Rea - dy!
Rea - dy!
Rea - dy!
! " /" # /þ " ! ! %! þ :# "
93%Aþ , %- o' %A%B, =), þ , þ ?%%4%5 ! 7
! r#m$
182
$ r' ,* # n ## ( o: þ )%( , =), þ , þ þ )88
So
come
on
So
come
on
So
come
on
So
come
on
(clicks)
185
So
come
on
So
come
on
down!
So
come
on
So
come
on
down!
( ) ( * + ,©%þ " ! ! %& ' ( )n%/%* +, w- þ +%/%B- ==- þ . %' n. , þ %=)/ , n/ , %+o%0 1 os+%2 on. on%2 +.
! " /" # /þ " ! ! %! þ :# "
!"#$%&'$(')$*)'+,$-'. Oö a Mae!"#Wh$ $%" he! e #
Moderately
C©‹7
!
5
variations ad lib.
11
16
G$ OS=
Sa# !"Ô he! e$%"' "$ $ m' n[( ) °
REPEAT AND JUMP ON CUE TO FIG B
"⁄ * + + "- u# in"/"S e$ ' ! "/". ' ll' ! ä "unä e! "licence" $ "Gh$ % "L$ nä $ n"L ä
⁄ 4/* 4/⁄ * + + "+ + !3,
+ * ."( ä ' "M' e"1 e' ! %"S' m""-"2 ⁄
ö
21
sim.
SOFTEN & CUT OFF ON CUE
Sa# !"0"ä $ n$ "c' ! e"h$ $ "l$ ng"i " ' ke%.""0"c' n"%ing"ä $ ! eve! ."" "hunä ! eä "# $ le%"$ ä "# ee! "$ n" he"$ ' ll..."[( ) ° 27
32
REPEAT AND CUT OFF ON CUE Small GP
38
C Medium 4
%
Slow 4
p
44
Segue 11. W!& ' ( ou G$ OS=
"⁄ * + + "- u# in"/"S e$ ' ! "/". ' ll' ! ä "unä e! "licence" $ "Gh$ % "L$ nä $ n"L ä
⁄ 4/* 4/⁄ * + + "+ + !3,
!!"#W$ %#&o' Freely M I picked up your shirts
this morn - ing.
I don't know why,
I
don't know why.
Mis -ter
p
5
3
M Rey -nolds said to
9
say
hel - lo.
I star -ted to
cry,
I start -ed to
cry.
mosso
M Ev - 'ry place
we
e - ver walked
and
ev - 'ry - where we
talked,
I miss you.
You
13
M nev - er
leave
my
mind, So
much
of
you
G! " S˙ #" 2011 Rub#$ / S%ewa % / ö a''a ö u$ ö e '#ce$ ce %o G( o % p o$ ö o$ p %ö
is
left
be - hind.
10/05/2011 15:55
11. W#%( " ou - p 2
G
A
Em7
Cadd2
Am11
M You
took
my
days
with you.
mp
21
G
Em7
Cadd2
Am11
M ...took
my
nights with you
mp
25
G
Em7
G/C
Cm
M ooh...
Those un
mp
G! " S˙ #" 2011 Rub#$ / S%ewa % / ö a''a ö u$ ö e '#ce$ ce %o G( o % p o$ ö o$ p %ö
10/05/2011 15:55
11. W#%( " ou - p 3
GB
D/F©
C'2/E
D/F©
M fi -nished
34
con
-
ver -sa - tions
G
We
used to have
sim.
D/F©
still
speak to me.
C'2/E
D“
And I
D
M write you let -ters e - ve - ry day
38
That I
C
ne -ver send
D
and you'll
C/E
ne -ver see.
D/F©
M All
42
this wish
- ful
C
think - ing gets
D
me
no - where, I
C/E
can't
stay.
D/F©
M Though my heart
is
bro - ken, it
keeps
break - ing ev
- 'ry
day.
poco cresc.
G! " S˙ #" 2011 Rub#$ / S%ewa % / ö a''a ö u$ ö e '#ce$ ce %o G( o % p o$ ö o$ p %ö
10/05/2011 15:55
11. W#%( " ou - p 5
C M You
took
my
hopes
with you.
mf
50
M ...took
my
dreams with you
54
M ooh...
G! " S˙ #" 2011 Rub#$ / S%ewa % / ö a''a ö u$ ö e '#ce$ ce %o G( o % p o$ ö o$ p %ö
10/05/2011 15:55
11. W#%( " ou - p 5
D
ad lib.
M I keep think -ing that you'll be call - ing,
Ev -'ry - one says that it's all in my head,
And I
[ % #$ g ]
G
62
D/F©
ad lib.
M can't acc - ept it
65
C2
yet.
I'm not rea -dy to just
give in,
I know that I
can't live in this
pain
D
M with these feel -ings of
re - gret.
G! " S˙ #" 2011 Rub#$ / S%ewa % / ö a''a ö u$ ö e '#ce$ ce %o G( o % p o$ ö o$ p %ö
10/05/2011 15:55
11. W#%( " ou - p 6
67
C
D
C^/E
D/F©
M I
71
can't com - pre
C
-
hend this, and
pre
D
-
tend that I
C/E
don't
care.
D/F©
M A - ny place
75
I
want to be
E
E
I
want to see
C©‹7
you
there.
A'2
M You
took
pp
G! " S˙ #" 2011 Rub#$ / S%ewa % / ö a''a ö u$ ö e '#ce$ ce %o G( o % p o$ ö o$ p %ö
10/05/2011 15:55
11. W#%( " ou - p 7
79
F©‹7
E
C©‹7
A'2
M my life
83
with you.
F©‹7
...took
E^
C©‹9
E^/A
M my
87
A‹
world
with you
A‹6
G! " S˙ #" 2011 Rub#$ / S%ewa % / ö a''a ö u$ ö e '#ce$ ce %o G( o % p o$ ö o$ p %ö
E
10/05/2011 15:55
G! " # $ %© ! " # # Rubin / Gtewart / Ballard under licence to Ghost L ondon L td
Blank page
!!"#$%&''( O=! "# ! e: Ditto? What's that mean, "Ditto"? [START]
# o==$ : Sam? Maybe you should come in.
Freely
(Oda Mae follows her into the loft) 6
Moderately
C
10
E‹
C/E
E‹
11
F^
C/G
C
C/E
E‹
S=ow"! n="s% o& "on"c$ e
14
Em/G
E‹
C
E‹
C/E
E‹
16
C
E‹
GHOST © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
C/E
E‹
24/04/2011 12:21
11a. Ditto - p2
18
Fsus2
C2/E
F^
C/G
Am7
Em/G
As loft finishes forming, slow & normally finish (pause) on an Em chord ! " þ " $
C
C^/G
F2
E‹
C/E
E‹
of if it takes longer to complete then finish on any beat 1 or 3 in these bars
22
GHOST © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
24/04/2011 12:21
12. S!sp"#$ %y &isb"'i"( ) I Ha$ * +i(" [*c, I -i#a'".
# ö %me
0
O=a!Mae! "- w" s " se-up p Moll$ . % e w" s & uö >eö e>. [ö " ö ( ]
Moll" ! O) & $ go>. S" & p " ö e $ ou ) eö e? [ö " ö 1]
mf
[syn pad]
1
q=116
Moll"
M If there's a -
C
E5
C/E
E5
C
E5
C/E
E5
5
M - ny -thing left
C
I can do
To con -vince
E5
C/E
E5
my -self it
could be true,
C
It's up to
E5
C/E
me
E5
9
M To sus - pend my
F^
C/G
dis - be - lief.
Em/G
If there's e -
C
G& OS' !" 2( 11 Ruö *+ / S-ew" ö - / ö " ll" ö > u+ >eö l*ce+ ce -o G) os- p o+ >o+ p ->
E5
C/E
E5
25/( 5/2( 11 16!55
12. Susp e+ > M$ , *sö el*ef / " % " > $ p *fe - 2
13
M - ven one thing left to try;
C
I
E5
C/E
don't e - ven need
E5
to know why.
It's just re -
C
E5
C/E
lief
E5
17
M to sus - pend my
F^
21
dis - be - lief.
C/G
How
Em/G
C
must
be
true.
C/E
E5
F^
E5
can
it
C/E
E5
(
M be?
C
It
E5
This
thing
C/G
I
Em/G
25
M feel:
C
I
C/E
know
A5/E
it's
you.
C
G& OS' !" 2( 11 Ruö *+ / S-ew" ö - / ö " ll" ö > u+ >eö l*ce+ ce -o G) os- p o+ >o+ p ->
It's a chance
sim
E5
C/E
E5
25/( 5/2( 11 16!55
12. Susp e+ > M$ , *sö el*ef / " % " > $ p *fe - 3
29
)
M in a mil -
lion, I
know,
C
But I'll take
E5 sim. C/E
it be - fore
E5
I let go,
C
And ad - mit de - feat;
E5
C/E E5
33
M I'll sus - pend my
-
C/G
F^
37
dis
be
-
lief.
Em/G
How could she
C
E5
C/E E5
*
M know?
It
C
E5
must
be
real.
C/E
E5
F^
I
know
C/G
it's
Em/G
41
M you.
C
I know
C/E
A5/E
how I
feel.
C
G& OS' !" 2( 11 Ruö *+ / S-ew" ö - / ö " ll" ö > u+ >eö l*ce+ ce -o G) os- p o+ >o+ p ->
Sus - pend my
E5
dis
-
C/E
be
-
lief.
E5
25/( 5/2( 11 16!55
12. Susp e+ > M$ , *sö el*ef / " % " > $ p *fe - 5
45
5
M
Am
E/G©
F
* aö l! % ow c" + $ ou ö el*eve so& e foö -u+ e-elleö fö o& Sp " + *s) % " ö le& w) o s) ows up " - $ ouö >ooö ? Moll" ! " s" - -) eö e " + > w" -c) e>. S) e w" s -" lk*+ g -o ) *& * aö l! " >o+ +- ö u$ *-p Moll. No- foö " & *+ u-e. Moll" ! C" ö lp s) e k+ ew -) *+ gs. " k+ ow -) e$ weö e -ö ue. * aö l! W) " - k*+ > of -) *+ gs? Moll" ! =) e p ) o-o S" & -ook " s we ö o>e -) e ö us *+ -o Re+ o. We weö e " ll " lo+ e. ö us- us. "-+s so& e-) *+ g + o o+ e woul> k+ ow. $ + > -) e s-" ö f*s) o+ Mo+ -ego ö " $ . S) e s" *> -) " - S" & k+ ows w) o k*lle> ) *& -) " - ) e w" s se- up …& uö >eö e>. * aö l! =) *s *s ge--*+ g >eö " + ge>. We+ö e go*+ g off -) e >eep e+ > ) eö e. Moll" ! S) e ) " > " + " & ep " + " >>ö essp " co& p le-e ", . Sam! Goo> Moll$ . Goo>. 50
B/D©
E5
Am
Moll" ! W*ll*e p op eö p 321 " ö osp ec- " l" cep $ p " ö -& e+ - 5, . S) e s" *> S" & w" + -s & e -o go -o -) e p ol*ce. * aö l! =) e p ol*ce? Moll$ p ö esus! W) " - " ö e $ ou go*+ g -o -ell -) e& ? So& e s-oö efö o+ - p s$ c) *c+s ö ee+ ge--*+ g & ess" ges fö o& -) e >e" >?
last t%me 54
58
E/G©
F
G& OS' !" 2( 11 Ruö *+ / S-ew" ö - / ö " ll" ö > u+ >eö l*ce+ ce -o G) os- p o+ >o+ p ->
B/D©
SAFETY
E
25/( 5/2( 11 16!55
12. Susp e+ > M$ , *sö el*ef / " % " > $ p *fe - 5
E 60
* aö l! =) *s wo& " + 's " +oke. p ook " - $ ou. " ou've go- -o le- go.
* aö l! S-op *- Mollp s-op *-. =) *s *s s*ck. "-'s ö e" ll$ s*ck.
