Authorized for use by Joshua Olson 98 98 68 68 x x x x x x x x x x x f f ♯ ♯ ♯ ♮ ♮ ♮ Rhy. Fig. 1 (dist.) *Gtrs. 1 & 2 **Gtr. 3 (dist.) Moderately = 52...
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from Avenged Sevenfold - City of Evil
Beast and the Harlot Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker
F ♯5
xxx
D5 o
4
111
xx
x
5
1 34
Drop D uning:
x
x
4
1 34
xx
x
5
xxx
111
D5V
xx
x
7
x
A5
xx
xo
D5type2
xx
ooox x x
3
1 34
E5
xx
B ♭5
F5
C5
xx
A/C ♯
G5 xxx
D ♭5
xx
1 34
A5VII xxx
5
11
B5 xxx
7
x
9
C ♯5
xx
C ♯/E ♯ x
4
xx
6
(low to high) D-A-D-G-B-E 11
31 1
1 34
1 34
111
111
1 34
31 1
Intro
Moderately = 52 Rhy. Fig. 1
F ♯5
*Gtrs. 1 & 2 (dist.)
f
89 x
x
D5
x
x
Ah.
♯ ♮ ♯ ♯ 89
T A B
D ♭5
f 11
11
10
11
13
♮
13
14
9
10
(10)
10
9
10
(12)
12
10
(10)
C5
x
10
x
x
T A B
x
*Composite arrangement **Two gtrs. arr. for one.
x
♮
**Gtr. 3 (dist.)
86 x
10
9
10
12
(12)
x
86
9
10
12
10
10
10
2005 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHING All Rights Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
Authorized for use by Joshua Olson
2
D ♭5
F5
B ♭5
End Rhy. Fig. 1
♭ ♭ ♭ ♭
44
(Gtr. 2, cont. in notation)
T A B
(13)
13
(13)
13
(15)
15
13
15
17
18
(18)
(18)
18
Moderately fast = 154
Free time
Gtr. 3 tacet
A5
Gtr. 3 ♯ 44
D5type2
Gtr. 1
♭
mf
8va
♯
Harm.
T A B
)
♯
♭
♮
-3
-2 1/2
-6
(4)
(4)
2 2 0
♯
Pitch: B
mf -1
-2
*Three gtrs. are for one.
T A B
(5)
5 4
-1 -2 **Three gtrs. are for one. ***Harmonic located one-tenth the distance between the 3rd & 4th frets.
♯
Harm.
***
3.1
(
♯
♮
w/bar
Pitch: E
Gtr. 2 44
(20)
20
-4 1/2
Harm.
*Gtr. 4 (dist.) 44
w/bar
1/2
T A B
**Gtr. 5 (dist.)
-2 -3
-3 1/2
-4
♭
-5 1/2
0 0 0
Authorized for use by Joshua Olson
Gtr. 5 (8va) ♮ ♯ ♭ ♮ 8va fdbk.
Gtr. 3
divisi
Harm.
P.M.
(w/bar)
T A B
♭ T A B
5 5
5 5
-6
P.M.
7 7 7 7
6
-2 1/2
w/bar ♭
P.M.
7 7 7 7
(0)
3
8
P.M.
9
7 7 7 7
(0)
7 7 7 7
P.M.
8
-6
6
(4) -6 1/2
-7 /1/2
-8
-9 -10
♭
7 7 7 7
-10 1/2
Riff A
End Riff A
P.M.
T A B
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 Gtr. 2: w/ Riff A (3 times)
(8va) Gtr. 5 ♭ ♭ Gtr. 1: w/ Riff A (2 times)
Gtr. 3
T A B
P.M.
P.M.
P.M.
7 7 7 7
(0)
6
7 7 7 7
8
7 7 7 7
9
P.M.
7 7 7 7
8
7 7 7 7
6
7 7 7 7
P.M.
P.M.
6
7 7 7 7
8
7 7 7 7
(4)
-8 -10
P.M.
Gtr. 4 ♭ T A B
P.M.
-7 1/2
-6 1/2
-9
Authorized for use by Joshua Olson
4 Gtr. 5 tacet
♭
Ah. 15ma
♭ ♯ x
*fdbk.
♭
x x ♭ ♮
P.M.
T A B
9 X
P.M.
7 7 7 7
8
P.M.
6
7 7 7 7
P.M.
7 7 7 7
6
Pitch: C ♯ *Microphonic fdbk., not caused by string vibration.
♭ T A B
7 7 7 7
8
9
7 7 7 7
7 7 7 7
8
6 9
10
18 15
♭
P.M.
17 14
(4)
-5
-1 1/2
-2
-3
-4
-5 1/2
Gtr. 4 tacet
D5
F5 D5
G5 D5
♭
A ♭5 D5
♭
T A B
17
G5D5
A ♭5
P.H.
w/bar
14
(14)
(14)
loco
15 15 (15)
-2
Rhy. Fig. 2
-1/2 -1 1/2
**Gtrs. 1 & 2
♭
♭♭ ♭♭♭ ♭
P.M.
F5 D5
8va
1
F5 G5 D5
Gtr. 3
P.H.
G5 D5
T A B
P.M.
P.M.
3 5 3 5 0 0 0 0 3 0 0 0 0 5 0 0 0 0
P.M.
P.M.
6 5 3 5 6 5 3 5 6 0 0 0 0 5 0 0 0 0 3 5
P.M.
0 0
P.M.
3 3 0 0 3
P.M.
5 5 0 0 0 0 5 0 0
6 6 6
**composite arrangement
Authorized for use by Joshua Olson
5 Gtr. 3 tacet
D5
♭
F5 D5
♭ T A B
P.M.
3 3 0 0 0 0 3
♭
A ♭5D5
G5 D5
G5 D5
F5 G5
♭ T A B
P.M.
5 5 0 0 0 0 5
F5
P.M.
6 6 6
0 0
D5
P.M.
3 3 0 0 0 0 3
G5
5 5 0 0 0 0 5
A ♭5
D5
P.M.
P.M.
6 6 6
0 0 0 0
D5
P.M.
5 5 0 0 0 0 5
F5 D5
3 3 0 0 0 0 3
F5
D5
End Rhy. Fig. 2
P.M.
P.M.
0
P.M.
0
0
0
3 3 3
0
P.M.
0
0
0
5 5 5
0
0
6 6 6
5 5 5
F5
♭♭♭
0
P.M.
0
0
0
3 3 3
0
P.M.
0
0
0
3 3 3
0
0
3 3 3
Verse Gtrs. 1 & 2: w/ Rhy. Fig. 2 (1st 7 meas.) 2nd time, Gtrs. 4 & 5: w/ Fills 1 & 1A
D5
F5 D5 G5 D5
♭
1. This shin-ing 2. The cit - y
A ♭5 D5
G5 D5
F5 G5
F5 D5 G5 D5A ♭5 D5
D5
cit dressed
built of gold, jewels and gold,
y in
Fills 1 & 1A
Gtr. 5
♭
Gtr. 4 divisi
F5 D5
♭ ♭♭ ♭ ♭ ♭
D5
D5
Gtrs. 1 & 2
P.M.
A ♭5
G5 D5
T A B
a
F5
far cry from in - no fine lin - en, myrrh and
D5
G5 D5A ♭5
cence. pearls.
1/2
1
17 17
17
Authorized for use by Joshua Olson
6
D5
♭
There’s more than meets the plagues will Her D5
♭
F5 D5
eye come
F5 D5
B ♭5
A cit - y De - stroyed in
Gtrs. 1 & 2
♭
P.M.
T A B
0
P.M.
0
0
0
3 3 3
0
F5
0
D5 G5 D5
♭
There sat a Merch-ants and D5
F5 D5
0
3 3 3
0
sev cap
-
♭
♭ T A B
-
ked.
G5 D5
F5D5 F5
The
the of watch her
wa - ters ers
G5
G ♯5
deep. burn.
A5
B ♭5
♯ ♯ ♯
5 5 5
7 7 7
8 8 8
vil.
0
3 3 3
8 8 8
8 8 8
G5 D5
F5 G5
F5 D5 G5 D5 A ♭5
D5
en head - ed beast, tains of the world,
B ♭5
♭ ♭
F5 D5
e hour.
Sym-bol - ic wom - an sits will weep and
0
A ♭5 D5
♭ D5
of an
G5 D5 A ♭5
F5 D5
P.M.
Gtrs. 1 & 2: w/ Rhy. Fig. 2
D5
♭ ♭
look to the as her mourn
’round here, all at once
♭♭
D5
F5 G5
G5 D5
F5
A ♭5 D5
G5 D5
D5
F5
A ♭5 D5
on mourn
F5 G5
8 8 8
head. too
G5 D5 A ♭5
throne but ha - tred strips her and leaves loss with her sins piled to
his this
G5
-
G ♯5 A5
B ♭5
lot.
B ♭5
A5
her the B5
na sky. C5
xx xx xx xx
Oh,
Rhy. Fig. 3
Gtrs. 1 & 2
F5 D5
F5 D5
D5
G5 D5 A ♭5
D5
from his ten horns raised sail - ors, nav - i - gat - ors
G5 D5
beast and the har
6 6 6
End Rhy. Fig. 3
8 8 8
♯ ♯ ♯
♯ ♮ ♮ ♮
5 5 5
7 7 7
6 6 6
7 7 7
8 8 8
(cont. in slashes)
8 8 8
9 9 9
10 10 10
Authorized for use by Joshua Olson
7
Chorus Double-time feel F5
C5
B ♭5
Rhy. Fig. 4
Gtrs. 1&2
x
x
x ♭
She’s
a
dwell
x
Yeah.
Gtr. 3 ♭
T A B
15
13
13
14
15
ing
place
for
14
12
13
12
14
-
mons.
12
13
12
de
13
13
14
-
12
F5
11
10
10 12
11
10
10
C5
! ♭ She’s
a
10
12
cage
for
ev
♭
T A B
12
11
10
10
11
13 15
B ♭5
-
’ry
filth
♭ T A B
12
15
’ry
13
14
un
-
clean
spir
-
it,
13 12
14
13
12 14
12
13
12
G5
♭ ev
13
13
14
-
10
11
10 12
10
-
y
11
bird,
and
10 12
10
11
makes
10
10
11
us
12
drink
13 17
15
the
15
poi
20 17
-
15
son
15
20
Authorized for use by Joshua Olson
8
F5
B ♭5
C5
♭
for - ni ♭ wine
T A B
15
with
to
13
13
14
15
-
14
ing
13
13
14
cat
12
13
12
13
12
14
kings.
our
12 12
10
11
10
12
To Coda 2 ""
♯
10
11
10
To Coda 1 " End double-time feel
A5 A/C End Rhy. Fig. 4 ♯ ♭
is - en now ♭
- y - ♯lon the ♯
Fall
13
T A B
11
12
11
10
11
10
10
11
11
D5
♭
F5
D5 G5 D5
♭ Gtr. 3
9
10
10
10
9
10
9
A ♭5 D5 G5D5 F5G5 D5 F5 D5G5 D5 A ♭5
Gtr. 4
1
10
10
T A B
(13)
13
12
10
9
11 10
♭
1
T A B
13 10
13
10
13
(13)
1
1
12 15
15
F5 D5
9
F5 D5
11
16
loco
1
16
19
F5
!