Sam! " k+ ow *- sou+ >s cö " ö $ p ö u- $ ou've go- -o -ö us- ) eö .
M Sus - pend my dis - be - lief.
C
Em
C/E
Sus - pend my dis - be - lief.
C
Em
C/E
Sus
F^
65
M pend my dis - be
- lief.
I know you're here.
It must be
C When it's o
C/G
-
Em/G
ver, it's o - ver.
None of it's real.
C
Em
C/E
C
Em
C/E
70
M you.
I know what I
feel.
I know that it's
real.
Em/G
C
C You've got to heal.
C
It's part of the deal.
Em
C/E
F^
C/G
accel.
75
Em
C/E
C
Em
C/E
G& OS' !" 2( 11 Ruö *+ / S-ew" ö - / ö " ll" ö > u+ >eö l*ce+ ce -o G) os- p o+ >o+ p ->
F2
E‹/G
25/( 5/2( 11 16!55
12. Susp e+ > M$ , *sö el*ef / " % " > $ p *fe - 6
80 Faster q=128
83
whoosh
mp
F 85
C I don't be - lieve it,
it's
so
sad.
Where are the good times
Now!
More!
Am mf marcato
E/G©
we
once had?
89
C Such a high that we were on,
I can't ac -cept that it's all
gone.
Fast!
Deal!
Life!
F
B/D©
E
G& OS' !" 2( 11 Ruö *+ / S-ew" ö - / ö " ll" ö > u+ >eö l*ce+ ce -o G) os- p o+ >o+ p ->
How could this hap - pen?
Now!
mf Am marcato
25/( 5/2( 11 16!55
12. Susp e+ > M$ , *sö el*ef / " % " > $ p *fe - 7
93
C We
were friends.
Thought we had some -thing
that
ne - ver ends.
We'll get o - ver itsome - how,
More!
Fast!
E/G©
F
97
pre-recorded
M pre-recorded
Here
right
now.
Here
right
now.
S
C All we've got is here and now.
Deal!
B/D©
It was a mis -un -der -stand
Life!
E
G& OS' !" 2( 11 Ruö *+ / S-ew" ö - / ö " ll" ö > u+ >eö l*ce+ ce -o G) os- p o+ >o+ p ->
f
F
25/( 5/2( 11 16!55
12. Susp e+ > M$ , *sö el*ef / " % " > $ p *fe - .
101
M Here
right
now.
Here
right
now.
Here
right
Here
right
now.
Here
right
now.
Here
right
S
C - ing.
G
106
A mis -un -der -stand -
ing.
It was a mis -un -der -stand -
Am
D‹11
G Faster
ing.
G
VAMP [ON] " s C" ö l e+ -eö s fl" -
M now.
S now.
Am
poco cresc.
fp
Fm/C
W%ll%e! W) eö e's s) e ge--*+ g *- fö o& p ) u) ? Sam! C" ö l! [ON] 110
VAMP
[gtr - long fall]
G& OS' !" 2( 11 Ruö *+ / S-ew" ö - / ö " ll" ö > u+ >eö l*ce+ ce -o G) os- p o+ >o+ p ->
25/( 5/2( 11 16!55
12. Susp e+ > M$ , *sö el*ef / " % " > $ p *fe - /
# ö %me
, foö !- . * .
W%ll%e! $ lo- of wo& e+ k+ ow w) eö e " l*ve. [S=$ R=] 113
&
Steady 2
4
8
122
129
* aö l! ..." ou weö e sup p ose> -o s-e" l ) *s w" lle-...
+
136
S I had a
life,
I had it
all,
G& OS' !" 2( 11 Ruö *+ / S-ew" ö - / ö " ll" ö > u+ >eö l*ce+ ce -o G) os- p o+ >o+ p ->
And from such
a height
25/( 5/2( 11 16!55
12. Susp e+ > M$ , *sö el*ef / " % " > $ p *fe - 1(
142
S It's so
far
to fall.
You took all
I
had,
Torn a -part at the
147
S seams.
You've
151
q=c.132
ta -ken from me
Ev -'ry - thing I
see
And
/
S sto -len my dreams.
I had a life.
I
Bm
had
it
all.
F©/A©
f
156
S And from
such a
height,
It's so far
to fall.
You took all I
had.
G
G& OS' !" 2( 11 Ruö *+ / S-ew" ö - / ö " ll" ö > u+ >eö l*ce+ ce -o G) os- p o+ >o+ p ->
25/( 5/2( 11 16!55
12. Susp e+ > M$ , *sö el*ef / " % " > $ p *fe - 11
161
S Torn a - part at the
D
seams.
You've
A/C©
165
M If there's a -
S ta -ken from me
ev -'ry - thing I
see
and you've sto -len my dreams.
C
169
I
had
a
life!
G
0
M -
ny -thing more I can do?
I'll
do it and find my way back
to
you.
S I
D
had
it
all.
And from such a
height,
A/C©
G& OS' !" 2( 11 Ruö *+ / S-ew" ö - / ö " ll" ö > u+ >eö l*ce+ ce -o G) os- p o+ >o+ p ->
25/( 5/2( 11 16!55
12. Susp e+ > M$ , *sö el*ef / " % " > $ p *fe - 12
173
M Sus - pend my
dis - be - lief.
If there's e -
S It's so
far
to fall.
I gave you all I
C
had.
G
177
M - ven one thing left to try;
I
don't e -ven need to know why.
S Torn a -part at the
D
seams.
You've
A/C©
181
M Sus - pend my
dis
-
be
-
lief.
S ta - ken from me
C(“4)
and for - sa - ken
C
C(“4)
me
And
sto - len my
dreams.
C
G& OS' !" 2( 11 Ruö *+ / S-ew" ö - / ö " ll" ö > u+ >eö l*ce+ ce -o G) os- p o+ >o+ p ->
25/( 5/2( 11 16!55
12. Susp e+ > M$ , *sö el*ef / " % " > $ p *fe - 13
, ) l=e!F.
184
Faster q=137
186
C We're just play -ing
a
num - bers game.
Now!
And ev -'ry sec -ond
the
More!
[gtr] whoosh
F‹7
B¨(“2)/F
189
C num - bers change.
This is what
I live to feel
It's the beau - ty of the deal.
Fast!
Life!
Deal!
D¨^/F
G('4)/F
C/F
G& OS' !" 2( 11 Ruö *+ / S-ew" ö - / ö " ll" ö > u+ >eö l*ce+ ce -o G) os- p o+ >o+ p ->
25/( 5/2( 11 16!55
12. Susp e+ > M$ , *sö el*ef / " % " > $ p *fe - 15
193
C This is the ess -ence
of
high
fi - nance.
So ma - ny steps when you
Go!
Yes!
F‹7
B¨(“2)/F
do
this
dance.
M
197
C This is al - ways such a rush,
Send -ing mill -ions with one
touch.
New York, New York,
Move!
Rush!
Touch!
New
D¨^/F
G('4)/F
C/F
Fm
G& OS' !" 2( 11 Ruö *+ / S-ew" ö - / ö " ll" ö > u+ >eö l*ce+ ce -o G) os- p o+ >o+ p ->
25/( 5/2( 11 16!55
12. Susp e+ > M$ , *sö el*ef / " % " > $ p *fe - 15
201
3
C New York.
The
ci - ty
that
knows
ev -'ry - thing.
York.
Where and
when and
who
New
Fm7/A¨
B¨6
D¨6
Fm
ad lib.
205
C and
what
and which and
why and
how.
New
York.
D¨^
C‹7
B¨7
York.
New
York.
Fm
Fm7/A¨
210
C It - 'll
B¨6
give
you
ev -'ry -
D¨6
thing.
Think it,
Fm
G& OS' !" 2( 11 Ruö *+ / S-ew" ö - / ö " ll" ö > u+ >eö l*ce+ ce -o G) os- p o+ >o+ p ->
dream it.
Hey,
you
got
it!
D¨^
25/( 5/2( 11 16!55
12. Susp e+ > M$ , *sö el*ef / " % " > $ p *fe - 16
214
C Here
right
now.
Here
right
now.
Here
right
now.
C‹7
B¨7
%n!t1 e!last!baö !- la" e= * aö l! ...-) eö e wo+ '- ö e " + $ p ö oö le& s [ON]
VAMP - OUT ANY BAR 218
221a
221b
221c
221d
spiccato
Subito meno mosso
222
M If there's
S I
had
a
life,
p
G& OS' !" 2( 11 Ruö *+ / S-ew" ö - / ö " ll" ö > u+ >eö l*ce+ ce -o G) os- p o+ >o+ p ->
25/( 5/2( 11 16!55
12. Susp e+ > M$ , *sö el*ef / " % " > $ p *fe - 17
226
N
M a - ny -thing more
I can do.
I'll
do it and find
my way back
to
you.
Sus -
S I
ff
had
it all.
D
And from
such a
height,
Asus/C©
230
M pend my dis - be - lief.
S It's so
far
to fall.
I gave you all I
had.
C It was a mis -un -der -stand - ing.
C6('2)
G
234
M E - ven one thing left to try.
Don't e -ven need to know why.
S Not a lot,
D
it
seems.
You've
Asus/C©
G& OS' !" 2( 11 Ruö *+ / S-ew" ö - / ö " ll" ö > u+ >eö l*ce+ ce -o G) os- p o+ >o+ p ->
25/( 5/2( 11 16!55
12. Susp e+ > M$ , *sö el*ef / " % " > $ p *fe - 1.
238
S ta -ken from me,
and for - sa - ken
me,
and bro -ken my dreams.
C6('2)
I
had
a
life!
G
242
M You
are
my
heart,
You
need
to
know
You're
S I had it all.
And from such a
height,
C It was a mis -un -der -stand - ing.
D
It's here
Asus/C©
G& OS' !" 2( 11 Ruö *+ / S-ew" ö - / ö " ll" ö > u+ >eö l*ce+ ce -o G) os- p o+ >o+ p ->
right
now.
C6('2)
25/( 5/2( 11 16!55
12. Susp e+ > M$ , *sö el*ef / " % " > $ p *fe - 1/
247
M not
a
-
lone.
far
to fall.
You're
S It's so
I did -n't un - der - stand.
C It's all
here
right
now.
G
D
251
M not
a
-
-
lone.
You
were
my
S I
was dying
to
see.
It's
C It's
all
here
right
Asus/C©
G& OS' !" 2( 11 Ruö *+ / S-ew" ö - / ö " ll" ö > u+ >eö l*ce+ ce -o G) os- p o+ >o+ p ->
25/( 5/2( 11 16!55
12. Susp e+ > M$ , *sö el*ef / " % " > $ p *fe - 2(
254
C6('2)
G
M heart.
S all
on
loan,
There's noth - ing you own,
But
noth -ing's for free.
C now.
C6('2)
G
O
257
M Here
right
now,
S I
had
a life.
I
had
a
life.
C This is
the life
This
is
the way
we're dri - ven.
This is
the time,
This is
the life
This
is
the way
we're dri - ven.
This is
the time,
This is
the life
This
is
the way
we're dri - ven.
This is
the time,
ff
G‹
D
G& OS' !" 2( 11 Ruö *+ / S-ew" ö - / ö " ll" ö > u+ >eö l*ce+ ce -o G) os- p o+ >o+ p ->
G‹(^)/B¨
25/( 5/2( 11 16!55
12. Susp e+ > M$ , *sö el*ef / " % " > $ p *fe - 21
262
M Here
right
now.
You are
my
life.
S I
had
a life.
C
D
This is
the
chance
we're gi - ven.
This is
the life.
This is
the
chance
we're gi - ven.
This is
the life
This is
the
chance
we're gi - ven.
This is
the life
G‹(^)/B¨
G& OS' !" 2( 11 Ruö *+ / S-ew" ö - / ö " ll" ö > u+ >eö l*ce+ ce -o G) os- p o+ >o+ p ->
G‹(^)
D
25/( 5/2( 11 16!55
GHOST ©!2«11!Rub#n!/!S!ewa$ !!/!Balla$ d!unde$ !l#cence!!% !G& % '!!L% nd% n!L!d
Blank!" age
13. Act 2 Opening [Rain / Hold On]
q=130
c! ." " #secs#of ! $% os& h eú e on#$ú ! ck#$h en
gunshot / thunder
Gm13
(clicks)
sim.
[gtrs]
6
echo
(sim.)
Gm7
9
A
Ensemble
Go...
Now...
Molly
M You lead
me,
I'll
fol - low.
I
can feel
you,
E¨
GHOST # 2011 R$ ö &n / S ' w# ö / ö # 00# ö d $ nd' ö 0&c' nc' o G( os p ondon p d
10/05/2011 17:1"
13. * c 2 Op ' n&ng [R# &n / + o0d On] - 2
13
Here...
M right be -side
me.
Not dream - ing,
re - a -wak - ened,
Won't give
up,
B¨
17
3
Ah
Down...
M Won't
e - ver
let
you down.
This
jour - ney's
not
o
-
ver,
E¨
20
No...
3
Here
3
M Tide's
turn - ing,
won't let you get washed a - way.
B¨
GHOST # 2011 R$ ö &n / S ' w# ö / ö # 00# ö d $ nd' ö 0&c' nc' o G( os p ondon p d
10/05/2011 17:1"
13. * c 2 Op ' n&ng [R# &n / + o0d On] - 3
B
24
right
now!
3
M I feel you with
me now.
I'm
not
a
-
3
3
Dm
28
M lone.
Right
now
Want you
to
3
Gm
Dm
C
32
M know:
Gm
I'm
here
for
Gm6
GHOST # 2011 R$ ö &n / S ' w# ö / ö # 00# ö d $ nd' ö 0&c' nc' o G( os p ondon p d
10/05/2011 17:1"
13. * c 2 Op ' n&ng [R# &n / + o0d On] - 5
36
M you,
40
D
I'll
see
this
#) o *ce#s$! $*on#scene+ Officer:Ok# * p 0' m' g'
through.
( &s s ö # &g( ...
G‹13
42
sim.
(G dorian chords)
48
GHOST # 2011 R$ ö &n / S ' w# ö / ö # 00# ö d $ nd' ö 0&c' nc' o G( os p ondon p d
10/05/2011 17:1"
13. * c 2 Op ' n&ng [R# &n / + o0d On] - 5
last time
Officer:... ( &s wom# n's # c( # ö 0# # n. [GO ON] 56
E VAMP B¨‹6/G
60
PLAY THREE TIMES
semiquaver riff fades over 4 bars
B¨‹6
last time 64
F q=121 subito
65
72 VAMP (Vocal last time)
Molly
M (vocal pickup actually starts in vamp, penultimate time)
F‹
Db
74
When it's o
D¨/F
-
F‹
ver it's o - ver.
I
F‹
Db
D¨/F F‹
accel poco a poco
M have
Db
to
let
go.
None of
F‹
D¨/F
GHOST # 2011 R$ ö &n / S ' w# ö / ö # 00# ö d $ nd' ö 0&c' nc' o G( os p ondon p d
F‹
it's
real.
Db
10/05/2011 17:1"
13. * c 2 Op ' n&ng [R# &n / + o0d On] - 6
77
M It's
F‹
D¨/F
part
F‹
of
the
deal.
Db
F‹
D¨/F
F‹
need
you
G 80
and now q=130
Ens
Go... Sam
Walk...
S I'm
with
you,
right be -side
you,
I
G¨
83
Run...
S to
be -lieve
it.
Don't stop now,
You can feel
me
in - side
you.
D¨
GHOST # 2011 R$ ö &n / S ' w# ö / ö # 00# ö d $ nd' ö 0&c' nc' o G( os p ondon p d
10/05/2011 17:1"
13. * c 2 Op ' n&ng [R# &n / + o0d On] - 7
87
Ah
Rain...
Lost...
S 3 Don't lose me in
the rain.
This
jour - ney's
not
o -
ver.
Still pour - ing,
G¨
91
Here
right
S 3 All of
3 my dreams swept a - way.
D¨
H
95
now!
3
S 3 You know you feel
3
me now,
You're not 3
Fm
GHOST # 2011 R$ ö &n / S ' w# ö / ö # 00# ö d $ nd' ö 0&c' nc' o G( os p ondon p d
a
-
lone.
B¨m
10/05/2011 17:1"
13. * c 2 Op ' n&ng [R# &n / + o0d On] - "
99
S Right
now
Want
you
to
Fm
I
102
S know.
Just
B¨m
see
this
B¨m6
106
S through,
I'm
here
for
you.
I'm
109
S here
3 for
you, here
3 for
you.
mp subito
GHOST # 2011 R$ ö &n / S ' w# ö / ö # 00# ö d $ nd' ö 0&c' nc' o G( os p ondon p d
big
10/05/2011 17:1"
13. * c 2 Op ' n&ng [R# &n / + o0d On] - ,
112
J
Molly
M I was a
fool, And I was
ta - ken for a
ride,
And I was
B¨5
look -ing past the truth, But
I was
B¨^(;3)
115
M suck -ered by the lies
Be -cause it's
too
late
to pre - tend,
And now I've
B¨7(;3)
118
M lost
you
a gain.
I bought it
B¨5
all
be -cause I
B¨5
121
M want -ed to be -lieve and now I think I've hit the wall. I'll ne -ver trust what I can't see, Be -cause I
B¨^(;3)
GHOST # 2011 R$ ö &n / S ' w# ö / ö # 00# ö d $ nd' ö 0&c' nc' o G( os p ondon p d
did all that I could.
B¨7(;3)
10/05/2011 17:1"
13. * c 2 Op ' n&ng [R# &n / + o0d On] - 10
125
M And now I've
lost
you
for good.
I'm
B¨5
128
K
3
M fall - ing,
Can't stop my -self
fall - ing.
Eb
I'm
Gm
133
Eb
L
3
fall - ing,
3
M I
just keep on
fall - ing.
Gm
F
138
3
M
C
F
GHOST # 2011 R$ ö &n / S ' w# ö / ö # 00# ö d $ nd' ö 0&c' nc' o G( os p ondon p d
C
10/05/2011 17:1"
13. * c 2 Op ' n&ng [R# &n / + o0d On] - 11
M
143
3
M I
just want -ed to hold
F
on
some - how.
A‹
N
148
M Look
at
E‹
me
now.
F
Gsus
153
O
Sam
S I
just need you to hear
me,
C5
157
S I
just want you to fight.
etc.
C5maj7
GHOST # 2011 R$ ö &n / S ' w# ö / ö # 00# ö d $ nd' ö 0&c' nc' o G( os p ondon p d
I'm
not real - ly gone,
You've
C57
10/05/2011 17:1"
13. * c 2 Op ' n&ng [R# &n / + o0d On] - 12
161
P
3
S got to go on
F
'Til
Fm
we set this right.
I'm not gon -na leave you,
C5
C5
E-
166
S ter - ni - ty can wait.
We'll
C5maj7
170
find a way how,
But if you give up now
C57
F
Q
3
It will
Fm
3
S all be too late.
I
C5
need
you
to keep hold -ing
F
on
to
me now.
A‹
175
S You can't
G
let
go,
you can't
F
GHOST # 2011 R$ ö &n / S ' w# ö / ö # 00# ö d $ nd' ö 0&c' nc' o G( os p ondon p d
let
go.
I need
G('4)
you
F
10/05/2011 17:1"
13. * c 2 Op ' n&ng [R# &n / + o0d On] - 13
181
R
3
S to keep hold - ing
on.
A‹
G
3
186
S You have to know
D
you can't
G
let
go.
D
191
S
Bm
G
196
S
S Please
C p dim.
G/B
GHOST # 2011 R$ ö &n / S ' w# ö / ö # 00# ö d $ nd' ö 0&c' nc' o G( os p ondon p d
hold
on.
D5
10/05/2011 17:1"
GHOST © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
Blank page
!"#$%&'($)(*'+$,'$-$.&(( Pö $me C! ö ö :Some"#mes we nee$ "o ö e #eve. [S=& R= ö ' ö 0]
Moö ö # :W( & ?... ' w' s ' foo . 0
q=80
0a
Moö ö # : ' $ on'" ö e #eve ' n& "( #ng ' n& moö e. W( & wo $ p eop e $ o s c( "( #ngs?
1
C! ö ö
C It's not ea -sy to face
G
G
4
C whatlife brings some -times,
D
That things can't be re - placed
C
and lifeturns on a
dime.
how much Sam
cared
D
7
C You have to
G
re - mem - ber
the love you guys knew,
D
G% OS= ' 2011 R ö #n / S"ew' ö " / ö ' ' ö $ n$ eö #cence "o G( os" p on$ on p "$
C
27/05/2011 10:17
15. p #fe = ö ns On & * #me - p 2
10
C and how much he loved you.
Just think a - bout Sam
G
D
and the times
you shared.
D
13
Moö ö # :' fee so ' one.
C O -pen up that dam,
C
16
try not to be
scared.
G
D
#
C You're not a - lone e - ver,
G
G% OS= ' 2011 R ö #n / S"ew' ö " / ö ' ' ö $ n$ eö #cence "o G( os" p on$ on p "$
Peo -ple love you so.
D
27/05/2011 10:17
15. p #fe = ö ns On & * #me - p 3
19
C You're sur -round -ed for -e -ver
with more love than you know.
C
D
You're young,you're still young
G
22
C and so gor -geous too.
D
25
There are songs to be sung,
C
a life wait -ing for
D
ö
M I don’t know
what's
real
an - y - more.
And e - ven
now
I
think
Sam’s gon -na
C you.
G
G/F
G% OS= ' 2011 R ö #n / S"ew' ö " / ö ' ' ö $ n$ eö #cence "o G( os" p on$ on p "$
Em
27/05/2011 10:17
15. p #fe = ö ns On & * #me - p 5
28
M come through the door.
Oh,
my
love,
what's
real
my
S I don’t know
an - y - more.
and e - ven
C Don't
be
scared.
G/E¨
G
G/F
31
M dar - ling,
I
hung
-
er
for
your
touch.
A
S now
Em
I
think
that things could
be like be - fore.
Cm^9/E¨
G% OS= ' 2011 R ö #n / S"ew' ö " / ö ' ' ö $ n$ eö #cence "o G( os" p on$ on p "$
Ev - 'ry time
I
G
27/05/2011 10:17
15. p #fe = ö ns On & * #me - p 5
Moö ö # : ' "( #nk & o s( o $ e' ve now.
34
M long,
lone -ly time.
Down, down,
down,
down...
down, down,
down,
down...
Down, down,
down, down...
S start to
rise
I feel I’m go - ing to sink.
go - in’
C
G7
G6
C! ö ö : Mo & p & o s( o $ n'" ö e ' one.
39
C
Cm6/E¨
Slower
C Let your feel - ings
G
out,
don't hold them in - side.
D
42
C You can cry, you can shout
C
and then put them a - side.
D
G% OS= ' 2011 R ö #n / S"ew' ö " / ö ' ' ö $ n$ eö #cence "o G( os" p on$ on p "$
We think we're so cle -ver,
G
27/05/2011 10:17
15. p #fe = ö ns On & * #me - p 6
45
M I
C We think we're all fine.
D
That we'll all live for - e - ver,
C
but life turns on
a
D
e=q double speed 48
&
M want -ed it to be Sam.
I
want -ed it to be him.
I
lost him once.
C dime.
G
Gmaj7
53
3
G7
'
3
M I can’t bear
it. I can’t lose him a - gain.
I
just want -ed to
mp
Em
E¨^&
G
G% OS= ' 2011 R ö #n / S"ew' ö " / ö ' ' ö $ n$ eö #cence "o G( os" p on$ on p "$
27/05/2011 10:17
15. p #fe = ö ns On & * #me - p 7
58
M hold
on
some -
how.