♭ ♭
♭ ♭
12
16
19
16 19
19
10
(12)
Gtrs. 1 & 2: w/ Rhy. Fig. 3
B ♭5
D5
1
divisi
10
Gtrs. 3 tacet.
8va
Gtr. 4
12
11
10
great.
11 13 11
Guitar Solo Gtrs. 1 & 2: w/ Rhy. Fig. 2 (last 4 meas.)
10
Bab
G5
G ♯5
A5
1
1
1
♯ ♯ ♮ ♭
8
10
9
11
10 12
B ♭5
B ♭5
A5
B5
C5
♮ ♭ ♮ ♯ ♮ ♮ ♭ ♯ ♮ ♯ 8va♮ ♯ ♭
1
11 11 13
13
13
12
11
10
14
13
12
11 15
14
13
14
16
13 15 16
Authorized for use by Joshua Olson
9 Double-time feel Gtrs. 1 & 2: w/ Rhy. Fig. 4
F5
B ♭5
C5
♮ ♯ ♭ ♯
(8va)
loco
17
T A B
17
17
18 17
17 18 17
17
17
20 17
20 17 (17)
17
7
5 8
F5
(17)
17
T A B
17
T A B
10
(8va)
♭ T A B
♭
1
T A B
13
12
13
18
13
5
6
15
(15)
(17)
17
15
12
(12)
(13)
13
(7)
7
9
7
9
B ♭5
1
1 (17)
17
(17)
1
1 (13)
13
(13)
Gtr. 5 tacet
G5
F5
(20)
20
1
9 10 13 11 10 11 13
9 10
7
Gtr. 4 ♯
♭ (13)
8
6
C5
8va
Gtr. 5 ♭
7
5
♭ 5 ♭ 6
5
P.M.
(13)
7 5 7 8
5 7 8 10
7
8 8 7
10 8 7
10
7
10 8
7 8 10
7 8 10
7
8 10 8 7 10 8 7
10 8 7 7
B ♭5
♮ ! ♭
3 6 C5
Gtr. 4
T A B
8
10
7
8
10
7
9
10
12 10 9 10
12
10 11 13 10 11 13
10 12 13 12 10 12 10
13
11 10 11 10
12 10
(10)
Authorized for use by Joshua Olson
10
♮ ♭ ♮ ♮ ♭ ♭ ♮ ♭ ♮ ♮ ♮ ♭ ♮ ♭ ♮ ♭ ♭ ♭ ♮ ♭ ♭ ♮ ♮ loco
Gtr. 5 8va
T A B
22
21
20
19
22
21 20 19
20
19
22
20
19
22
21
20
19
22
21
20
19
22 21 20 19
loco
T A B
18
17
16
15
18
17 16 15
18 17
16
15
18
17
16
15
18
18 17 16 15
17
16
15
18
17
A/C ♯
16
15
18 17 16 15
D.S. al Coda 1 End double-time feel
♭ ♮ ♭ ♭ ♮ ♭ ♭ ♭ ♮ ♭ ♮ ♭ ♮ ♭ ♭ ♮ ♭ ♭ ♮ ♭ ♭ loco
8va
T A B
18
17
16
15
18
17 16
15
18
17
16
15
18
17
16
15
18
18 17 16 15
17
16
15
18
17 16 15
18 17 16 15
♭ ♮ ♮ ♭ ♮ ♭ ♮ ♭ ♮ ♮ ♭ ♮ ♭ ♮ ♭ ♮ ♭ ♮ ♭ ♮ ♮ ♭ ♮ ♮ ♭
T A B
15
"
14
13
12
15
14 13
12
15
14
13
12
15
14
13
12
15
15 14 13 12
14
13
12
15
14 13 12
15 14 13 12
Coda Interlude D5type2 Rhy. Fig. 5
♭
great. ♭
21
22 21 20 19
♭ ♭ ♭ ♮ ♭ ♭ ♭ ♮ ♭ ♮ ♭ ♮ ♭ ♭ ♮ ♭ ♭ ♮ ♭ ♭ Gtr.8va4-
A5
22 21
T A B
12
End Rhy. Fig. 5
♯
1
1
1/2
(12)
5
(5)
Authorized for use by Joshua Olson
11 Gtr. 1: w/ Rhy. Fig. 5 (2 times) Gtr. 2: w/ Rhy. Fig. 5
8va
D5
♭
♯
♯
1/2
1/2
(5)
(5)
(5)
♭
D5
G5
D5
x
-4 1/2
D5 F5 D5 G5 D5
A ♭5 D5 G5 D5 F5 G5
slack
A ♭5 D5
D5 F5 D5 G5 D5
F ♯5 G5
time
has
♭
x
A ♭5 G5
F5 D5
come
for
all
x
x
x
F5 G5 A ♭5
x
us
10 10 10
x
The
X X X
Gtrs. 1 & 2: w/ Rhy. Fig. 6 (7 times)
x
x
sin -
if you’re not
x
ners,
C5
F ♯5 G5 A ♭5 G5 F5 D5
G5 F5 D5
x
x x x x x x
a serv-ant, you’ll be
End Rhy. Fig. 6
♭ ♯ ♯ ♭♭ ♮ ♮ ♯ ♭ ♮ ♮ 12 12 12
X X X
X X X
X X X
Rhy. Fig. 6
*Gtrs. 1 & 2
T A B
!
G5
P.S.
0 0 0
D5 C5
F5
0 0 0
D5
♭
G5
xx x x x xx xx xx x
Gtr. 1
T A B
F5 G5
-2
x
A ♭5
0
Bridge
G5 D5
-1
5 5
T A B
♭
D5 F5 D5
loco
Gtr. 4 tacet
5 5
Gtr. 4
-5 1/2
5 5
Pitch: E B
A ♭5 D5 G5 D5 F5 G5
F5 D5 G5 D5
w/ bar
divisi
1
Gtr. 2: w/ Rhy. Fig. 2 (1st 2 meas., 4 times) Gtr. 3 tacet
Harm.
Gtr. 3 1
T A B
! ♮
Gtr. 4
4 4 4
5 5 5
6 6 6
5 5 5
3 3 3
0 0 0
♭♭♭ 3 3 3
5 5 5
6 6 6
♮ 5 5 5
3 3 3
0 0 0
*Composite arrangement
Authorized for use by Joshua Olson
12 F5
G5
struck to
the
x
♭
x
A ♭5
x
x
G5 F5 D5
x
x
x
x
x
x
x
x
x
♭ look - in’ back on her
to
x
Flee
ground.
G5 A ♭5 G5 F5
x
C5 F ♯5 G5 A ♭5 G5 F5 D5
x
C5 F ♯5
x
x
x
x
see there’s noth -ing
! x
x
x
-
cit
y,
a - round. I
don’t be - lieve in
fair - y tales and
♯ ♭ ♮ Riff B
Gtr. 4 ♭
x
C5 F ♯5 G5 A ♭5 G5 F5 D5
F5 G5 A ♭5 G5 F5 D5
x
greed - y
burn - ing,
the
x
x
A ♭5 G5 F5 D5
F5 G5
D5
x
10
T A B
8
8
11
C5 F ♯5 G5 A ♭5 G5 F5 D5
F5 G5 A ♭5 G5 F5 D5
♭ no one wants to
go
eas - y
to
see.
to hell. We’ve made the wrong de - ci - sion and it’s
8
F5 G5 A ♭5 G5 F5
9
10
7
D5
!
♯ ♭ ♮ ♭ ♭ ♭ Now
End Riff B
T A B
(7)
10
8
9
8
10
10
8
7
8
11
9
8
10
7
10
Gtr. 4: w/ Riff B
C5 F ♯5 G5 A ♭5 G5 F5 D5
♭
if you wan - na serve a - bove or
♮ ♭ 8va
T A B
10
8
10
(10)
17
15
10
10
F5 G5 A ♭5 G5 F5 D5
be
8
8
10
13
8
10
7
C5 F ♯5 G5 A ♭5 G5 F5
D5
a king be - low with us, you’re wel-come to
9
the cit - y where your
♮
10
10
8
10
(10)
17
15
10
10
Authorized for use by Joshua Olson
13 F5
G5 A ♭5 G5
Gtrs. 1 & 2: w/ Rhy. Fig. 3 Gtr. 5 tacet
F5
♭ fu - ture
is
B ♭5
D5
set
-
♯
B ♭5
A5
♯
for - ev
G ♯5
G5
♯
er. (Ah.)
Gtr. 4
(8va)
♭
( )
♯
12
14
15
1 1/2
8
T A B
10
10
Chorus
B ♭5
B5
♯
Gtr. 4
♭
C5
14
Gtr. 3
♭ T A B
12
15
13
al Coda 2
♮
D.S.S.
She’s
a
dwell
-
ing
place
for
1
T A B
Gtr. 4 tacet
C5
♭
13
F5
♭ ♯♯
12 (12)
12
A5
13
16
(16)
15
14
13
13 15
14
13
13 14
12
13
12 14
12
13
12
Authorized for use by Joshua Olson
14
"" ♭ A5
Coda 2
Bab
A/C ♯
♯
-
y
Gtr. 4
-
lon
A5
♯♯♯
the
♭
Chorus
great.
She’s
17
19
♯♯♯
a
8va
T A B
♯ ♮ ♯♯ 8va ♯ ♭ Gtr. 3
12
T A B
10
9
10
10
10
9
10
E5
9
10
9
10
12
10
9
12
18
19
17
17 19
18
17
17
D5V
♯♯♯
dwell
-
♯♯♯ (8va)
T A B
16
ing
place
for
17
17
de
18
♯♯♯ (8va)
T A B
18
16
17
16 18
16
17
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19
17
She’s
a
17
16
16 16
14
15
14 16
14
15
14 16
14
15
14
14
15
16
17
Authorized for use by Joshua Olson
A5VII
E5
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for
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16
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17 21
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19
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19
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19
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17
18
19
19 19
18
17
17 19
18
17
17
Authorized for use by Joshua Olson
16
♯♯♯ E5
D5
cat
-
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ing
with
our
kings.
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en
Fall
1
16
T A B
16
16
T A B
18
18
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19
17
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14
15
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14
15
C ♯/E ♯
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19
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17
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now
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14
13
14
14
14
13
14
13
14
13
14
15
14
13
15
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17
Outro Gtrs. 1 & 2: w/ Rhy. Fig. 1
F ♯5
89
Gtr. 4 tacet
x
x
♯ ♯ ♯ ♯ 89 Gtr. 3 loco
Gtr. 4
x
loco
# ♮
T A B
(14)
16 (16)
x
x
x
11
10
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86 x
10
11
13
13
14
9
1
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9
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9
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10
9
10
12
13
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(13)
13
15
(15)
9
10
13
15
17
10
12
10
♭
1/2
1/2
17
17
Faster = 176
$
A5
Segue to “Burn It Down”
Gtr. 4 $ ♯ ! 4 4 Gtrs. 1&2
♯ x x x x x x x
♯x x P.S.
1/2
T A B
20
x x $ ♯ ! ♯ ! % ♯ % 44
♯x X X
T A B
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X
X
X
X
X
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1.1 1.1 1.1
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10
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86
6
8
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x
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14
x
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Ah.
great.
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1.8 1.8 1.8
1.8
1.8 1.8 1.8 1.8
1.8
X
X
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.#/01)2
from Avenged Sevenfold - City of Evil
Bat Country Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker Gtr. 4 chords:
Dm
G
xxo
C
ooo
2 31
32
x
4
Gtr. 2 chords:
E7
o o
Am
o o oo
32 1
xo
2 1
F x
2 31
A ♭5
D5
o
1 3 4 21 1
xx
xxx
5 fr
1 34
D5open
G5 xxx
6 fr
111
ooox x x
5 fr
111
Gtrs. 1 - 3 & 6: Drop D tuning: (low to high) D - A - D - G - B - E
Intro: Moderately fast D5
= 125
♭ 44 x
x x
He
A ♭5
D5
x
who makes
x
a
out
(12)
12
* Two gtrs. arr. for one. Gtr. 2 (elec.) Rhy. Fig. 1
♭ 44 ♭♭ ♭ ♮ mf w/ dist.
T A B
7 7 5
7 7 5
7 7 5
7 7 5
♭ x rid
x x x
x
of
pain
the
6 6 6
6 6 6
6 6 6
A ♭5
D5
x
end Rhy. Fig. 1
0 0 0
♭♭ ♮
0 0 0
0 0 0
xx
of
be
3 3
5 5
6 6
5 5
3 3
0 0
G5 F5 G5 A ♭5 G5 F5 D5
D5
xx
5 5
-
xx
xx
in’
a
xx
xx
xx
man. Ah.
♭
♮
Gtr. 1
T A B
gets
+1 1/2
** Gtrs. 2 & 3: w/ Rhy. Fig. 1
x
of him - self
w/ bar
T A B
x x x x x x
beast
♭ 44 mf w/ dist. Harm. * Gtr. 1 (elec.)
G5 F5 G5 A ♭5 G5 F5 D5
+2
(12)
♮
15ma
fdbk.
(12)
(12)
** Gtr. 3 (elec.) w/ dist., played mf . 2005 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHING All Rights Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured
Authorized for use by Joshua Olson
2
Interlude: Double-time feel Gtr. 1 tacet Gtrs. 2 & 3: w/ Rhy. Fig. 1 (2 times)
D5
♭
Verse:
A ♭5 D5
G5 F5 G5 A ♭5 G5 F5 D5
A ♭5
G5 F5 ♭ D5
1. Caught here
in
a fier
-
y
A ♭5
D5
A ♭5
G5 F5 G5A ♭5 F5 G5 D5
♭ ♮ D5
blaze,
won’t
G5
lose
my
F5
will
to
stay. I
Rhy. Fig. 2
Gtrs. 2 &3 ♭ ♭♭ ♭
T A B
7 7 5
6 6 6
D5
5 5 5
3 3 3
A ♭5
♭ ♭♭ 7 7 5
6 6 6
5 5 5
3 3 3
A ♭5
D5
♯ ♮ ♯ ♮ ♭
tried
to
end Rhy. Fig. 2
drive all through the
night,
the
heat stroke rid-den weath-er,
the
Riff A
♭
♭ ♭ P.M.
T A B
5 5 5 5 5 5 5 5
6 6 6 6 6 6 66
0 0 0 0 0
0
A ♭5
D5
♭ bar - ren emp - ty
signs.
No
-
a
-
sis
6 6 6 6 6 6 6 6
C ♯5
G5
o
5 5 5 5 55 55
0 0 0 0 0 0 0 0 00
here
to
♯
see. The
♭
end Riff A Riff B
♭ ♯
P.M.
T A B
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
55555555
6 6 6 6 6 6 6 6
5 5 5 5 5 5 5 5
4 4 4 4 4 4 4 4
Authorized for use by Joshua Olson
D5
♭
sand
E5
is
F5
sing
-
death
-
D5
less
3
3rd time, Lead & Bkgd Voc.: w/ Voc. Fill 1
E5
ing
Pre-Chorus:
*
words
to
me. free. Can’t
you
help me as I’m
end Riff B Rhy. Fig. 3
♭
P.M.
T A B
5 5 5 5
G5
5 5 5 5 7 7 7 7
7 7 7 7
3 3 3 3
F5
♭
start-ing to burn?
Too man-y (All
♭ P.M.
T A B
5 5 5
5 5 5
0 0
a
-
♭
5 5 3
0 0
C5
A5
E5 F5
start-ing to get an at - trac - tion.
end Rhy. Fig. 3
xx x
5 5 3
5 5 3
5 5 3
X X X
3 3 3
3 3 3
0 0
5 5 3
Bkgd. Voc.: w/ Voc. Fig. 1
7 7 5
P.M.
My con - fi - dence is leav-ing
G5
♭
me on my
Voc. Fill 1
dos - es and I’m
P.M.
3 3 3
7 7 5
lone.)
Gtrs. 2 & 3: w/ Rhy. Fig. 3
D5
F5 End Voc. Fig. 1
7 7 5
0 0 0 0 3 3 3 3 2 2 2 2 2 2 2 2 * Sing upstemmed voc. 1st & 2nd times only.
C5
Voc. Fig. 1
7 7 5
F5
own.
0 0
2
3
To Coda 1 To Coda 2
C5
No one can
save me and you
Authorized for use by Joshua Olson
4
Verse: Double-time feel
Gtrs. 2 & 3: w/ Riff A (2 times)
♭
at - ten - tion. 2. As
know I don’t want the
A ♭5
tired
lights
I
will
♮ ♯
take me
to
new
read - y
to
♮
Gtrs. 2 & 3: w/ Riff B
A ♭5
Men - tal
fic
-
tion
the trig - ger,
D5
I’m
ev - ’ry - thing’s al - right.
♯
D5
fol - lows me.
E5
F5
Show
like
me
what
E5
it’s
to
be
set
Chorus:
Coda 1
but
on
D.S. al Coda 1 End double-time feel
C ♯5
G5
♭
To - mor - row might not make it,
ig - nite.
hand is
A ♭5
♯ ♭
heights. My
D5
the
A ♭5
D5
ad - just to my new sights,
D5
♮ ♭ rare - ly
A ♭5
♯
D5
A5 E5 F5
C5
F5
Half-time feel F5
A5 E5 F5
C5
Dm
G
Rhy. Fig. 4
Gtr. 4 (acous.)
♮ ♭ know I don’t want the at - ten-tion.
Gtr. 5 (elec.) ♭
x x
x x
So
sor
♮ mf w/ clean tone & chorus
-
ry
you’re
not here.
let ring throughout
T A B
1
3
1 2
3
3
2
2 3
0
3
0 0
2
Authorized for use by Joshua Olson
5 C
Am
E7
x x
x x
I’ve
T A B
2
3
0
3
0
3
0
0 2
G
T A B
-
sane
too
long,
my
♮
1
1
4
2
0
0
2
sion’s
so
un
-
1
1
4
x x
clear.
2
end Rhy. Fig. 4
x x
vi
F
0
3
1
x x
been
♯
0 2
1
0
3
3
(Oo.)
0
1 0 3
3
1
1
Gtr. 4: w/ Rhy. Fig. 4
Dm
Gadd9
Now,
take
T A B
1
1
3 3
Cadd9
3
2
3 3
a
0
trip
3
E7
with me,
0
2
but
0
3
2
0
3
don’t
♮ ♯
0 0
2
2
0
1
3
0 1
0
Authorized for use by Joshua Olson
6 Am(add9)
be
T A B
G69
sur - prised when
1 0
1
4
2
2
what
they
♭
things aren’t
End half-time feel
Fadd2
seem.
1
1
4
2
1
1
0
2
3
3
0
3
1 3
0
3
3
3
♭
1 0 3
Verse: Gtrs. 2 & 3: w/ Rhy. Fig. 2 (2 times)
A ♭5
D5
♭
G5
F5
♭ 3. Caught
here
in
A ♭5
D5
a fier
-
G5
eyes
Guitar Solo: D5 Gtr. 2
won’t
the
A ♭5
10 13
9
11
1
8
10
-
ter
12 1215
1
8
(10)
3 5
F5
will
to
F5
♭
♮ to - day.
flip
A ♭5
D5
12 13 14
stay.
G5
I
Gtr. 1 ♭ ♭ ♮ ♭ T A B
A ♭5
G5
♯ f w/ dist.6 10
1
D5
my
D5open
T A B
1
lose
af
♭
won’t
same
G5
Gtr. 6 (elec.)
blaze,
F5
see
G5
♭ ♮
♭
♭ These
y
A ♭5
D5
1 1/2
(15)
13 15
♭ ♭ ♮ 1
10 13
1
9
11
1
8
10
Authorized for use by Joshua Olson
7 Double-time feel Gtrs. 1 & 6 tacet
D5
A ♭5
D5
(cont. in notation)
A ♭5
D5
f w/ dist. Gtr. 7 ♮ ♭ ♮ ♭ ♭ ♯ ♮ ♭ Gtr. 6 divisi x w/ bar
Gtr. 7 (elec.)
1
T A B
(15)
(15)
16
♭
T A B
8 10
5
5
5
1 1/2
1
(5)
5
Gtrs. 2 & 3 Riff C
end Riff C
♭ ♭
1
P.M.
8 3 10 5 5 5 5 5 5 5 5 5
6 6 6 6
6 6 6 6
Gtr. 6 tacet
A ♭5
D5
0 0 0 0 0 0 0 0 0 3 5
A ♭5
D5 Gtr. 7
♭ ♯ ♮ ♭ ♭ 6 Gtr. 7 Gtr. 6
divisi 1/2
1 1/2
1 1/2
1
5 5
8
(5)
slack
Gtrs. 2 & 3: w/ Riff C (3 times)
T A B
1/2
(0)
0
6
1 1/2
1/2
1 1/2
(5)
1 1/2
1
11
(5)
1 (13)
13
1 1/2 (13) 10
13 10 13
15
A ♭5
6 6 6
A ♭5
va ♭ 8 ♭ xx
D5
(15)
1 1/2
13
A ♭5
6
15
13
18
X X
♭
A5 8va ♭ ♭ ♭ ♭ ♮ ♭ ♭ ♭ 3 3 D5
D5
(8va)
loco
1
T A B
17
D5
1
17
16 15
18
15
18
1 1/2
(18)
1 1/2
(18)
1 1/2
(18)
18
17 13
13 13 13 13
13 13 13 13 15
1
1
(15)
(15)
13
15
14
14
(14)
Authorized for use by Joshua Olson
8
Gtrs. 2 & 3: w/ Riff B
D5
loco
♭
A ♭5
♭ ♯ ♮ ♮ ♯
T A B
13
15
10
10
10
10
10
12
9
9
15
9
14
14
E5
18
17
16
17
18
F5
17
E5
6
6
6
6
15 1617181716 15 16171817 15 1718 192019 181718 19201917
D5
17 17 17 17 17 17 12
♯ ♮ ♮ 6
17 18
6
21 18 17
181718 20
17 18
20
Gtrs. 2, 3, &7 tacet
E
♭
(8va) Gtr. 7
16
6
1820 21 22 21 201820 21 22 2118
Interlude:
17
14
♮ ♯ ♮ ♯ ♮ ♯ ♮ ♯ ♮ ♯ ♯ ♭ 6
10
(8va)
T A B
6
D5
C ♯5
G5 8va
1
T A B
(20)
20
♯ ♮ ♭ mf * Gtr. 8 (elec.)
T A B
13 10
10
10
* Two gtrs. arr. for one.