61
M
64
(
Meno mosso
3
M I
just want - ed
to
hold
on
some how.
pp
G% OS= ' 2011 R ö #n / S"ew' ö " / ö ' ' ö $ n$ eö #cence "o G( os" p on$ on p "$
27/05/2011 10:17
15. p #fe = ö ns On & * #me - p +
68
M Look
at
me
now.
S Don't
72
G Tempo primo
S steal
my
love...
You
steal
my
love.
C We think we're so cle -ver,
We think we're all fine.
That we'll all live for - e - ver,
p cresc poco a poco
75 accel poco a poco
S You kill
me
twice.
You kill
dime.
Life turns on
me
C but life turns on
a
G% OS= ' 2011 R ö #n / S"ew' ö " / ö ' ' ö $ n$ eö #cence "o G( os" p on$ on p "$
a
27/05/2011 10:17
15. p #fe = ö ns On & * #me - p ,
78
Molto accel.
!P" o#ogö % p " 'fö % me sm% s" es'on'#" e'f)ooö (
S twice.
C dime.
molto cresc.
G% OS= ' 2011 R ö #n / S"ew' ö " / ö ' ' ö $ n$ eö #cence "o G( os" p on$ on p "$
27/05/2011 10:17
GHOST © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
Blank page
14a. Second Subway Transition & Scene # ú !" %
S! " : Dammit. How did that [GO] subway guy do it?
Turbulent q=137
drums (clicks)
F‹(^)
B¨2/F
5
D¨^/F
G('4)/F
C/F
9
F‹(^)
B¨2/F
13
D¨7/F
G('4)/F
G& OS' © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
C/F
26/04/2011 13:07
14a. Second Subway Transition & Scene - p2
16
F‹(^)
B¨2/F
19
D¨7/F
G('4)/F
C/F
23
F‹(^)
25
drum fill
( C©‹(^)
F©2/C©
28
A7/C©
G& OS' © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
D©('4)/C©
26/04/2011 13:07
14a. Second Subway Transition & Scene - p3
& * s* ! }}y !gú oú % . q=102 subito
E" % ú g% ú cy ú * " + ,ú ! ck + o!ú -
31
loud Subway train noises
35
)
S! " appears
S! " : "Where are you?"
1
SG: "Get off my train!"
2 S! " : "No! Show me how you move things."
39
SG grabs S! "
release
3 41
SG kicks S! "
4 43
SG: "Come here!"
SG: "Get off! Get off! GET OFF!"
SG grabs S! "
SG punches S! "
5
6
/ s- S}o" o 46
release
7 50
8 SG grabs S! "
SG kicks S! "
9 52
release
SG hits S! "
SG: "Get off my train!"
10 G& OS' © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
26/04/2011 13:07
14a. Second Subway Transition & Scene - p4
55
SG kicks S! "
Boom!
11
0 ú 1 S}o" o
57 SG grabs S! "
12
13
release
60
S! " : "I'm not leaving 'til you teach me."
14
62
SG grabs S! " SG: "Stubborn asshole."
doors open
15 (4)
64
C
' ú ! !ú )x
F* }} - ú ! ck c2 oú * s " ! - % ú !! } 67
71
whoosh
' o #/ , & ! * !- % ! * !ck. G& OS' © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
26/04/2011 13:07
!"#$%&'()
Pö 'mˆ
(Subway Ghost) S! m: What are we doing here? SG: You wanna move something? Move it. Go on. Give it a shove [GO]
q=102
S" ö w! $ %G& os
!" # # $% & % ' ($' ) * % $# % ' $(+# ,+( $+,- .% " $+) $/ 0 (! $.+$$% 0 +$! .($! # % ' $/ # ((& ($,." ! +$+! ,) 0 " ! $.+.
Your
[Atmosphere]
5
fin - ger won't do it,
it's all in your head.
It's
time you knew it;
come on, man,you're dead.
You
FX continue
7
don't have a bo - dy,
you don't have a nose.
Look at those fin - gers: you don't e -ven have those!
G( OS=%© 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
big fill
26/04/2011 14:29
15. Focus (Subway Ghost) - p2
10
$ This is your re - a - li - ty, you've got no phy - si - ca - li - ty. And
ev -'ry - thing you used to be is use -less to you now.
3
12
You croaked, you choked,
you
broke, you passed,
Got knocked on your ass,
You
3
14
3
hard - ly
get
star - ted
3
then you're dear - ly de - par - ted.
You're no more than
a
16
va - pour,
an
ap - pa - ri - tion,
a
mist.
G( OS=%© 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
Don't ex - ist
like you
26/04/2011 14:29
15. Focus (Subway Ghost) - p3
1s %=ö ! 'n 18
did.
Cause you're
dead.
[cym]
21
Can you
dig what I said?
(silence)
ö I did -'nt do it.
You know I did -n't do it.
And
e - ven if
I thought a -bout it, no -one e - ver knew it.
[drum track]
23
I
25
did - 'nt
do
it.
You KNOW I
did - n't do
it.
S! m: Damn it, damn it. It keeps passing through it, S" ö w! $ %G& os : You gotta focus. S! m: Focus? How do you focus?
I
did - 'nt
do
it!
C No
ho -cus po - cus.
Fix -ate on the
perc
G( OS=%© 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
26/04/2011 14:29
15. Focus (Subway Ghost) - p4
30
3
lo - cus.
Fo -cus like a las - er,
a Ta - ser,
32
a
ra - zor.
Cut -ting a -cross di -
S! m: What am I doing wrong?
men - sions.
35
a pha - ser,
It's
a - bout
in - ten - tion.
) You wan -na move some -thing
from o - ver
here? Take all your fear,
all
your
(writing?) 37
3
long - ing, right -ing and wrong - ing, bang -ing and gong - ing.
G( OS=%© 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
3
and gath -er them all in -to a ball.
A boil - ing,
26/04/2011 14:29
15. Focus (Subway Ghost) - p5
39
3
2nd%=ö ! 'n
roil - ing, seeth - ing, breath- ing mass of in -ten - tion.
43
* You think I did it,
and just won't ad - mit it?
E - ven if
I told you why I know you would -n't get it.
45
You think I
47
+
hid
it?
That I'd e - ven com -mit it?
I
did - 'nt
do
it!
S! m: Why isn't it working? I'm doing everything you say.
G( OS=%© 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
26/04/2011 14:29
15. Focus (Subway Ghost) - p6
51
You got - ta
55
G take all the hat - red,
take all that fear.
58
3
Your love and de - sire
Shove 'em in your gut.
Shove 'em down here.
3
It's like you're on fire.
Let them im -plode like you're rea -dy to ex
3
61
plode.
Feel the ten - sion, that's the key
G( OS=%© 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
fac - tor.
Fo -cus your at -
26/04/2011 14:29
15. Focus (Subway Ghost) - p7
Click stops - Free tempo
(
64
ten -tion like a
nu - cle - ar re - ac - tor.
S! m: I did it! I did it! SG: Way to go, kid,
Click restarts
68
(click)
73
, V'c oö $ %) ! ncˆ, %(Cˆ/ˆö ö ! 'on)
! C
G
77
F
A‹
G( OS=%© 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
26/04/2011 14:29
15. Focus (Subway Ghost) - p8
/! s 'mˆ
S! m: Thank you. Really. I mean it. Thank you. How long have you been here? SG: Since they pushed me. S! m: Someone pushed you? SG: Yeah, someone pushed me. What? You don’t believe me? You think I fell? You think I jumped? Well, fuck you! [ON]
VAMP
81
[FX]
C
SG: It wasn’t my time! I wasn’t supposed to go! I’m not supposed to be here! Who the hell are you? Why are you hounding me? Who sent you? Leave me alone. 86
ö
(recorded track underneath dialogue)
I did -'nt do it.
You know I did -n't do it.
And
e - ven if I thought a -bout it, no -one e - ver knew it.
!" 1 $+! ,) * ($! .# (& 23$.% +) $# % $& 4 / ,& (($+,# .% . 88
I did -'nt do it.
90
You KNOW I did -n't do it.
They can all go fuck them - selves, it was -n't me that blew it.
[inv cymbal]
S! m: I can do this!
Sˆg" ˆ%#16 , ...M'ö ! c/ˆ, G( OS=%© 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
26/04/2011 14:29
16. (Talkin' 'Bout) A Miracle q=114
! " #$ %
sfp
qq (þ '( )#( ( ( )'
C* $ $ % + , - , * " !"#$m"Geo% ge"W&l'on"w&t( "t( e"New") o% * "M&nute. 3
f
E¨
B¨‹
[bs] 5
B¨‹
p
E¨
C* $ $ % + , - , * " !"F% om"+ , - n&'( ". - % lem"tod- / "t( e"'to% / "- "m- ''&ve"ne&g( 0 o% ( ood"d&'% u, t&on"ne- % "t( e"1 o% ne% of"F% ede% &1 "Dougl- '"- nd"2 3 4t( "+ t% eet"w( e% e"une4 , e1 ted"1 % owd'"of", eo, le"( - ve"0 een"1 ong% eg- t&ng"&n"f% ont"of t( e"'to% ef% ont", - % lou% "of"- "lo1 - l", '/ 1 ( &1 .""5 l- &m'"t( - t"med&um"Od- "M- e"6 % own"( - '"0 een"1 ont- 1 t&ng"t( e"de- d 'eem"to"( - ve"', % e- d"w&t( "un1 ommon"u% gen1 / "- nd"1 % owd'"num0 e% &ng"&n"t( e"( und% ed'"( - ve"0 een"1 l- mou% &ng fo% "- "'e''&on.""+ t% eet"1 lo'u% e'"- % e"&n"fo% 1 e. ( #( , % " ( !"Num0 e% '"2 3 7"t( % oug( "2 45,", le- 'e"( - ve"/ ou% "t&1 * et'"% e- d/ .
PLAY FIVE TIMES
7
B¨‹
E¨
* . * ( / ': "7 9 2 2 "; u0 &n"/"+ tew- % t"/"6 - ll- % d"unde% "l&1 en1 e"to"G( o't"London"Ltd
7 8 /9 4/7 9 2 2 "2 7 !57
2 6."
9
with funk backphrasing
* 0 * ( , '1 2
She can make a
E¨
B¨‹
11
A approx sung rhythms
3
3
1 þ
li - ving,
Talk -ing to the dead.
B¨‹
Hears our con -ver - sa - tions,
E¨
14
She knows what we
B¨‹
3
3
3
3
1 2 31 þ 31 >
1 þ 31 >
said.
E¨
Po -ly -psy -chic prin - cess,
B¨‹
* . * ( / ': "7 9 2 2 "; u0 &n"/"+ tew- % t"/"6 - ll- % d"unde% "l&1 en1 e"to"G( o't"London"Ltd
More than just a mor -tal,
Real -ly has con
E¨
7 8 /9 4/7 9 2 2 "2 7 !57
2 6."
17
* 0 * ( , '4 2 34 þ
strict rhythm
Ooh!
She looks a - round with her third eye,
strict rhythm
1 %31 5 31 6
vinced us,
She's go -ing through the por - tal.
B¨‹
E¨
She looks a - round with her third eye,
B¨‹
20
She sees the
fu -ture to - day.
She makes the Hea -ven con -nec - tion, You don't have to pray.
She sees the
fu -ture to - day.
She makes the Hea -ven con -nec - tion, You don't have to pray.
* 0 * (,(
Cause she's con
Cause she's con
E¨
B¨‹
* . * ( / ': "7 9 2 2 "; u0 &n"/"+ tew- % t"/"6 - ll- % d"unde% "l&1 en1 e"to"G( o't"London"Ltd
E¨
7 8 /9 4/7 9 2 2 "2 7 !57
2 6."
B
23
nec
-
ted
And cros - sing
o
-
ver.
We
all
nec
-
ted
And cros - sing
o
-
ver.
We
all
E¨
27
know
her
On
the oth -er
side.
'Cause
know
her
On
the oth -er
side.
'Cause
D¨
31
A¨/C
C5
C we...