12
10
10
10 13 10
10
10
12
10
10
10
12
13
12
13 13
14
13
12
12
13
12
13 13
14
13
12
8va
♯ ♮ ♯ mf
** Gtr. 9 (elec.)
♭ T A B
17 13
15
14
15
14
15
13 17 13
15
14
15
14
15
13
16
17
16
18
19
18
16
17
16
17
16
18
19
18
16
17
** Two gtrs. arr. for one.
Authorized for use by Joshua Olson
D5 8va
G5
C5
A/C ♯
A5
Gtr. 8 ♭
T A B
(15) 10
15
10 12 13 20
17 18 17 13
(15) 12 13 12
15
18
17
♭ ♮
12
13
15
♯
(8va)
Gtr. 9
T A B
(13)
13
10 10 12
10
17
15
13 15 13 10
12) 8 10 8
12
15
13
9
10
12
Gtrs. 2 & 3
♭
Rhy. Fig. 5
T A B
P.M.
0 0 0 0 0 0 0
end Rhy. Fig. 5
♯ ♯
P.M.
18
9
P.M.
P.M.
5 5 3 3 3 3 3
5 5 5 5 5 5 5
P.M.
2 2 0 0 0 0 0
2 2 2 4
4 4 4 4
End double-time feel
Gtrs. 2 & 3: w/ Rhy. Fig. 5
D5 (8va)
G5
C5
A/C ♯
A5
Gtr. 8 ♭
T A B
13
10
10
10
12
13
20
18
17
18
17
13
15
(15)
12
13
12
18
17
12
13
15
♯ ♭ va Gtr. 9 (8 )
T A B
17
13
10
10
12
10
17
15
13
15
13
10
12
(12)
8
10
8
15
13
9
10
12
Authorized for use by Joshua Olson
10 Dm
♭
E°
Am
Gm
E°
F
Dm
A
E°
F
4. Some-
(8va)
♯ ♯ ♯ ♮ ♯ ♭ Gtr. 8
13 10
T A B
(10)
15 12
17 18 17
21
17 18 17
21
17 18 17
17 18 17
21
21 18
21 18 21 18 17
20 17
18
17 20 17
♯ ♭ (8va)
17 13
T A B
(13)
18 15
18
15
♭ Gtr. 2
18
17 18
15
18 17 18
15
18 17 18
10
8
7
5
♭
5
3
2
P.M.
T A B
0 0 0 10 8 7
5 (5)
Gtr. 3
T A B
12 10 8
P.M.
P.M.
21
Gtr. 9
P.M.
17 18 17
0 0 0 7 5 3
2 (2)
8 7 5
7
15
18 17
18
15
18
17 15 17 15
8
7
♯
5
4
18 15
18
17 14
14
14 17 14
12
10 (10)
7
8
(7)
Verse: Double-time feel Gtrs. 2 & 3: w/ Riff A (1 1/2 times)
A ♭5
Gtrs. 8 & 9 tacet
♯ ♮ ♭ D5
times I don’t know why (8va)
♭ Gtr. 9 8va divisi * Gtr. 8
T A B
18 15
(18) (15)
♯
D5
we’d rath-er live than
Gtr. 1
die.
♭ 1
5
8
9
We
look up t’wards the
♮ ♮ ♭ 1
6
1
7
10
1
8
11
A ♭5
♮ ♯
sky
for
♭ ♭
1
10 13
1
9
11
9 11
* Gtr. 8 to left of slashes
Authorized for use by Joshua Olson
Gtr. 1 tacet
♭ D5
11
A ♭5
D5
♯
most just pass us
by.
an-swers to our lives. We
may get some so - lu-tions, but
♮ ♯8va ♯
Gtr. 9
♭ Gtr. 1
grad. bend
Gtr. 9 divisi.
loco ♯
grad. bend 1/2
T A B
3
13 14
5
12
Gtr. 8 ♭
12 13
15
12 13
♯ ♮
16
17
grad. bend
T A B
9 10
want your
ab - so
Gtr. 1 ♭
♮
-
3
12
11
13
♮
grad. bend 1/2
9
’cause
grad. bend
1/2
9
1/2
9
8
9
9
11
I
can’t
make
it
right.
1
1
9 11
E5
D5
1
3 5
5
lu - tion,
♭ ♭
1
12
A ♭5
♭
10
12
1/2
12
Gtrs. 8 & 9 tacet
T A B
12
9 10
1/2
♯
grad. bend 1/2
grad. bend
14
♯
♮ ♯
grad. bend 1/2
1
Don’t
3
3 5
5
10
10 13
13
Gtrs. 2 & 3
♭
♭
6
6
6
♮
P.M.
T A B
5 5 5 5 5 5
5 5
6 6 6 6 6 6 6 6
0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0
2 2 2
Authorized for use by Joshua Olson
12
Bridge: Gtr. 1 tacet
F5
♭
C5
make
a
beast
I’ll
Gtrs. 2 & 3
♭ T A B
3 3 3
3 3 3
3 3 3
3 3 3
3 3 3
3 3 3
3 3 3
5 5 3
3 3 3
3 3 3
3 3 3
my
-
self.
5 5 3
5 5 3
5 5 3
E5
of
5 5 3
D5
♭
out
G5
5 5 3
5 5 3
5 5 3
5 5 3
5 5 5
F5
Gets
rid
of
(Yeah.)
♭
♮ P.M.
T A B
5 5 5
C5
all
5 5 5 5 5 5 5 5 5 5 5 5
♭
5 5 5 5 5 5
the
pain
5 0 5 0 5 0
0 0 0 0 0 0
B ♭5
of
be
-
2 2 2
3 3 3
3 3 3
3 3 3 3 3 3
in’
a
3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3
♭ T A B
5 5 3
5 5 3
5 5 5 5 3 3
5 5 5 5 5 5 5 5 3 3 3 3
5 5 5 5 3 3
3 3 1
3 3 1
3 3 3 3 1 1
3 3 3 3 3 3 3 3 1 1 1 1
3 3 3 3 1 1
3 3 1
3 3 1
3 3 3 3 1 1
3 3 3 3 3 3 1 1 1
3 3 3 3 3 3 1 1 1
Authorized for use by Joshua Olson
13 D.S. al Coda 2 End double-time feel
♭
♯ ♯
♯ ♯
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Chorus: Half-time feel Gtr. 4: w/ Rhy. Fig. 4 (2 times)
Coda 2
F5
C5
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♮ ♭ know I don’t want the at - ten -tion.
Gtr. 5 ♭
sor
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Authorized for use by Joshua Olson
15
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Dm
G
C
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end Rhy. Fig. 6
Rhy. Fig. 6
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I’ve
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Gtr. 8 ♯ Riff E
end Riff E
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16 Gtr. 4: w/ Rhy. Fig. 6 Gtrs. 8 & 9: w/ Riffs E & E1
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from Avenged Sevenfold - City of Evil
Seize the Day Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker
Dm xxo
2 31
Fsus2
G5/D
Csus2
xx o
x xoo
x oo
3 11
34
2
Gtr. 1 chords:
B ♭6
G5
x oo
34
1
C
xoo
34
2
x
34
F o
32 1
1 3 4 21 1
Gtrs. 3 & 6 chords:
D5
F5
ooox x x
G5
xxx
xxx
111
Gtrs. 2- 7: Drop D tuning: (low to high) D - A - D - G - B - E
C5 x
5 fr
111
C/E
o o
xx
x
x
32 1
B ♭5
B♭
B ♭sus2
x
A
x
1 333
xo
1 3 41 1
x
111
D5V
xx
x
3 fr
1 34
o o
1 34
xx
13
5 fr
4
Chorus:
Moderately = 70 Dm
G5/D
Fsus2
Gtr. 1 (acous.) Rhy. Fig. 1
♭ 44
Seize the
x
day
♭ 44
mp 2 0
B ♭6
1
3 0
re-gret - ting the
♭
T A B
3 0 1
time you lost.
3
♭ you here,
too man-y
peo - ple
It’s emp - ty
and cold
with-out
0 3
Dm
to ache
o
-
ver.
Gtr. 2
Gtr. 3 (elec.)
divisi. 1
0
2 0
end Rhy. Fig. 1
0 3
Csus2
or die
Gtr. 2 (elec.)
T A B
x
Csus2
w/f dist. ♯♯ 3 3
3 3
4 4
2005 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHING All Rights Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured
Authorized for use by Joshua Olson
2
Pre-Chorus: Gtr. 2 tacet
C
G5
x x
I see my
vi - sion
burn,
♭
T A B
5 5 5
♭
Gtr. 3
5 5 5
5 5 5
F
5 5 5
5 5 5
5 5 5
5 5 5
C/E
5 5 5
♭
but I’m too
* Gtr. 4 ♭
I feel my
mem - ’ries
5 5 3
5 5 3
x x
fade with
time,
5
5
2
7
5 X 7
Dm
x x
young to
wor
x x
-
ry.
f
let ring
T A B
17
14
* Synth. arr. for gtr.
Gtr. 3 ♭
13
T A B
10 10 8
10 10 8
9 10 7
9 10 7
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
0 0
Authorized for use by Joshua Olson
3 Gtr. 4 tacet
C
G5
♭
♭
x x
These streets we
trav - el
on
will un-der - go Gtr.5 (elec.)
f w/dist.
(let ring)
our
15
same
lost
xx
past.
rake 1/2
1
T A B
x x
10
10
♭
T A B
5 5 5
5 5 5
5 5 5
5 5 5
5 5 5
5 5 5
5 5 5
5 5 5
X X
5 5 3
5 5 3
5 5
7
7
0
Verse:
Gtr. 3 tacet 2nd time, Gtrs. 5 & 6 tacet
F
Dm
♭
(cont. in notation)
♭
1.
Gm
I
now please just stay re -plac - in’ all
here, life
found you 2. New - born
for
a of us,
1/2
T A B
(10)
(10)
(17)
17
♭
T A B
10 10 8
10 10 8
Gtr. 1
14
xx xx
xx xx
1 3 2 0
1 3 2 0
1 3 2 0
1 3 2 0
X X X X
X X X X
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
xx xx xx X X X X X X
xx xx xx X X X X X X
Authorized for use by Joshua Olson
4
1st time, Gtr. 5 tacet
F
C
♭
I can move on with chang-ing this fa - ble
you we
xx xx xx
xx xx xx
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
X X X X X X
X X X X X X
3 1 0 2 3
3 1 0 2 3
1 1 0 2 3
C
F
will it where do
T A B
Gtr. 3
♭ T A B
be
for - ev we go?
I hand No
xx xx xx
xx xx xx
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
X X X X X X
X X X X X X
0 1 0 2 3
1 1 0 2 3
you long
-
my mor - tal life, but er need-ed here, so
xx xx
xx xx
xx xx xx
xx xx xx
xx xx xx
0 1 0 2 3
1 3 2 0
1 3 2 0
1 3 2 0
1 3 2 0
X X X X
X X X X
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
X X X X X X
3 3 0 0 X 3
X X X X X X
X X X X X X
1 3 2
C
Gm
Dm
er?
a - round. live in.
Gm
♭ Gtr. 1 ♭
Cadd4
Dm
Gtr. 1 ♭ T A B
C
while,
Cadd4
I’d Will
do you
an take
y - thing for a jour - ney
a to -
xx xxx
xx xxx
xx xx
xx xx
xx xx xx
xx xx xx
3 1 0 2 3
X X X X X
X X X X X
1 3 2 0
1 3 2 0
1 3 2 0
1 3 2 0
X X X X
X X X X
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
X X X X X X
X X X X X X
let ring
let ring
3 0
1 2
3
2
3 0
5
3
3
3
3 5
Authorized for use by Joshua Olson
F
C
smile, night,
♭ T A B
♭
hold-ing you till our fol - low me past the
time is walls of
done. death?
xx xx xx
xx xx xx
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
X X X X X X
X X X X X X
3 1 0 2 3
3 1 0 2 3
let ring
1 1 0 2 3
1
1
3
1
3
We both But
know girl,
the day will come what if
xx xx
xx xx
xx xx xx
0 1 0 2 3
1 3 2 0
1 3 2 0
1 3 2 0
1 3 2 0
X X X X
X X X X
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
X X X X X X
1 3 2
let ring
0
1
5
3
1
Gm
let ring
1
1
C Dm
♭
T A B
Cadd4
but there’s
xx xx xx
xx xx xx
3 3 0 0 X 3
X X X X X X
X X X X X X
let ring
1
3
0
1
3
2
2
3 0
3
3
3
3
5
5
Pre-Chorus: Gtr. 6 tacet
F
To Coda 1
C
Gtr. 1
♭
I no
x x ♭ f w/ dist.
x
* Gtr. 6 (elec.)
Rhy. Fig. 2
don’t wan - na leave you. e - ter - nal life?
G5
I see my
x
x x
vi - sion
burn,
**
T A B
*** fdbk.
X
* Two gtrs. arr. for one *** Microphonic fdbk., not caused by string vibration. ** Vol. swell Gtr. 1
♭ T A B
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
xx xx xx
1 1 2 3 3 1
X X X X X X
♭ Gtr. 3
let ring
T A B
1 3
xx xx xx X X X X X X
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
(cont. in slashes)
1 1 0 2 3
♯♯
let ring
1
1
1
0
1 3
1
1 0 3 3
3 3
4 4
5 5 5
5 5 5
5 5 5
5 5 5
5 5 5
5 5 5
Authorized for use by Joshua Olson
6 C
F
♭
I feel my
Gtr. 3
T A B
mem - ’ries
♭
5 5 3
fade
5 5 5 5 5 5 3 3 3
5 5 5 5 5 5 3 3 3
♭
time,
5 5 3
10 10 8
mel-o - dy,
I’m too
young to
10 10 8
9 10 7
9 10 7
wor -
9 10 7
end Rhy. Fig. 2
13
12
a mem-o - ry,
just one pic - ture.
8va ! "
Pitch: B
7 7 5
7 7 5
(15)
15
14
Gtr. 3 ♭
x x
fdbk.
T A B
T A B
B♭
A
ry.
x
Gtr. 5
with
Dm
-
♭
x x
C/E
3 3 1
Chorus: Gtr. 1: w/ Rhy. Fig. 1 Gtr. 5 tacet
D5
F5
G5
C5
Rhy. Fig. 3
Gtr. 6
♭
day
Gtr. 3 ♭
T A B
7 7 5
7 7 5
7 7 5
7 7 5
or die
re - gret - ting the
Seize the
7 7 5
time
you lost.
It’s emp - ty
and cold
with-out
10 10 8
10 10 8
10 10 8
12 12 10
12 12 10
5 5 3
10 10 8
10 10 8
12 12 10
12 12 10
5 5 3
5 5 3
Authorized for use by Joshua Olson
D.S.
B ♭5
D5V
C5
♭
you here,
♭ T A B
too man - y
3 3 1
3 3 1
peo - ple
5 5 3
end Rhy. Fig. 3
to ache
5 5 3
5 5 3
o
-
7 al Coda 1
ver.
10 X 8
10 8
Pre-Chorus:
Gtr. 1: w/ Rhy. Fig. 2 Gtr. 6 tacet
Coda 1 G5
♭
vi - sion
♭
T A B
5 5 5
5 5 5
5 5 5
5 5 5
F
burn,
5 5 5
♭
♭ T A B
10 10 8
I’m too
10 10 8
9 10 7
5 5 5
5 5 5
time,
5 5 3
5 5 3
5 5 3
to
with
young
fade
D5V
mem - ’ries
C/E
I feel my
Gtr. 3
I see my
Gtr. 3
C
wor
5 5 3
Gtr. 5
5
7
-
5 5 3
ry.
13
12
5 5
A
(cont. in slashes) 9 10 7
9 10 7
14
Authorized for use by Joshua Olson
8 B ♭5
♭
♭ T A B
-
mel - o
dy,
a
mem - o
-
ry,
just
one
pic
-
ture.
8va
"
fdbk.
(15)
15
Chorus:
Pitch: A
Gtr. 1: w/ Rhy. Fig. 1 (1st 3 meas.) Gtr. 6: w/ Rhy. Fig. 3 (1 1/2 times) 2nd time, Gtrs. 5 & 7 tacet
Dm
or die
re - gret - ting the
day
! ! ♭ (8va)
Gtr. 5
(15)
7 7 5
7 7 5
7 7 5
(15)
7 7 5
7 7 5
B ♭6
10 10 8
10 10 8
10 10 8
time you lost.
Csus2
you here, too man-y
and cold
with-out
12 12 10
12 12 10
12 12 10
5 5 3
5 5 3
5 5 3
Dm
peo - ple
T A B
3 3 1
3 3 1
5 5 3
5 5 3
to ache
♭ 3 3 1
It’s emp - ty
Gtr. 3
Gtr. 1
♭
Csus2
G5
Seize the
Gtr. 5 tacet
Fsus2
♭
T A B
o
-
ver.
(Yeah,
yeah, yeah.)
5 5 3
7 7 5
7 7 5
0 0
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
Authorized for use by Joshua Olson
9 To Coda 2
Gtr. 1: w/ Rhy. Fig. 1 (1st 3 meas.)
Dm
Fsus2
♭ Trials in
life,
ques - tions of
Csus2
-
ist - ing here,
don’t wan-na die
T A B
7 7 5
10 10 8
10 10 8
12 12 10
12 12 10
12 12 10
Gtr. 6
7 7 5
7 7 5
10 10 8
with - out
5 5 3
5 5 3
5 5 3
F
x
Gtr. 1
(Cont. in notation)
x
we have is
real.
( )
♭
1/2
you here, please tell me what
13 12
T A B Gtr. 3
♭
T A B
3 3 1
3 3 1
5 5 3
3 3 1
a - lone
Rhy. Fig. 4
Guitar Solo: C5
♭
us ex
♭
B ♭5
G5/D
13
15
13
12 15
5 5 3
5 5 3
15 14 14
* Gtrs. 3 & 6
3 3 3
3 3 3
( )
17
17
3 3 3 3 3 3
( )
( )
17
( )
3 3 3
17
17
17
3 3 3
3 3 3
3 3 3
* Composite arrangement
Authorized for use by Joshua Olson
10 C
x x
♭
1 1/2
(17) 17
ah,
1 1/2
1 1/2
13
13 15
15
(15) 13 15
15
(15)
14
15
♭
T A B
5 5 5 5 5 5 3 3 3
7 7 5
5 5 3
5 5 3
8 va
♭
(Ah,
17
end Rhy. Fig. 4
x x x x
( )
T A B
B ♭sus2
Dm
5 5 5 7 5 5 5 7 3 3 3 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 7 3 7 7 7 3 5 5 5 1
13 15 (15)
15
15 17
15
15
18 15
18
15
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1 0 0
Double-time feel F
♭
C
yeah.)
♭ (8va)
Gtr. 5
1 1/2
T A B
18 17
Gtr. 3 ♭ T A B
6 5 3 3 3
Gtr. 6 ♭
3 3 3
17 17
17 15 15
15
5 5 5 3
6 5 5 3
5 5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
6 5 3 3 3
6 5 3 3 3
6 5 3 3 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
3 3 3
3 3 3
3 3 3
3 3 3
3 3 3
5 5 3
6 5 3 3 3
6 5 3 3 3
6 5 3 3 3
6 5 3 3 3
3 3 3
3 3 3
3 3 3
3 3 3
5 5
(15)
5 5 5 3
(15)
15
13 15
1
1
Rhy. Fig. 5
T A B
(17) 17
17
18
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
Authorized for use by Joshua Olson
11 B ♭sus2
Dm
x x x x ♭ ♮ ♭ loco
1
T A B
6
1
10
13
13
10
13
xx xx
♭
13 10
13 10
13 10
13
10
1210
121012 (12)
7
8 10 10 12
X X X X
6 7 7 5
5 5 5
6 7 7 5
♭
T A B
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
5 5 3
7 7 5
8
11
13 10
11
10
3
3 3 1
3
3 3
14
let ring
T A B
(15)
12 15
10 7
3
3 3
end Rhy. Fig. 5
3 3 1
3 3 1
3 3 3 3 3 3 1 1 1
3 3 3 3 1 1
3 3 1
3 3 1
3 3 1
Gtr. 6: w/ Rhy. Fig. 5 F
C
x x
Gtr. 5 ♭ 8va
$
T A B
Gtr. 3 ♭
1/2
18
15
15
let ring
T A B
6 5 3 3 3
6 5 3 3 3
x
%
1 (15) 13
15
17
1
1
(17)
17
17
X
15 17
15 18
10 12 10 10 10
10 12 10 10 10
let ring
6
6
5
6
6
5
12 10 10 10
12 10 10 10
10
12
12 10 10 10
10 12 10 10 10
Authorized for use by Joshua Olson
12 B♭
Dm
♭ T A B
18
15
14
♭
w/ bar
T A B
x x
6 5 7 5
15
(15)
End double-time feel
11
13
15
15 15 15
13
13
11
11
10
11
3 3 1
3 3 1
3 3 1
10
let ring
6 5 7
5 5 5
7 7 5
5 5 3
3
3 3 1
Bridge: Gtr. 1: w/ Rhy. Fig. 4 F
♭
Gtr. 5 tacet
C
So what if I
nev-er
Gtr. 5 " ! ♭
hold
Dm
you,
yeah,
15ma
or kiss
your lips
a -
P.H.
T A B
11 10
(10)
10 9 10
Gtr. 7 (elec.) ♭ f w/ dist. T A B
5 5 3
9 X 7
10 X 8
12 X 10
12
7 7 5
* Gtrs. 3 & 6 x x ♭ xx xx
T A B
3 3 3
7 3 3
3 3 3 3 3 3 3 3 3 3 3 3
3 3 3
7 3 3
7 3 3
7 3 3
7 7 3 3 3 3
7 3 3
3 3 3
X X X X X X
14 10 10
14 14 14 14 10 10 10 10 10 10 10 10
14 14 14 10 10 10 10 10 10
14 10 10
10
14 10 10
7 7 5
7 7 5
10 X 8
12 X 10
10 X 8
14 X 12
14 12
7 7 5
7 7 7 7 7 7 5 5 5
7 7 5
* Composite arrangement
Authorized for use by Joshua Olson
13 B ♭sus2
F Gtr. 1
♭ gain?
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
Gtrs. 3 & 6 ♭ T A B
3 3 1
So
3 3 1
3 3 1
3 3 1
3
3 3 1
5
I nev - er
wan-na
3 3 3
3 3 3
7 3 3
7 3 3
leave
3 3 3
3 3 3
3 3 3
3 3 3
3 3 3
x x xx xx 7 3 3
7 3 3
7 3 3
7 3 3
X X X
D.S.S.