Talk - in' 'bout a
mi - ra - cle.
On - ly she can
we...
Talk - in' 'bout a
mi - ra - cle.
On - ly she can
F
B¨
* . * ( / ': "7 9 2 2 "; u0 &n"/"+ tew- % t"/"6 - ll- % d"unde% "l&1 en1 e"to"G( o't"London"Ltd
7 8 /9 4/7 9 2 2 "2 7 !57
2 6."
35
help
us
all,
On - ly
she can
take
us
there.
Yes,
help
us
all,
On - ly
she can
take
us
there.
Yes,
D‹
D¨^
C“
C
39
we
are talk - in' 'bout a
mi - ra - cle.
On - ly she can
we
are talk - in' 'bout a
mi - ra - cle.
On - ly she can
F
B¨
43
see
it all,
Ev -'ry - thing from
here
to
there.
see
it all,
Ev -'ry - thing from
here
to
there.
D‹
D¨^
* . * ( / ': "7 9 2 2 "; u0 &n"/"+ tew- % t"/"6 - ll- % d"unde% "l&1 en1 e"to"G( o't"London"Ltd
C“
[br]
C
7 8 /9 4/7 9 2 2 "2 7 !57
2 6."
* 7 - '1 - % !"5 - n"/ ou"? u&et"&t"down", le- 'e?"T( &'"would"0 e"- "lot"e- '&e% "&f"/ ou"we% en$t"- ll"'1 % e- m&ng"&n"m/ "e- % . 47
,
B¨‹
E¨
B¨‹
* 7 - '1 - % !"O* - / ,"we"gott- "'to, "now."". e"'t&ll"love'"/ ou,"o* - / ?""We"( - ft- "move"on.
50
E¨
B¨‹
E¨
8 * 9 #( % !"+ o% % / ,"we$ve"got"- "long"l&ne"of", eo, le"to"'ee.''': * $ - + !"#"love"/ ou". en% / .""". % + " ; !"Tell"M- m- "#"love"( e% . 53
B¨‹
B¨‹
* 7 - '1 - % !"+ ( e"1 - n$t"( e- % "/ ou,". en% / .""Let"( e% "go.""5 - n"#"get"- "; ed"6 ull"( e% e?
56
E¨
59
E¨
B¨‹
E¨
* 7 - '1 - % !"#"1 - n"do"t( &'?""@u't"% emem0 e% ,"&t$'"- "g&ft."") ou"got"t( e"g&ft."") ou"1 - n"do"t( &'.""W( e% e$'"m/ "; ed"6 ull?"
B¨‹
E¨
* . * ( / ': "7 9 2 2 "; u0 &n"/"+ tew- % t"/"6 - ll- % d"unde% "l&1 en1 e"to"G( o't"London"Ltd
B¨‹
7 8 /9 4/7 9 2 2 "2 7 !57
2 6."
9
62
3
She has got the
shi - ning
voo - doo
shi - ning,
Some vi -sion -a -ry voo - doo.
B¨‹
3
di -
She does di -
E¨
* 7 - '1 - % !"#"need"m/ "d% &n* ?""#$m", - ''&n$"out"( e% e. 65
vi -ning
few do
...sta - tion
Like so ve -ry few do.
Dial -ling in the sta - tion
3
vi -ning
B¨‹
E¨
To the land of the
B¨‹
C)- " - !"+ &'te% "Od- "M- e,"t( &'"&'"O% t&'( - "@one'.
68
...spi - rits
...pa - tion.
...hear it
spi - rits.
That's her oc -cu - pa - tion;
She can real -ly hear it.
E¨
B¨‹
* . * ( / ': "7 9 2 2 "; u0 &n"/"+ tew- % t"/"6 - ll- % d"unde% "l&1 en1 e"to"G( o't"London"Ltd
E¨
7 8 /9 4/7 9 2 2 "2 7 !57
2 6."
* " )- + 7 * !"M/ "'&'te% .""T( - t''"m/ "'&'te% . 71
p
B¨‹
* 7 - '1 - % !"Wel1 ome,"O% t&'( - "@one'. > nd"w( - t''"/ ou% "loved"one''"n- me?
E¨
B¨‹
* 7 - '1 - % !"+ o"/ ou"need"to"1 on1 ent% - te, '1 - u'e"&f"/ ou"1 on1 ent% - te"we'll", % o0 - 0 l/ "% ou'e"( &m.
* " , #( 0 - !"O% l- ndo.
E¨
* " )- + 7 * !") ou"don't"need to"% ou'e"me."#'m"( e% e.
4
75
A))': 0 * ( , (
B¨‹
* 7 - '1 - % !"O* - / ,"o* - / , O% l- ndo.""D&d"#"( e- % "/ ou?
Ooh
ooh
Ooh
ooh
E¨
E¨
* " )- + 7 * !"#'M". E; E@@
* 7 - '1 - % !"6 - 1 * "off.""+ to, "/ ell&ng"- t"me."". e''"( e% e.
79
ooh
ooh
ooh
ooh
D¨
* . * ( / ': "7 9 2 2 "; u0 &n"/"+ tew- % t"/"6 - ll- % d"unde% "l&1 en1 e"to"G( o't"London"Ltd
A¨/C
C5
7 8 /9 4/7 9 2 2 "2 7 !57
2 6."
83
* f sub.
We,
We're talk - in''bout a
mi - ra - cle,
On - ly she can help us all,
We're talk - in''bout a
mi - ra - cle,
On - ly she can help us all,
f sub.
We,
F
B¨
88
D‹
* 7 - '1 - % !. E) @
* " , #( 0 - !"> % e"/ ou"t- l* &ng"to"me?
%'4 * #( % (
Mi - ra - cle,
On - ly she can
take
us
there.
On - ly she can
take
us
there.
D¨^
C“
sub p
C
sub. p
* . * ( / ': "7 9 2 2 "; u0 &n"/"+ tew- % t"/"6 - ll- % d"unde% "l&1 en1 e"to"G( o't"London"Ltd
Yes,
we
Yes,
we
mi - ra - cle,
F
7 8 /9 4/7 9 2 2 "2 7 !57
2 6."
* 7 - '1 - % !"Doe'"&t"loo* "l&* e"#'m"t- l* &ng"to"/ ou? ) ou'll"* now"w( en"#'m"t- l* &ng"to"/ ou."") ou'% e"'u, , o'ed"to"0 e"1 on1 ent% - t&ng,"- % en't"/ ou?
92
Talk - in' 'bout a
mi - ra - cle.
Mi - ra - cle,
mi - ra - cle,
Talk - in' 'bout a
mi - ra - cle.
are talk - in'
'bout a
mi
-
ra - cle.
On - ly
she can
are talk - in'
'bout a
mi
-
ra - cle.
On - ly
she can
B¨
* " )- + 7 * !"#'m"( e% e. #"w- nn- "t- l* "to"( e% ."Lemme"t- l* "to"( e% .
* 7 - '1 - % !") ou"w- nn- "t% / "&t? T( - n* "/ ou"ve% / "mu1 ( . 95
Faster q=116
%'4 * #( % (
Mi -ra -cle,
mi - ra -cle,
Talk - in''bout a mi - ra -cle.
Here
to
there.
see
it
all,
Ev -'ry - thing from here
to
there.
It's just a
see
it
all,
Ev -'ry - thing from here
to
there.
It's just a
D‹
* . * ( / ': "7 9 2 2 "; u0 &n"/"+ tew- % t"/"6 - ll- % d"unde% "l&1 en1 e"to"G( o't"London"Ltd
D¨^
C“
C
7 8 /9 4/7 9 2 2 "2 7 !57
2 6."
99
.
Gospel feel
cresc. poco a poco
mi - ra - cle,
mi - ra - cle,
Talk - in' 'bout a
mi - ra - cle.
Mi - ra - cle,
mi - ra - cle,
mi - ra - cle,
mi - ra - cle,
Talk - in' 'bout a
mi - ra - cle.
Mi - ra - cle,
mi - ra - cle,
[claps]
F
cresc. poco a poco
* 7 - '1 - % !"+ . UT"UB @ 102
Faster still q=118
* 7 - '1 - % !"T( - t''"&t."#'m"outt- "( e% e."#"me- n"&t.
Talk - in''bout a mi - ra - cle.
Mi - ra - cle,
mi - ra - cle,
Talk - in''bout a mi - ra - cle.
Talk - in''bout a mi - ra - cle.
Mi - ra - cle,
mi - ra - cle,
Talk - in''bout a mi - ra - cle.
G¨
105
*'C< / '* = 'C< 9 '*
* 7 - '1 - % !"ENOUG. @"C5 UT]
Faster still q=120
Mi - ra - cle,
mi - ra -cle,
Talk - in''bout a mi - ra - cle.
Mi - ra - cle,
mi - ra -cle,
Mi - ra - cle,
mi - ra -cle,
Talk - in''bout a mi - ra - cle.
Mi - ra - cle,
mi - ra -cle,
G
* . * ( / ': "7 9 2 2 "; u0 &n"/"+ tew- % t"/"6 - ll- % d"unde% "l&1 en1 e"to"G( o't"London"Ltd
7 8 /9 4/7 9 2 2 "2 7 !57
2 6."
- , '( - $ % ', #$ % '- ( '> - + 7 '( 9 , ?* @@ REPEAT IF NECESSARY
108
Talk - in' 'bout a
mi - ra - cle.
Mi - ra - cle,
mi - ra - cle,
Talk - in' 'bout a
mi - ra - cle.
Talk - in' 'bout a
mi - ra - cle.
Mi - ra - cle,
mi - ra - cle,
Talk - in' 'bout a
mi - ra - cle.
* . * ( / ': "7 9 2 2 "; u0 &n"/"+ tew- % t"/"6 - ll- % d"unde% "l&1 en1 e"to"G( o't"London"Ltd
7 8 /9 4/7 9 2 2 "2 7 !57
17. !e"#$ Of W%pp%e Prime (Willie enters) Oda Mae: Get out. [START bar 1]
Willie: Are you the fortune-teller? Oda Mae: Who are you? Willie: That's an interesting question. Why don't you tell me, Bruja? You're the psychic. Sam: Willie? Oda Mae: Willie!? Willie: How'd you know that? Oda Mae: Willie? Prospect Place Willie? Willie: Whoa! Sam: Get outta here fast! [GO]
(clicks)
[syn bass]
2 q=130
[hot rods on BD]
Willie: What the hell? Sam: Oda Mae, are you okay? Oda Mae: Okay? Does it sound like I'm okay? Willie: Who's there? Who's doing that? Oh god! Let me outta here! [ON]
last time
(Willie exits) 4
GHOST © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
VAMP
28/04/2011 12:54
17. Death Of Willie - p2
5
A
(Willie runs from the building)
Willie: Help me!
Full track
8
etc.
11
14
17
B
GHOST © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
28/04/2011 12:54
17. Death Of Willie - p3
CUT ON CUE AT ANY POINT 20
23
+tpt solo until end
Car careers into Willie - car crash SFX [CUT OFF]
26
30
After cut-off, trigger these instantly
GHOST © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
and go to figure C
28/04/2011 12:54
17. Death Of Willie - p4
34
C On green cue light...
q=160 36
VAMP
(4 clicks in)
SFX ff
39
D
41
44
GHOST © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
28/04/2011 12:54
17. Death Of Willie - p5
47
VAMP & FADE ON CUE
49
sfx
After fade & cut-off:
and quick to #18. Nothing Stops Another Day
GHOST © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
28/04/2011 12:54
GHOST © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
Blank page
18. Nothing Stops Another Day [Bank Sequence 1] # ü !" %
S! " : Oda Mae. we're in trouble... [GO]
q=138
qq & ' c(!cks)
E¨5
E¨7(;3)
A¨/E¨
4
A¨‹/E¨
E¨5
E¨7(;3)
A¨‹/E¨
A¨/E¨
9
E¨5
E¨7(;3)
A¨/E¨
E¨5
E¨7(;3)
A¨/E¨
A¨‹/E¨
13
G& OS* © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
A¨‹/E¨
28/04/2011 10:41
18. Nothing Stops Another Day - p2
(! s- !" %
S! " : You have a nice dress? [ON]
VAMP
17
E¨5
19
+
1.