X X X
al Coda
you,
♭ T A B
♭
B♭
C
(3)
3
T A B
Whoa.
Gtr. 7 ♭
x x
and the
mem-o - ries
12
7 X 5
10 X 8
12 X 10
♭
T A B
15 10 10
14 10 10
5 5 3
14 10 10
9 X 7
10
14 10 10
8 8 8
of us to
see,
7 5
I
beg, don’t leave me.
xx xx
string noise
3 X 1
X X
X X
8 8 8
Authorized for use by Joshua Olson
14 B ♭6
Coda
Csus2
Dm Gtr. 1
♭
you here, please tell me what we have is
Gtr. 5
real.
T A B
T A B
3 3 1
1
1
3 3 1
5 5 3
5 5 3
7 7 5
5 5 3
1
(13) 10 13
5 5 3
13
Gtrs. 3 & 6 ♭
♭
grad. release
(13)
(13)
7 7 5
Interlude: Gtr. 1 tacet
Gtr. 5
♭
Dm/F
13
1
10
10
(11)
Gtr. 7 x ♭
12
1/2
10 11 (11)
x
** * fdbk.
T A B
A5
( )
1/2
T A B
(11)
10 11 10 11 13
!!
1/2
15 17
14 15 14
13
"
!
!
(17)
17
w/ bar fdbk.
+ 1/2
X (12)
12
* Microphonic fdbk., not caused by string vibration. ** Vol. swell
Pitch: A
Gtrs. 3 & 6
♭
T A B
3 3
Rhy. Fig. 6
P.M.
B ♭5
& ♯ 3 3 3 &
G5
5 5 5 5 5 5 5 5 5 5 5 5 5 5
5
5
5 5 5 5 5 5 5 3 3 3 3 3 3 3
end Rhy. Fig. 6
7 7 7 7 7 7 7 7
7 7 7 7
7 7
8 8 8 8 8 8 8 7 7 8 8 8 8 8 8 8 8 8
Authorized for use by Joshua Olson
15 Gtrs. 3 & 6: w/ Rhy. Fig. 6 (2 times)
B ♭5
Gtr. 5 ♭ G5
Dm/F
1/2
T A B
15
Gtr. 7
♭
1/2
(10)
10
1/2
(10)
1/2
(10)
A5
1/2
1/2
(9)
9
"
1/2
(9)
1
(9)
9 10
(10) 10 9 9
10
"
!
!
1/2
fdbk.
(9)
(9) 7
(7)
!
!
Harm. *
T A B
(12)
(12)
(12)
3.1 Pitch: E
-1
-2
* harmonic located one-tenth the distance between the 3rd & 4th frets
Outro: G5
Dm/F
lence,
you
Voc. Fig. 1
♭
Si
-
lost
me,
no
+ + + + + + + + + + + + + + + + + + + + + + + + ♭ Riff A
Gtr. 5
T A B
T
T
T
15 3 15 3 15 3
! ♭
12
12
12 T
T
T
T
T
T
T
T
T
15 3 15 3 15 3 15 3 15 3 15 3 15 3 15 3 15 3
T
T
T
T
12
T
T
T
T
T
T
T
T
18 6 18 6 18 6 18 6 18 6 18 6 18 6 18 6 18 6 18 6 18 6 18 6
Gtr. 7
T A B
(3)
( )
x
0 -1 -2 slack
Authorized for use by Joshua Olson
16
A5
♭ ♯
B ♭5
end Voc. Fig. 1
+ + + + + + + + + + + + + + + + + + + + + + + +
chance
for
one
more
day.
end Riff A
♭
12 T
T A B
T
T
12
12 T
T
T
T
T
T
T
T
T
T
T
T
12 T
T
T
"
♭ T A B
T
T
!
G5
!
-3 1/2
Gtr. 7
Dm/F
Si - lence,
you
!
lost
me,
!
!
B ♭5
A5
♯
no
chance for one
♮! !
more
day.
!
8va
"
+1/2
T
-2
♭
T A B
T
3.1
Pitch: E * As before
♭
T
17 5 17 5 17 5 17 5 17 5 17 5 17 5 17 5 17 5 17 5 17 5 17 5 18 6 18 6 18 6 18 6 18 6 18 6 18 6 18 6 18 6 18 6 18 6 18 6
Gtr. 5: w/ Riff A
T
+1
5 (3.1) -3
-2 1/2
-3 1/2
Pitch: G
Gtrs. 3 & 6
♭ P.M.
T A B
5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 3
5 3
5 3
5 3
5 3
5 3
5 3
3 3
7 7
7 7
7 7
7 7
7 7
7 7
7 7
8 8 7 7 8
8 8 8
8 8 8
8 8 8
8 8 8
8 8 8
8 8 8
0 0 0
Authorized for use by Joshua Olson
17
Lead & Bkgd. Voc.: w/ Voc. Fig. 1 (4 times)
G5
Dm
B♭
A
Rhy. Fig. 7
Gtr. 1
♭
I
stand
here
T A B
14 14 14 14 14 14 14 14 X X X X X X X X 12 12 12 12 12 12 12 12
14 14 14 14 14 14 14 X X X X X X X 12 12 12 12 12 12 12
Riff B
15 15 15 15 15 15 15 X X X X X X X 13 13 13 13 13 13 13
♭
T A B
5 5 5
3 5 3
3 5 3
3 5 3
Rhy. Fig. 7A
5 5 5
5 5 5
♭
5 5 5
5 5 5
5 5 5
G5
Fall - ing
end Riff B
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
Gtrs. 3 & 6
3 5 3
3 5 3
3 5 3
a - way from
you,
Dm
no
end Rhy. Fig. 7A
7 7 7
7 7 7
8 8 8
8 8 8
8 8 8
7 7 7
7 7 7
7 7 7
7 7 7
Gtr. 1: w/ Rhy. Fig. 7 (2 1/2 times) Gtrs. 3 & 6: w/ Rhy. Fig. 7A (2 1/2 times)
a - lone.
♭ Gtr. 7
end Rhy. Fig. 7
8 8 8
8 8 8
B♭
chance
to get
home.
A
back
8 8 8
♭
T A B
14 14 14 14 14 14 14 14 X X X X X X X X 12 12 12 12 12 12 12 12
14 14 14 14 14 14 14 X X X X X X X 12 12 12 12 12 12 12
7 X 5
Gtr. 7
15 X 13
15 X 13
15 15 15 15 X X X X 13 13 13 13
15 X 13
9 7
9 X 7
10 10 X 8 8
14
14 X 12 12
Authorized for use by Joshua Olson
18
Gtr. 7: w/ Riff B (1 1/2 times)
G5
♭
Dm
I
stand
8va
Gtr. 5
♭
18 15
T A B
15
15
17
15
15
15 18 15
A
♭
15
15
17
15
here
a
15
15
15
14
B♭
-
17 13
14
15
15
13 17 13
15
14
15
14
15
13
lone.
8 va ♯ ♯ ♭ loco
T A B
17
14
14
14
G5
♭
Fall
16
14
14
-
14
17
14
ing
14
14
16
14
14
17
18
15
15
15
Dm
way
from
a
-
17
15
15
15
18
15
you,
18 15
13
15
15
15
no
(8va)
♭ T A B
18 15
15
15
17
15
15
15 18 15
15
15
17
15
15
15
17 13
15
14
15
14
15
13 17 13
15
14
15
14
15
13
Authorized for use by Joshua Olson
19
B♭
A Gtr. 1
♭
(cont. in notation)
+ + + + + + + + + + + + ♯ ♯ ♭ chance
to
get
back
home.
loco
Gtr. 5
T
T A B
17
14
14
16
14
14
14
17
14
14
14
16
14
14
14
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
3 X 1
Gtr. 3 ♭
7 7 7
7 7 7
7 7 7
7 7 7
7 7 7
7 7 7
8 8 8
♭
T A B
7 7 7
7 7 7
7 7 7
7 7 7
7 7 7
8 8 8
T A B
T A B
Gtr. 6
7 7 7
T
T
T
T
T
T
T
T
T
T
15 3 15 3 15 3 15 3 15 3 15 3 15 3 15 3 15 3 15 3 15 3 15 3
Gtr. 7 ♭
14
T
(cont. in slashes)
Authorized for use by Joshua Olson
20
Free time Gtr. 6
♭
+ + + + + + + + + + + + + + + + + + + + + + + + ♭ Gtr. 5
12
12 T
T A B
8 X 8
Gtr. 1
♭
T
T
T
T
T
T
T
T
15 3 15 3 15 3 15 3 15 3 15 3 17 5 17 5 17 5 17
Gtr. 3 ♭ T A B
T
T A B
10 X 10
12 X 12
12
12
15 X 15
T
T
T
T
T
T
T
T
T
T
T
T
5 17 5 17 5 17 5 17 5 17 5 17 5 17 5 17 5 18 6 18 6 18 6 18
8 X 8
10 X 10
12 X 12
1
3
0
T
T
6 18 6 18 6
15 X 15
3
Gtr. 7 ♭
T A B
Authorized for use by Joshua Olson
21
(
♭
+
+
+
+
+
+
+
+
18
T 6
18
T 6
18
T 6
+
+
+
(
+
12
12
T
T A B
+
18
T 6
18
T 6
18
T 6
18
T 6
18
T 6
18
T 6
18
T 6
18
T 6
18
T
6
18
( "
♭
fdbk.
T A B
♭ T A B
8
8 X 8
8 Pitch: D
1
3
0
3
(
1
( ♭ T A B
Authorized for use by Joshua Olson
from Avenged Sevenfold - City of Evil
Sidewinder Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker Ab5
F5
Eb/G 6fr
111
1 11
12 4
D#5 13fr
Eb5 4fr
6fr
134
D5
A5
Cb5
134
111
111
124
Dm 4fr
1 11
C#5 8fr
F#5
7fr
111
Bb5
Cb/Eb
6fr
1 34
G#5
111
Db5 5fr
B5 11fr
111
9fr 111
C
A
Bb
1333
111
1333
5fr 1342
Drop D tuning: (low to high) D-A-D-G-B-E
Intro Fade in Moderately fast q = 125
²²²²²²²²² 5 5M
*** C
*Gtr. 1 (elec.) (Wind)
G ?
Bb
5
4
17
15
5
²²²²²²²²² 5 5M
*Two gtrs. arr. for one.
G ?
**Gtr. 2 (elec.)
4
13
**Two gtrs. arr. for one.
²²²²²²²²²²²²² B 5 G ²²²²²²²²²²²²²
10
10
²²²²²²²²²²²²² B 5 G
10
Riff A1
²²²²²²²²²²²²²
10
10
5
12
15
13
5
5
²²²²²²²²²²² 5M 5 5 5 5 5 5 ²²²²²² 5 5
13
11
10
²²²²²²²²²²²
18
11
F
5
17
C
F
5
²²²²²² 11
13
15
13
11
13
²²²²²²²²²²²
15
12
12
²²²²²²
8
10
11
10
8
10
9
9
***Chord symbols reflect implied harmony.
Dm
Riff A
5
²²²²²²²²²²² 5M 5 5 5 5 5 5 ²²²²²² 5 5
²²²²²²²²²
f w/ dist.