E¨5
23
E¨7(;3)
,
2.
A¨/E¨
A¨‹/E¨
! o((y
M I
see the sun
rise
from my
win - dow.
A¨‹/E¨
28
M It
must have ri
-
sen
ev
- 'ry
day.
G& OS* © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
But I could -n't see
28/04/2011 10:41
18. Nothing Stops Another Day - p3
32
M at all;
The sha -dows were
too tall.
But I'm see-ing it
C
36
M to day.
I could see
41
M the
peo
- ple
speak
-
ing.
I could -n't
hear
45
M a
word
they
say.
G& OS* © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
Just the ec - ho of
it all,
28/04/2011 10:41
18. Nothing Stops Another Day - p4
49
M Pass - ing through an
emp
-
ty
hall;
I'm hear - ing
it
52
M to - day.
56
=
M Be -cause the
world
keeps
turn - ing,
And I
guess
it
al - ways
choose
to just
stand
will.
60
M I can
choose
to turn
a round,
Or I can
G& OS* © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
still.
28/04/2011 10:41
18. Nothing Stops Another Day - p5
65
M Ei
-
ther way,
Noth- ing
69
M stops
a - no
-
-
-
ther
day.
# . oü % c! (( 72
E
C! ü (: Mr Balistrari?
76
80
ad lib.
G& OS* © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
PLAY THREE TIMES
28/04/2011 10:41
18. Nothing Stops Another Day - p6
C! ü (: Can I call you back in a little bit? [ON]
84
88
(! s- !" % VAMP
ad lib.
C! ü (: I really want to talk to you. Later, OK?
F
M I
lost my
life
so
locked
and
all
its
mean
-
ing.
92
M And
I
my - self
a - way.
Hi -ding my heart
be -
96
M hind
a
wall,
I could -n't feel it
beat
G& OS* © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
at all.
But I'm feel - ing
28/04/2011 10:41
18. Nothing Stops Another Day - p7
100
M it
104
G
to - day.
(London: ", % c! / s% - . % - ! ((% s- " o/ ü - ! !ü '''"?)
M Be -cause the
world
keeps turn - ing,
And I
guess
it al - ways
will.
108
M I can
choose
to turn
a round,
Or I can
choose
to just
stand
112
M still.
G& OS* © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
Ei
-
-
ther
way,
28/04/2011 10:41
18. Nothing Stops Another Day - p8
115
M Noth - ing
stops
a - no
-
E(% ü ! - oü sc% ü % 118
&
O0 ! ! ! % : I don't see what's wrong with what I'm wearing... (eü c.)
M - ther day.
122
126
130
G& OS* © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
28/04/2011 10:41
18. Nothing Stops Another Day - p9
134
138
S! " : Look, stop worrying and do what I say.
)
M I know I
have
to let
go
of all
the life
I'll
ne - ver
know.
mf poco marcato
142
M Hard
as it
may
be.
146
M And try
to un
-
der stand
in -
stead
G& OS* © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
there's a - no
-
ther
life
a -
head.
28/04/2011 10:41
18. Nothing Stops Another Day - p10
# ü !" %
& ,oü #1 ) )
rit.
150
M
154
ü
Original tempo
M Be -cause the tall
-
est
moun - tain
Can -not
stop
the small - est
stream.
f
C
G‹7
158
M Win -ter
B¨‹(^)
can't
hold
back
the spring,
No mat -ter
D‹
G& OS* © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
how
dark
it
may
F^/C
28/04/2011 10:41
18. Nothing Stops Another Day - p11
162
M seem.
Come
B¨
what may,
C
C/B¨
166
M Noth - ing
A‹
stops
a - no
-
-
ther day.
G‹7('4)
& # !ü k = #)
169
M
= % ! 0 s% g/ % 1 ) ' , ! ü k S% ! / % ü c% '
G& OS* © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
28/04/2011 10:41
GHOST © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
Blank page
19. Bank Sequence 2 [Bank Officer Sc/Furgeson Sc (Miracle Reprise) Invisible Man Sc/Furgeson Sc]
S! gu! "from # $ ."ú o=& #ng"S=o' s"( no=& ! ) "* + #
, P#nk"* #!
q=126
(Sam and Oda Mae enter the bank) S+ m: See where it says new accounts?
VAMP UNTIL BASS READY ON ELECTRIC
mf
VAMP - OUT ANY BAR 5
[EP]
p [bass]
10
O- + "# + ! : ...a transfusion to make? O..#c! ) : A what? O- + "# + ! : You know what I mean... [ON] 15
GHOS/ "© 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
28/04/2011 12:52
19. Bank Sequence 2 - p2
O- + "# + ! : ...Can I keep the pen? O..#c! ) : Uh, sure. O- + "# + ! : Thanks. [ON]
(
19
mp
mf
#n =& #s .+)
22
f
25
27
ú
S+ m: Now listen, this guy Furgeson's...
LONG VAMP - CUT ON CUE
p
32
GHOS/ "© 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
28/04/2011 12:52
19. Bank Sequence 2 - p3
&"0 u#ck=# ' ) #m!
Fu) g! son: ...ten millon dollars from us today. [STOP] 37
C
O- + "# + ! : 10 million dollars?
42
. ! co) - ! - "voc+ =s
Talk - in''bout a
F
mi - ra - cle,
F sim. ad lib.
B¨
B¨
46
Talk - in' 'bout a
F
B¨
mi - ra - cle,
D‹
GHOS/ "© 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
D¨
C11
28/04/2011 12:52
19. Bank Sequence 2 - p4
Fu) g! son: It's just procedural. You understand? [ON]
VAMP - OUT ANY BAR
50
(recorded vocals Talk - in''bout a 1st time only)
O# ú "Of course.
mi - ra - cle,
O- + "# + !
It's got me in a
F
54
B¨
F
B¨
B7 C7“
* tiz
- zy.
Feel - in' kind - a
F‹
fun - ny.
Just a
lit - tle
B¨
56
diz
- zy.
That's a
lot - ta
mo
F‹
58
B¨
Fu) g! son: I'll just go get your cheque. [ON]
VAMP - OUT EITHER BAR
F‹
- ney.
B¨
GHOS/ "© 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
28/04/2011 12:52
19. Bank Sequence 2 - p5
60
E E¨
D¨/E¨
63
D¨
A¨/C
C5
O# ú "No problemo. Take your time. [CUE DRUM FILL, THEN VOCALS] 66
F
VAMP - VOCAL LAST TIME
Don't want
to
cla -mour or
hol - ler,
F‹
Some - how
I
got - ta keep still.
B¨
#n"=& #s". + ) 68
3
But
F‹
when
it's
that
ma - ny dol - lars.
I
don't
see
how
I
can
chill.
B¨
GHOS/ "© 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
28/04/2011 12:52
19. Bank Sequence 2 - p6
70
ff
f
73
75
=+ s= =#m! (Carl's Office) 78
G
C+ ) =: Account closed? Rita Miller. Account closed? [ON]
Faster q=130 (anvil-esque perc)
VAMP
(dr) "Sam and Carl" Seq
GHOS/ "© 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
28/04/2011 12:52
19. Bank Sequence 2 - p7
(fx) H
80
[ON] as "Murderer" appears on screen
=+ s= =#m!
VAMP
"Tension" Seq
[dr & tri patterns]
81
I
VAMP
S+ m: "You bastard. You goddam bastard." [ON]
"Tension + Booms" Seq
82
J
Carl is pushed up against wall [ON]
VAMP
=+ s= =#m!
"Active" Seq - Hotrods on BD
83
K
=+ s= =#m! VAMP
Carl is released [ON]
"Strained, tense & sustained" ("Whine") Seq
GHOS/ "© 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
28/04/2011 12:52
19. Bank Sequence 2 - p8
=+ s= =#m!
C+ ) =: ...blow up the whole building if I have to. I need that money. [ON]
"
84
VAMP
"Sam & Carl" Seq again
85
# C‹
89
92
ff
94
C‹
mp
F
GHOS/ "© 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
28/04/2011 12:52
19. Bank Sequence 2 - p9
O# : Mama, she made all money in the oil wells and sunk it into gas pumps... [ON]
VAMP - OUT ANY BAR
96
C‹
98
F
ú F
E¨/F
F
E¨/F
O- + "# + ! : May I keep the pen? [ON] 102
VAMP
E¨
D
G
#n"=& #s". + ) 105
drums/bass fill
f
GHOS/ "© 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
* ! + - "s! gu! ú Ð ."I'm"Ou==+ "H! ) !
28/04/2011 12:52
GHOST © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
Blank page
20. I'm Outta Here ! " ö $gg% ö % & '( " '% ) & 'oö '#* $
q=130 OM My mom -ma's al -ways say-
C
5
OM ing
The meek shall in - he - rit the earth.
It's hard to be that
C
hum
A‹
9
OM - ble when you see
that num
B¨2
-
ber that's my new net
worth.
It's time to do some shop
C
G+ OS, '" 2011 R ö $n / S%ew" ö % / ö " " ö & n& eö $cence %o G' os% p on& on p %&
02/05/2011 15:01
20. "'m O %%" ) eö e - p 2
13
OM - ping,
I'm gon -na makea
splash.
Andev -'ry - where I'm
stop
C
A‹
17
OM - ping jaws will just be drop
- ping cause I'm pay -ing in cash.
B¨2
I
C
F5
C5
OM got it
and now I
get
Fm
it:
For
Cm7/E¨
wo - men
of
my
means
D¨^
it
means that
C5
25
OM Youdon't
F‹
have
to
sweat
it;
E¨5
G+ OS, '" 2011 R ö $n / S%ew" ö % / ö " " ö & n& eö $cence %o G' os% p on& on p %&
Just live
out
your
dreams.
D¨^
02/05/2011 15:01
20. "'m O %%" ) eö e - p 3
ö
28
I'm out -ta here!
I'm out -ta here!
OM I'm
out -ta here,
C7#9
F
B¨/F
I'm
F
off to the Ba -ha - mas. I'm
B¨ E¨/B¨
B¨
out -ta here,
F
You bet -ter
B¨/F
F
32
As far from here!
Phone
OM pack my pink py - ja - mas.
B¨
E¨/B¨
As
B¨
far from here
F
B¨/F
as
I
can
F
get from all these dra - mas.
B¨
E¨/B¨
Phone
B¨
35
in
my re - ser - va - tion for my
per - ma - nent va - ca - tion.
in
my re - ser - va - tion for my
per - ma - nent va - ca - tion.
She's out - ta here!
OM
A¨
D¨/A¨
A¨
E¨
A¨/E¨
G+ OS, '" 2011 R ö $n / S%ew" ö % / ö " " ö & n& eö $cence %o G' os% p on& on p %&
E¨
I'm
out - ta here!
F
B¨/F
I'm
F
02/05/2011 15:01
20. "'m O %%" ) eö e - p 5
38
She's out - ta here!
OM ma - king my tran - si - tion.
B¨
E¨/B¨
Out
B¨
-
ta here!
If
F
B¨/F
F
I'm cor - rect in
B¨
my ad - di - tion.
E¨/B¨
It's
B¨
41
It's cry - stal clear!
I'm
done with the de - par - ted, rest in
I'm
done with the de - par - ted, rest in
OM cry - stal clear,
F
B¨/F
to some - one in
F
B¨
my po - si - tion,
E¨/B¨
B¨
A¨
D¨/A¨
A¨
C
44
peace,cause life just star -ted for me.
OM peace,cause life just star -ted for me.
E¨
A¨/E¨
E¨
F
G
G+ OS, '" 2011 R ö $n / S%ew" ö % / ö " " ö & n& eö $cence %o G' os% p on& on p %&
02/05/2011 15:01
20. "'m O %%" ) eö e - p 5
=
48
OM Stay out as long as I
want
to,
Then I can sleep in
late.