£
5
²²²²²²²²²
f w/ dist.
£
5
5 10
5 10
Bb
C
F
C
5
²²²²²²² 5 5 5 5M 5
²²²²²²²²² 5M 5 5 5 5 5 5 ²²²²²²² 5 5
17
15
13
²²²²²²²²² 5M 5 5 5
5
²²²²²²² 5 5 5 5M 5
²²²²²²²²² 5M 5 5 5 5 5 5 ²²²²²²² 5 5
10
13
11
10
²²²²²²²²² 5M 5 5 5 ²²²²²²²²² 13
11 10
²²²²²²² 12
²²²²²²²²²
12 10
9
18
17
15
²²²²²²²
15
13
11
End Riff A
²²²²²²²²²
²²²²²²²
11 13 15 13 11 13
12
12
End Riff A1
²²²²²²²²²
© 2005 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHING All Rights Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
²²²²²²²
8
10 11 10
8
10
9
9
1
Gtrs. 1 & 2 tacet
D5 Rhy. Fig. 1 *Gtrs. 3 & 4 (elec.)
G 5 5 5
5
f
w/ dist.
0 0 0
P.M.
5 µ
0
0
55 5
55 5
5
5
5
5
µ
P.M.
0 0 0
0
0
0
=
=
5
5
5
5
µ
P.M.
0
0
0
0
=
5 5
5 5
5
5 µ
0 0
0
0
P.M.
0 0
0
=
*Composite arrangement
G 5 5 5
5
P.M.
5 µ
0 0 0
0
0
55 5
55 5
5
5
5
5
0
0
0
0
P.M.
0 0 0
=
µ
=
5
5
5
5 µ
0
0
0
0
P.M.
End Rhy. Fig. 1
=
5 5
5 5
5
5 µ
0 0
0 0
0
0
P.M.
=
Gtrs. 3 & 4: w/ Rhy. Fig. 1
5 5 5 5M 5 5 5 E 5M 5 5 5 5 5M 5 5 5 E5M 5
Riff B Gtrs. 1 & 2
E5M 5 5 5 5 5 5 5 5M G E5M 5 5 5 5 5 5 5 5M 11 X 9
14 X 12
14 12
7 X 5
7 X 5
G
7 X 5
7 X 5
7 X 5
7 X 5
15 X 13
15 X 13
15 X 13
15 X 13
15 X 13
15 X 13
15 X 13
E5M 5 5 5 5 5 5 5 5M E5M 5 5 5 5 5 5 5 5M
18 X 16
11 X 9
µ
0
?
14 X 12
14 12
7 X 5
7 X 5
4
=
7 X 5
7 X 5
7 X 5
5 1. I
G 55 Gtr. 1
7 X 5
5 G 5 Gtr. 2
5 5 5 5M 5 5 5 5M
5 5
5 5
5 E 5M 5 E5M
End Riff B
5 5 5 5 5 5 5 5 5 5 E5 5
8v a
!5
5
5 5 5 3
1
15 X 13
15 X 13
15 X 13
15 X 13
5 5 5 5M 5 5 5 5M
15 X 13
15 X 13
15 X 13
5 5
5 5
5 E 5M 5 E5M
18 X 16
15
15
13 14
13
14
14
14
17
17
20
17
17
18
5 5 5 5 5 !5 5 5 5 5 5 5 E5 5
8v a
19
19
5 5 !5 3
1
7 X 5
15 X 13
15 X 13
15 X 13
15 X 13
15 X 13
15 X 13
15 X 13
18 X 16
15
15
13 14
14
2
Authorized for use by Joshua Olson
13
14
14
17
17
17
17
17
17
13
13
Verse Gtrs. 1 & 2 tacet
Dm
5
G B
5
slide
5
5k 5
through the
²²²²²²²²²²²²²²²²² B 5
5
waste - land
G
5
5
²²²²²²²²²²²²²²²²² 18
2
18
²²²²²²²²²²²²²²²²² 5 G B
18
18
5
5
5 5M
my
world.
5 5
0 0
5 My
hun
-
5k 5
C#5
5
ger
takes
0
0
0
0
your
²²²²²²²²²²²²²²²²²
²²²²²²²²²²²²²²²²²
1 1/2
15
15
15
15
²²²²²
End Riff C
Riff C Gtrs. 3 & 4
G
5M
²²²²²²²²²²²²²²²²²² B 5
²²²²²²²²²²²²²²²²²
15
5
5k 5
5k 5
18
8v a
Gtr. 2
that’s
D5
²²²²²²²²²²²²²²²²²² B 5
8v a
Gtr. 1
Bb5
5k 5
5 5
12
8
5 5 5 5 5
0
10
7
0 0
5 5 5EE 55 !5 5 5 5
5
5
3
8
7
6 6
10
5 5
5
5k 5M
on
to
keep
8
7
8
5 5
0 0
5 5
12
8
5 5 5 5 5 5
5 5 5 E5
0
5
10
7
0 0
3
8
7
5 5
²²²²²
13
6
E5
12
11
Gtrs. 3 & 4: w/ Riff C
D5
5 G
life,
5M
B
5
5M
preyed
Bb5
5 5
5
me
a
5k 5
D5
-
live,
BM
5k 5
5
BM
C#5
yeah.
3
Authorized for use by Joshua Olson
Pre-Chorus Half-time feel
Gm
F
5k B
B G -
Mer
G
55
55
55
Gm
all 55k
55
that
you need.
55
-
ah,
5k 5M
cy’s 55k
BB
emp 55k
BB
²²²²² 5 5 5 G 5 5 5 5 5 5 5 5 5E 5 5 5 5 5 5 5 Riff D
8
10
P.M.
8
10
²²²²²
P.M.
7 7
8
7 7
2
8
4
2
3
3
2
5
2
5 5 5 5 555 555
2
7
²²²²² 5 5 5 5 5 5 G 5 5 5 5 5E 5 5 5 5 5 5 5 5
8
10
8
10
²²²²²
P.M.
7 7
8
7 7
2
8
4
2
3
5
in
ty
me. 55k
BB
BB
3 2 3
7
8
²²²²²
8
5 5
7
5 5
7
5
4 5 7
8
5 7
6
10
10 9 10 12
10
²²²²² 5 5 5 ! 5 5 E 5 5 5 5 5E5 5 5 5
End Riff D1
5 5 5 5 555 555 P.M.
3
²²²²² !5 5 5 5 5 5 5 5 E 5 5 5E5 5 5
P.M.
Riff D1
P.M.
-
5 5
5M
End Riff D
P.M.
Gtr. 4
P.M.
5 5 5
oh.)
Gtr. 3
P.M.
Dm
A7
5 5M
Mer
55MM 55 55 55 5 = 5
(Ah,
F
5k B
5M 5 5 5 5 5 5 5
cy’s
Voc. Fig. 1
Dm
A7
8
10
²²²²²
P.M.
8
10
7 7
8
7 7
8
7
5 7 8
6 7 8
7
7
6 7 9
6
6
Chorus Gtrs. 1 & 2: w/ Riffs A & A1 (2 times)
F
Dm
'5 5 5 5 M G
5
Can’t you
the
G
feel
' '
*C/E
B5 5 5 5 B5 5 5 =
poi
-
son
BB
ris - ing
BB
Bb
¯5 ¯¯
¯5 ¯¯
¯5 5¯k ¯5 ¯¯ ¯¯ ¯¯
out
of
the
G 5M 5MM 5 0 0 0
55 55 5 5
55 5
0 0 0
0 0 0
55 5
55 5
55 5
3 3 3
3 3 3
5 3 2
¯5 ¯¯
morn - ing
and
¯5 5¯ ¯5 ¯5 ¯¯ ¯¯ ¯¯ ¯¯ in - to
the
¯5 5¯ MM ¯¯ ¯¯ MM
C/E
night?
End Voc. Fig. 1
0
Rhy. Fig. 2 Gtrs. 3 & 4
¯5 ¯5 ¯¯ ¯¯
F
55 5 5 5 3 2
3
0
End Rhy. Fig. 2
55MM 5M
55 55 5 5
55 5
3 3 1
3 3 1
3 3 1
*Bass plays E.
4
Authorized for use by Joshua Olson
55 5
55 5
55 5
55 5 5
3 3 3
3 3 3
5 3 2
5 3 2
3
End half-time feel Gtrs. 3 & 4: w/ Rhy. Fig. 2
Dm
G
5k 5
5 5 5M
You
can
feel
5
F
C/E
5k 5
my
5 5 5 5
strength
de
-
¯5 ¯¯
¯5 ¯¯
¯5 ¯¯
¯5 ¯¯
straight to
the
heart
Bb
5k 5
stroy
you
¯5 ¯¯
¯5 ¯¯
¯5 ¯¯
¯5 ¯¯
from
¯5 ¯¯
F
the
¯5 ¯¯
¯5 ¯¯
¯5 ¯¯
¯5MM ¯¯ MM
C/E
ven - om - ous
bite.
E5
5
Interlude Gtrs. 3 & 4 tacet
Gtrs. 1 & 2: w/ Riff B Gtrs. 3 & 4: w/ Rhy. Fig. 1
G MM
D5
0
0
0
D5 C5
MM
0
F5
0
A5
Bb5 A5 µ
?
5 5
2. Mm,
that’s
5555 5 5 5 5 5 5 5 5 E5 5
8v a
G MM
0
0
0
MM
0
0
Gtr. 2
1/2
M M
M M
15 15
13 13 14 14
14 14
17 17
17 17
17
Gtr. 1 Gtrs. 3 & 4 5 5 5 5 E5 5 5 5 5 5 5 5 E5 5 MM 5M 5 5 5 5 5 5 5 5 1/2 8v a
G MM
0
0
0
0
M M
M M
15 15 5
3
3
8
0
0
1
13 13 14 14
14 14
17 17
17 17
21
0
Verse Gtrs. 3 & 4: w/ Riff C (2 times)
Dm
5
G
right,
8v a
G
5M
5 I
shed
my
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
8v a
E5 1/2
17
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² ' 5 5 ²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
Bb5
5k 5
5
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² ' 5 5 17
G
5
5k 5
5 5
skin
12
10
11
5 5 5 5 5 5
loco
21
21
10 12
10
5
5
to - night,
5 5 5 5 5 5 10 12 13
Dm
12
10
12
5
5 5 but
my
5 fangs
5k 5 are
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² 5 5 ' ²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
10
10
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² ' 5 5
E5 5 C#5
5 hard
to
hide.
E5M 5 5 5 14
15
17
5M 5 5 E 5
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
10
10
14
15
14
5
Authorized for use by Joshua Olson
Dm
? 5 5M G
4 B
5
5k 5M
5 5
And you 8v a
5 5 G
5
5 5 5 5M 5 5 5 you’re go - ing
know that
²²²²²²²²²²²²²²²²²²²²²²²²²²²² BM 5 55
to
5M 5 5 E5
5k 5
17
17
17
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² BM 5 5
E5
16
18
E 5M 5 5 5
E5 5
5
16
5 5
5
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
14
14
15
17
17
5M
=
²²²²²²²²²²²²²²²²²²²²²²²² BM 5M E5 5 5 5 5 5 5 5 5 5
16 17 18 17 16 17 18 17 16 17
²²²²²²²²²²²²²²²²²²²²²²²²² BM 5M 8v a 5555555555
²²²²²²²²²²²²²²²²²²²²²²²²²
1/2
14
5 5
²²²²²²²²²²²²²²²²²²²²²²²²²²
16
1/2
C#5
yeah.