C
52
Ooh
Ooh
OM It's ho - tel, beach and ca - si
-
no, then my new
A‹
friend Di -
B¨2
55
There's just no doubt at all.
OM - no will pick me up
at eight.
There's no doubt I'll be ma
C
G+ OS, '" 2011 R ö $n / S%ew" ö % / ö " " ö & n& eö $cence %o G' os% p on& on p %&
- king
C
02/05/2011 15:01
20. "'m O %%" ) eö e - p 6
59
You go
to see and be seen.
Ooh
OM The in - ter - na - tion - al
scene.
The car - pet's red where I'm
walk-
A‹
62
Ooh
The for -mer psy - chic queen.
OM - ing, pa -pa -raz -zi are stalk - ing the for -mer psy - chic queen.
B¨2
The
C
E Be her oy - ster.
3
OM world
F‹
will be my oy
-
ster
C‹7/E¨
And
I
will
D¨^
G+ OS, '" 2011 R ö $n / S%ew" ö % / ö " " ö & n& eö $cence %o G' os% p on& on p %&
be
the
pearl.
And
if
your
type's
C5
02/05/2011 15:01
20. "'m O %%" ) eö e - p 7
70
Rich and ex - o - tic.
OM rich
and
ex - o
-
F‹
tic,
You know
E¨5
I'm
your
girl.
Cm
D¨^
F
74
I'm out - ta here!
OM I'm
out - ta here!
F
I'm
B¨/F
off to sweet Gren - a - da,
F
B¨
E¨/B¨
I'm
B¨
77
I'm out - ta here!
No tax - es there!
OM out - ta here,
F
B¨/F
To where
F
I
B¨
can live for na - da. No
E¨/B¨
G+ OS, '" 2011 R ö $n / S%ew" ö % / ö " " ö & n& eö $cence %o G' os% p on& on p %&
B¨
tax
-
es there, I
F
B¨/F
can keep the
F
02/05/2011 15:01
20. "'m O %%" ) eö e - p *
80
Phone
in
my re - ser - va - tion for my
per - ma - nent va - ca - tion.
Phone
in
my re - ser - va - tion for my
per - ma - nent va - ca - tion.
OM whole en - chi - la - da.
B¨
E¨/B¨
B¨
A¨
D¨/A¨
A¨
E¨
A¨/E¨
I'm
E¨
83
She's out - ta here!
She's out - ta here!
OM out - ta here!
F
B¨/F
I'm
F
ma - king my tran - si - tion.
B¨
E¨/B¨
Out
B¨
-
ta here!
If
F
B¨/F
F
I'm cor -
86
It's cry - stal clear!
I'm
)w' " % one s' o & & o" OM rect in
B¨
my ad - di - tion.
E¨/B¨
B¨
It's
cry - stal clear,
F
B¨/F
G+ OS, '" 2011 R ö $n / S%ew" ö % / ö " " ö & n& eö $cence %o G' os% p on& on p %&
to some - one in my po - si - tion,
F
B¨
E¨/B¨
I'm
B¨
02/05/2011 15:01
20. "'m O %%" ) eö e - p +
89
done with the de - par - ted, rest in
peace,cause life just star - ted for me.
done with the de - par - ted, rest in
peace,cause life just star - ted for me.
OM
A¨
D¨/A¨
A¨
E¨
A¨/E¨
E¨
F
G Ooh
Ooh
OM But you know that when you have
B¨
B¨m7
A¨/B¨
E¨/B¨
suc - cess,
B¨
B¨m7
A¨/B¨
95
Ooh
OM Talk - ing
E¨/B¨
a - bout a whole new
le - vel of stress.
B¨
B¨m7
G+ OS, '" 2011 R ö $n / S%ew" ö % / ö " " ö & n& eö $cence %o G' os% p on& on p %&
Ma -king de - ci - sions un - der
A¨/B¨
E¨/B¨
02/05/2011 15:01
20. "'m O %%" ) eö e - p 10
+
98
Ooh
Ooh
OM real
B¨
du - ress.
B¨m7
And then you're deal -ing with the
A¨/B¨
E¨/B¨
I
R
A¨
S.
A¨m7
G¨/A¨
101
Ooh
OM They say that mo - ney can cor - rupt your
D¨/A¨
A¨
soul.
A¨m7
G+ OS, '" 2011 R ö $n / S%ew" ö % / ö " " ö & n& eö $cence %o G' os% p on& on p %&
Am I head -ed down that
G¨/A¨
D¨/A¨
02/05/2011 15:01
20. "'m O %%" ) eö e - p 11
104
Ooh
Ooh
OM slip -p'ry
A¨
slope?
And mul -ti -mill -ion -aires can flip their
A¨m7
108
G¨/A¨
108a
D¨/A¨
108b
A¨
lid.
A¨m7
109
And
I
G¨/A¨
O& ( 'M( % :"' %" ke %' " % ö $sk.
OM (ee) I
could end up just like Whit - ney
did...
I'm
Csus
C
. I'm out - ta here!
I'm out - ta here!
OM out - ta here!
F
B¨/F
To the
F
beach -es
B¨
of Mau - ri - tius.
E¨/B¨
B¨
G+ OS, '" 2011 R ö $n / S%ew" ö % / ö " " ö & n& eö $cence %o G' os% p on& on p %&
I'm
out - ta here,
F
B¨/F
where the
F
02/05/2011 15:01
20. "'m O %%" ) eö e - p 12
114
So far from here!
Phone
OM crab cakes are de - li - cious.
B¨
E¨/B¨
Far from here,
B¨
F
that's where I'll
B¨/F
F
find my dreams and wish - es.
B¨
E¨/B¨
Phone
B¨
117
in
my re - ser - va - tion for my
per - ma - nent va - ca - tion.
in
my re - ser - va - tion for my
per - ma - nent va - ca - tion. I'm
She's out - ta here!
OM
A¨
D¨/A¨
A¨
E¨
A¨/E¨
out
E¨
-
ta here!
F
B¨/F
I'm
F
120
She's out - ta here!
OM head -ing for
B¨
E¨/B¨
A - ru - ba.
B¨
Out
-
ta here!
F
B¨/F
G+ OS, '" 2011 R ö $n / S%ew" ö % / ö " " ö & n& eö $cence %o G' os% p on& on p %&
Just
F
let me swim and scu - ba.
B¨
E¨/B¨
B¨
02/05/2011 15:01
20. "'m O %%" ) eö e - p 13
)
123
E) s% / ö 0%
So/ % 'E) s'=( & $% s
So far from here!
De
-
par - ted,
De
-
par - ted,
I'm
done with the de - par - ted, rest in
I'm
done with the de - par - ted, rest in
OM Far from here,
F
B¨/F
just as
F
long as
B¨
it's not Cu - ba.
E¨/B¨
B¨
A¨
D¨/A¨
A¨
126
just
star - ted,
re - ser - va - tion,
va
-
ca - tion,
just
star - ted,
re - ser - va - tion,
va
-
ca - tion,
peace,cause life just star - ted
Phone
in
my re - ser - va - tion cause I'll
take
a long va - ca - tion.
Hey
peace,cause life just star - ted
Phone
in
my re - ser - va - tion cause I'll
take
a long va - ca - tion.
Hey
OM
E¨
A¨/E¨
E¨
A¨
D¨/A¨
G+ OS, '" 2011 R ö $n / S%ew" ö % / ö " " ö & n& eö $cence %o G' os% p on& on p %&
A¨
E¨
A¨/E¨
E¨
02/05/2011 15:01
20. "'m O %%" ) eö e - p 15
129
I'm
walk - ing,
through with dead men talk - in'...
I'm
walk - ing,
through with dead men talk - in'...
look, it's me! I'm walk - ing, cause I'm
through with dead men talk - in'...
look, it's me! I'm walk - ing, cause I'm
through with dead men talk - in',
Me!
OM
A¨
D¨/A¨
A¨
E¨
A¨/E¨
talk - in'
C7[åÁ]
to
me.
drum fill
K I'm
I'm
ad lib.
out - ta
out - ta
here!
here!
They
won't
be
talk - in'
to
me,
They
won't
be
talk - in'
to
me,
They
won't
be
talk - in'
to
me!
OM I'm
F
B¨/F
F
B¨‹7
G+ OS, '" 2011 R ö $n / S%ew" ö % / ö " " ö & n& eö $cence %o G' os% p on& on p %&
C‹7
D¨^
E¨
F
02/05/2011 15:01
20. "'m O %%" ) eö e - p 15
134
I'm out - ta here!
Life just star - ted
for
me!
Life just star - ted
for
me!
Life just star - ted
for
me!
life just star - ted
for
me!
OM done with the
de - par - ted, rest
in
peace, cos
G+ OS, '" 2011 R ö $n / S%ew" ö % / ö " " ö & n& eö $cence %o G' os% p on& on p %&
02/05/2011 15:01
GHOST © 2011 Rubin # Ste# a$ t # ! alla$ d unde$ licence to Ghost % ondon % td
! lank " age
20a. Give The Lady The Cheque O" ! "# ! $ :$ know % o =on'& &' "nk $'m g"v"n' &' "s &en m",,"on =o,,$ ö s &o $ ö nc' of n ns.
% ad lib.
!N" n#f$ %n s& [O( ( ]
VAMP UNTIL CUT OFF`
=ö ".
GHOS& "$ 2011 R ö "n / S&ew$ ö & / ö $ ,,$ ö = n=eö ,"cence &o G' os& p on=on p &=
02/05/2011 15:0)
GHOST ©!2011!R# bin!/!S$ewa% $!/!Balla% d!# nde% !licence!$o!Gho, $!& ondon!& $d
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$A%&ö '&(&oö $Ao$€oö (
Oö a Mae:"#">o$ 't"c# Ú e"w& # t"' o- "t& ($ k. Sa# :"Co) e"o$ ,"[S=' R=]" Sa# :"...we"gott# "get"o- tt# "& eÚ e.""NOW* Oö a Mae:"#"w# $ $ # "go"& o) e. Sa# :"=& # t$s"t& e"l# st"p l# ce"' o- "c# $ "go...
Sa# :"...W(ll(e"k$ ew"w& eÚ e"' o- "l(ve>.""# o- ">o$ $t"t& ($ k"C# Ú l"k$ ows? , e$ll"f($ >"' o- "# $ >"& e$s"# lÚ e# >' "t& Ú e# te$ e>"Moll' . We"c# $ "stop "& () "O># "M# e,"Ú - t"we""& # ve"to"get"to"Moll' "f# st*
3
[br]
! 5
con ped. G$ OS= # ". - / / "R- Ú ($ "/"Stew# Ú t"/"Ú # ll# Ú >"- $ >eÚ "l(ce$ ce"to"G& ost"p o$ >o$ "p t>
- 5/- 5/. - / / "- / :/ 0
. - Ú ."=Ú # $ s(t(o$ "=o"p oft""-"p .
7
9
C^9
Mo%%! :", ello? Ca %:"Moll' ,"& (,"(t's"C# Ú l."O& "gÚ e# t,"#">(>$ 't"k$ ow"(f"#'>"f($ >"' o- "($ . Mo%%! :"No,"#') "& eÚ e. Ca %:"=& # t's"goo>.""=& # t's"Ú e# ll' "goo>.""#t's"$- st..."#"& # ve"so) e"() p oÚ t# $ t"p # p eÚ s"t& # t"$ ee>"to"Ú e"s(g$ e>.
ö 11
!p"aü o$so%o$& ü ' ( r$p) oü ( $ca%%*
G$ OS= # ". - / / "R- Ú ($ "/"Stew# Ú t"/"Ú # ll# Ú >"- $ >eÚ "l(ce$ ce"to"G& ost"p o$ >o$ "p t>
- 5/- 5/. - / / "- / :/ 0
. - Ú ."=Ú # $ s(t(o$ "=o"p oft""-"p 0
Mo%%! :"W& # t"k($ >"of"p # p eÚ s? Ca %:"O& ,"' o- "k$ ow,"$- st"f($ # l(s($ g"st- ff"# Ú o- t"S# ) .""' Ú e"' o- "# Ú o- $ >?""C# $ "#"co) e"oveÚ ? Mo%%! :"Now?""# e# & ,"#"g- ess.""S- Ú e.""#') "$ ot"go($ g"# $ ' w& eÚ e. 14
Ca %:"GÚ e# t,"gÚ e# t,"gÚ e# t.""#'ll"Ú e"t& eÚ e"soo$ .""#') "o$ ") ' "w# ' . Mo%%! :"' ll"Ú (g& t.""See"' o- "l# teÚ .
VAMP - SLOW DOWN & CUT OFF ON CUE 16
G$ OS= # ". - / / "R- Ú ($ "/"Stew# Ú t"/"Ú # ll# Ú >"- $ >eÚ "l(ce$ ce"to"G& ost"p o$ >o$ "p t>
- 5/- 5/. - / / "- / :/ 0
GHOST © 2011 Rubin / Ü t" wart / ! allar$ un$ " r liI " nI " to % host ! on$ on ! t$
! lank pag"
20c. ! C!n'
A!k. !
"n" Moö .
O=a!Mae: You wrote it to him. He wants you to read it.
mp
Mo!!" #u $ #o op e$ ö oo [GO ON]
5
9
mp
12
mp
15
G" OS# !© 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
02/05/2011 15:22
20c. I Can't Take It Any More - p2
18
SLOW AND PAUSE ON CUE
21
(Cm chord if finishes here) 24
[FINISH by] OM: All right, you can use me.
G" OS# !© 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
02/05/2011 15:22
!"#$%&'(")&*+$,*,-+.$// Pri! "
As Molly begins to raise her hand, conduct 3, 4
mp
C
A‹7
F/A
poco rit.
4
G
A‹7
F/A
poco rit.
7
D‹11
G
# H$ S% ( %þ ! $ $ %) * + ,n%/%- ./ w0 þ .%/%B0 ==0 þ 1 %* n1 / þ %=,2 / n2 / %.o%3 4 os.%5 on1 on%5 .1
! " /! " /þ ! $ $ %$ & '! 7
þ $ 6%7 n2 4 0 ,n/ 1 %7 / =o1 $ %,,%%8%9 þ
9
A‹7
F/A
11
D‹11
G
A
15
molto rall.
# H$ S% ( %þ ! $ $ %) * + ,n%/%- ./ w0 þ .%/%B0 ==0 þ 1 %* n1 / þ %=,2 / n2 / %.o%3 4 os.%5 on1 on%5 .1
! " /! " /þ ! $ $ %$ & '! 7
þ $ 6%7 n2 4 0 ,n/ 1 %7 / =o1 $ %,,%%8%9 >
17
Oh,
my
love,
my
dar
-
ling,
I
pp
20
7 I
need
your love.
hun
-
ger
for
your
touch.
A
long,
lone - ly
B
23
time.
# H$ S% ( %þ ! $ $ %) * + ,n%/%- ./ w0 þ .%/%B0 ==0 þ 1 %* n1 / þ %=,2 / n2 / %.o%3 4 os.%5 on1 on%5 .1
I
need
your love,
! " /! " /þ ! $ $ %$ & '! 7
þ $ 6%7 n2 4 0 ,n/ 1 %7 / =o1 $ %,,%%8%9 "
26
7 And
time
goes
by
so
I
need
your love,
God
rall.
29
7 slow
-
ly
to
speed
31
your love
to
C& ' () ** as Car+ ' h& ! ps ) , " ) ) r- ' h" ,
7 me.
me.
(B+& " . #)
. " a" s" / & " #220 1 a++ $ * Car+
# H$ S% ( %þ ! $ $ %) * + ,n%/%- ./ w0 þ .%/%B0 ==0 þ 1 %* n1 / þ %=,2 / n2 / %.o%3 4 os.%5 on1 on%5 .1
! " /! " /þ ! $ $ %$ & '! 7
22. The Fall Of Carl " s# $ ö # e- $ # en- of 21 $ s C$ ö ) # & mp s on # & e - ooö $
)$ s# # (me
VAMP
O- $ M$ e: ...giving me a heart attack. !" # $o"f%$e&"on"doo$'"[ON]
"Drone" (track)
)$ s# # (me
2
VAMP
!( &") # m"* eg%n&"to"l# un+ , ", %m&elf"# t"- # $l'"[ON]
"Pulse" (track)
3
!
"Full" (track)
f
G" OS= © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
04/05/2011 15:55
22. The Fall Of Carl - p2
)$ s# # (me C$ ö ): Give me the cheque and I'll leave her alone. Sam? Sam? [ON] 7
VAMP
"Pulse" (track)
8
12
ö
[+K. 1]
)$ s# # (me 15
VAMP
G" OS= © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
Gunshot [ON]
04/05/2011 15:55
22. The Fall Of Carl - p3
C$ ö ): Sam? S$ m: Oh, Carl. [GO] 17
C "Whine" (track)
Mo))! : ODA MAE! S$ m: Oh, Carl? C$ ö ): What? O- $ M$ e: I didn't do it. It wasn't me.
Slow 4, very freely 18
[+ wasp effects]
22
$ s w$ )) ö eg(ns # o op en
G" OS= © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
04/05/2011 15:55
22. The Fall Of Carl - p4
q=160 23
(clicks)
)
$ s w$ )) ö eg(ns # o op en SFX ff
26
CUT ON CUE, FINISH ON FINAL QUAVER OF A BAR
! s w$ )) ö eg(ns # o ö e# ö np w$ (# $ ö o # 2 ö $ ö s* c # off $ n29
32
35
REPEAT IF NEEDED (CUT ON CUE)
sfx
Seg e 23. ! scens(on
Pö (me
G" OS= © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
04/05/2011 15:55
!"#$%&'()&*+)$,%'-$..$)*)/-(0 Pú $% % Mo!!" : ...I can hear you.
C5
Free time
Mo!!" : Sam? [GO]
let ring
mp
["glistening phase" on track]
...I can see you... 3
A‹7
...proud... 6
A‹7
...can't stay...
...waiting for you...
C/E
F2
...you're all right...
C^/E
G& OS' '© 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
F2
04/05/2011 17:46
23. Ascension (Act II Finale) - p2
9
S I
say
it with my
I
say
it with my
F2
C
(as Sam reaches Molly)
eyes,
11
S touch,
I
say
it
with
my
heart...
A‹7
C/E
I
F2
C^/G
Mo!!" : Ditto.
14
S love
C5/G
you.
C(“)/G
G& OS' '© 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
04/05/2011 17:46
23. Ascension (Act II Finale) - p3
' h% " 'k$ss
17
(
C
Am9
F^9
Dm11
C
Am9
F^9
Dm11
21
sim ped.
25
so% % ') o$* = + ú ou* , 'h% ú % =o'ú % g$* '=ú + ck'*+ , % 28
[tam-tam roll]
G& OS' '© 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
04/05/2011 17:46
23. Ascension (Act II Finale) - p4
O* 'GR- - N'cu% '!$gh=
ú 32
Maestoso
ff
Pú $% % rit.
35
38
rit.
G& OS' '© 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
04/05/2011 17:46
23. Ascension (Act II Finale) - p5
40
A^
42
F©‹9
44
A^/C©
46
Qu$ck'=o'#* / .'ú ows
Pú $% %
G& OS' '© 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd
04/05/2011 17:46
GHOST # ) * + + , - ! .$ / 0 1( 2 # 3 1 / ! # ""# 3 4 - $ 4 ( 3 "./ ( $ / ( 1' 5 6 ' 71 8 ' $ 4 ' $ 8 14
! "# $ % & # ' (
24. Bows & Playout q=154
PÒ #$ $
A
qq % & %c'#cks( %
&%o& %cu$
f
D/A
2
5
PLAY TWICE
! A5
D/A
A
10
D/A
G) OS% %( %þ ! $ $ %) u* +n%/%, - w. / %/%B. 55. / 0 %un0 - / %5+1 - n1 - % o%2 3 o4 %5 on0 on%5 0
A
! þ /! # /þ ! $ $ %$ & '! >
þ " 6%Bow4%þ %3 5. $ ou %%7%8 þ
14
D/A
17
Ò C©
19
SAFETY (normally once)
F©/C©
C©
'( s= =#$ $
22
F©/C©
G) OS% %( %þ ! $ $ %) u* +n%/%, - w. / %/%B. 55. / 0 %un0 - / %5+1 - n1 - % o%2 3 o4 %5 on0 on%5 0
! þ /! # /þ ! $ $ %$ & '! >
þ " 6%Bow4%þ %3 5. $ ou %%7%8 >
25
C©5
29
C©
C©“
C©5
C
F©
Some
day.
Some
day.
C©
Some
way.
Some
way.
33
Here
right
Some - where.
B
Some - where.
D©‹
G) OS% %( %þ ! $ $ %) u* +n%/%, - w. / %/%B. 55. / 0 %un0 - / %5+1 - n1 - % o%2 3 o4 %5 on0 on%5 0
! þ /! # /þ ! $ $ %$ & '! >
þ " 6%Bow4%þ %3 5. $ ou %%7%8 "
37
now.
F©
Here
Some
time.
Some
time.
right
now.
Here
right
Some - how.
C©
Some - how.
41
now.
Here
Some
day.
G©‹7Some
day.
right
B
G) OS% %( %þ ! $ $ %) u* +n%/%, - w. / %/%B. 55. / 0 %un0 - / %5+1 - n1 - % o%2 3 o4 %5 on0 on%5 0
! þ /! # /þ ! $ $ %$ & '! >
þ " 6%Bow4%þ %3 5. $ ou %%7%8 #
45
* now!
Some day.
Some way.
Some day.
Some way.
Mo''+
Here
S( $
E¨
This
is
as far
right
as
now.
we've e - ver
come,
etc.
This is
B¨ But
I
know that we've
what we're
on - ly just
liv -
be - gun.
49
Some - where.
Some - where.
- ing
for.
This is
when
we
give
in - to
the
mo
- ment
and
let
go.
3
F‹7
You're gon - na
see.
A¨
G) OS% %( %þ ! $ $ %) u* +n%/%, - w. / %/%B. 55. / 0 %un0 - / %5+1 - n1 - % o%2 3 o4 %5 on0 on%5 0
! þ /! # /þ ! $ $ %$ & '! >
þ " 6%Bow4%þ %3 5. $ ou %%7%8 9
53
Some time.
Some - how.
Some time.
Some - how.
Here
I
know
life
right
now.
is - n't al - ways
E¨
Ev - 'ry - thing we're
fair;
this time
we're
gon - na end up
dream
where
B¨
57
Some
day.
Some
day.
- ing
A¨^
of
is
com -ing
through if
we
we should
step
up
and
own
it.
Let
it
flow.
be.
C‹7
G) OS% %( %þ ! $ $ %) u* +n%/%, - w. / %/%B. 55. / 0 %un0 - / %5+1 - n1 - % o%2 3 o4 %5 on0 on%5 0
! þ /! # /þ ! $ $ %$ & '! >
þ " 6%Bow4%þ %3 5. $ ou %%7%8 7
61
,
Mo''+ %&%- ( . #$ s
S( $ %&%G$ & =s
D¨2
Here
right
now.
Here
right
now.
A¨2/C
64
Here
right
now.
Here
right
now.
E¨
% h$ %, & . .
G) OS% %( %þ ! $ $ %) u* +n%/%, - w. / %/%B. 55. / 0 %un0 - / %5+1 - n1 - % o%2 3 o4 %5 on0 on%5 0
! þ /! # /þ ! $ $ %$ & '! >
GHOST ©#$ % & & #R ubin#( #Stewart#( #! aGGard#under#Gicence#to#Ghost#) ondon#) td
! Gan" #pa" e
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