1/2
17
5k 5
BM
die,
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
1/2
G
Dm
Bb5
17 18
17
15
18 17 15
15
18 17 18
Pre-Chorus Half-time feel Gtrs. 1 & 2 tacet
Bkgd. Voc.: w/ Voc. Fig. 1 Gtrs. 3 & 4: w/ Riffs D & D1
Gm
G B Mer 8v a
G
E5
F
A7
cy’s
all
5k B -
²²²²²²²²²²²²²²²² BM 1/2
8v a
G
5
E5
5
that
you
need.
Gm
F
5k B
Mer
5 M 5 -
cy’s
A7
5k 5M
Dm
5 5 5 5M 5 5
emp - ty
in
4
?
0
0
4
?
0
0
21
²²²²²²²²²²²²²²²² BM 1/2
17
5M 5 5 5 5 5 5 5
²²²²²²²²²²²²²
21
Dm
5
²²²²²²²²²²²²²
5
17
6
Authorized for use by Joshua Olson
me.
Chorus Gtrs. 1 & 2: w/ Riffs A & A1 (2 times) Gtrs. 3 & 4: w/ Rhy. Fig. 2 (2 times)
Dm
G
F
B5
5 5 B5M you
Can’t
5
feel
Bb
5k 5
¯5 ¯¯
¯5 ¯¯
¯5 ¯¯
ris - ing
out
of
the
C/E
4 55 5 5 5 5
the
poi
-
son
k ¯ 5¯ 5 ¯ ¯¯ ¯
¯5 ¯5 ¯¯ ¯¯
¯5 ¯¯
¯5 5¯ ¯5 5¯ ¯5 ¯5MM ¯¯ ¯¯ ¯¯ ¯¯ ¯¯ ¯¯ MM
morn - ing
and
F
C/E
in - to
the
night?
End half-time feel
F
Dm
G
5k 5
5 5 5M can
You
feel
5k 5
5 my
de
-
stroy
Ab5
F5
¯5 ¯¯
¯5 ¯¯
¯5 ¯¯
straight to
the
heart
Bb
5k 5
5 5 5 5
strength
C Bridge
¯5 ¯¯
C/E
you
Eb/G
¯5 ¯5 ¯¯ ¯¯ from
¯5 ¯¯
the
¯5 5¯ ¯5 ¯5 ¯5 5¯ MM ¯¯ ¯¯ ¯¯ ¯¯ ¯¯ ¯¯ MM F
C/E
ven - om - ous
Db5
bite.
Ab5
Eb/G End Rhy. Fig. 3
Rhy. Fig. 3
º º º º º º º ºº º º º ººº º º ºº º º º º º º º ºº º º º ººº º º ºº ¯5 ¯5 ¯5 °B 5 5 BM 5k B 5M 5 G 5k ' Gtrs. 3&4
can’t
I
re
-
gret,
can’t
es
-
55 5 5 55 5 5 5 5 5 5 5 5 55 5 5 5 555 5 5 55 5 5 5 5 5 5 5 55 5 5 5 555 5 5 55 5 5 555 5 5 5 5 5 5 5 55 5 5 5 555 5 5 55 G 5 5 5 5 5 5 5 Gtrs. 1 & 2
10 10 10 13 13 12 12 17 17 X X X X X X X X X 8 8 8 11 11 10 10 15 15
¯5 ¯5MM G
¯5
Gtrs. 3 & 4: w/ Rhy. Fig. 3
F5
cape
¯5 5 de
5 5 5 5 55 5 5 5 G 5 5 5 5 5 5 5 5 5 10 10 10 13 13 12 12 17 17 X X X X X X X X X 8 8 8 11 11 10 10 15 15
17 X 15
Ab5
5k 5 -
15 15 12 12 12 13 13 18 18 X X X X X X X X X 13 13 10 10 10 11 11 16 16
Eb/G
5 5 5
ci - sions made
18 17 15 13 13 13 13 12 12 X X X X X X X X X 16 15 13 11 11 11 11 10 10
5 5
5 5 B
4
for me.
5 5 5 555 5 5 55 5 5 5 5 5 5 5 55 5 5 5 555 5 5 55 5 5 5 5 5 5 5 55 17 15 15 X X X 15 13 13
12 12 12 13 13 18 18 X X X X X X X 10 10 10 11 11 16 16
18 17 15 13 13 13 13 12 12 X X X X X X X X X 16 15 13 11 11 11 11 10 10
8 8 8 X X X 6 6 6
k ° 5¯ B
k ° 5¯ B
No
con
Ab5
Db5
12 13 13 X X X 10 11 11
8 X 6
8 X 6
10 10 X X 8 8
Eb/G
-
5 5 5 555 5 5 5 5 5 5 555 5 5 5 12 13 13 8 8 8 X X X X X X 10 11 11 6 6 6
8 X 6
8 X 6
8 X 6
7
Authorized for use by Joshua Olson
Half-time feel Gtrs. 1 & 2 tacet
0
0
Eb5
Gtrs. 3&4
º º º
'± BM G
3
=5
trol. Fire k 55
G
!5k 5
BBMM
Voc. Fig. 2
º
3
5
5
5
5 5
that
burns
and
nev - er
55
5k
0
F5
º º
Cb/Eb
º º º 5 5k 5
5 B dies,
BBMM
5k 5
3
End Rhy. Fig. 4
ººº
5M
5 5
5 =
yeah.
BB
55
55
End Voc. Fig. 2
' '
!55
ah.)
(Oh, Riff E
G 5 5 3
Gtr. 5 (elec.)
0
Cb5
Rhy. Fig. 4
5 5 555 55555 3
8
3
3
6 11 6
7
7
55
8
7
3
6 11
7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5²²²²²5 5 5 5 5 5 5 5k 5 5 5 5 5!5 5 555 5
End Riff E
loco
8v a
3
3
3
7
8
6 9
9
7
8
7 11 11 14 11
3
3
3
12
16 13 11
13
13
15
13
13
3
3
13 16 13
13
13
3
14 13 11
12
²²²²²
3
11
13 16 15 13
14
14
T o Coda
;
End half-time feel Bkgd. Voc.: w/ Voc. Fig. 2 Gtrs. 3 & 4: w/ Rhy. Fig. 4 Gtr. 5: w/ Riff E
Eb5
5k 5
5
5 G
a -
Wrapped
5 5 3
Cb5
5k 5
round,
5
I
F5
5
5
5
5
bur - y
my
fangs
in
5 -
Cb/Eb
! BM
4
0
side.
Interlude Gtrs. 1 & 2: w/ Riff F (2 times)
D5
Bb5
Riff F Gtrs. 1 & 2
5M G 5M 7 X 5
5 5 5 5
5 5 5k 5M 5 5 5 5 5 5M 5 5
9 X 7
10 X 8
10 X 8
12 10
10 X 8
9 X 7
5M 5M
5 5 5 5
5 5 5 5
7 X 5
9 X 7
10 X 8
5k 5
10 X 8
Gtrs. 3 & 4
G
55 BB 5 5 5 5 5 5 5 B µ P.M. 0
0
0
0
0
0
0 0 0
55 BB 5 5 5 5 5 5 5 B µ P.M. 0
0
0
0
0
0
0 0 0
8
Authorized for use by Joshua Olson
End Riff F
5M 5 5 5M 5 5 12 10
10 X 8
0
9 X 7
5 B 5 5 5 5 5 5 55 BB µ P.M. 1
1
1
1
1
1
3 3 1
Gtrs. 3 & 4
G
55MM 5M
55 5 5 5 5 5 5 5 µ P.M. 1
1
1
1
1
55 5 5 5 5 5 5 5 µ P.M.
3 3 1
3 3 1
1
C5
55 5
3
3
3
3
3
BB B
55 5 5 5 5 5 5 5 µ P.M.
5 5 3
3
3
3
3
3
3
BB B
5 5 3
3
Bridge
G
D5
D5
5k 5M
0
D(b6)
Mak - ing Gtrs. 1 & 2
M G 55M 7 X 5
5 5 5 5
5 5 5k 5M 5 5 5 5 5 5M 5 5
9 X 7
10 X 8
12
10 X 8
10 X 8
10
5 5
my way
4
D5
through
55 55 5555 555 5 µ P.M. 0
0
0
0
0
F
G
5M
5 ¯
5 5
sight.
the
0 0 0
-
nin’
5 5 5
5M
you’re still
in
my
0
5 5 5 55 555 5555 µ P.M. µ P.M.
5 5 5 5 5 55 5 5 5 5 5 µ P.M. P.M. µ
7 5
7 5
5 5 5 ¯ ¯ ¯
You’re run
5
night,
5
5
5
8 5
5
5
5
5
5
5
5 7
5
Dm
5M ¯M
5 5
7 X 5
9 X 7
55 5
0 0 0
0
5M
?
Gtrs. 3 & 4
G
C7
5 5
5
5 5M
5 5
a
7
7
7
5 5M ¯ ¯M
5 5 ¯ ¯ ’cause
way
you know
you
¯M
can’t
7
¯5 ¯
¯5 MM
5 5 5 ¯ ¯ ¯
10 7
7
7
8 7
7
B° ° 4
Dbadd#4
Db
5M ¯M -
7
5 5555 5 55 µ P.M. µ P.M.
hide.
7
7
Db5
=
5 My
Gtr. 1
G
0
0
?
55 55
4
Gtr. 2 divisi
9 10
Gtrs. 3 & 4
G 55 5 5 5 5 55 µ P.M.
9 10
5 5 5 5 55 5 5 55 5 5 5 5 55 5 5 5 5 55 5 5 55 5 5 5 5 55 5 5 5 5 55 5 5 µ µ µ µ P.M. µ P.M. µ P.M. P.M. µ P.M. P.M. P.M. µ P.M. (cont. in slashes)
7 8
8
8
8
8
10 8
8
8
8
8
7 8
8
8
3 5
5
5
5
5
5 5
5
5
5
5
7 5
5
5
3 4
4
4
4
4
5 4
4
4
4
4
6 4
4
4
9
Authorized for use by Joshua Olson
Ab5
are cold - blood - ed
? 5 E5 EEEEE =
4
^
in - stincts
G
²²²² 5M 5²²²²²²²² 5 5 5M 5 5 5 ²²²²²²²²² 5M 5 !5 E5 ²²²² ²²²²²²²² 6
Gtr. 2
G
6
²²²²²²²²²
6
6
8
6
8
²²²² ²²²²²²²² 6
9
6
5
5
8
D#5
º
ºM º º º ºM E EE 5M 5 5 5 5M 5 5 5 GE E and now
the
5
6
0
11
11
12
14
E EE 5M 5 5 5 5M 5 5 5 GE E 7
7
7
7
9
8
fate.
5 5 5 5
9
9
9
7
7
9
7
8
EEEE 5M 5 5 5 5M 5 5 5 ²²²²²²²² 5 5 E
9
7
7
5 5 5 5
²²²²²²²² 5
º
ºM
5
5
5
4
D#5
4
6
º
ºM º º º ºM k M M 5 55 5 5 5 5 5 5 5 =
B 4
B
4
4
0
4
4
0
G#5
5
6
5 5
5
5
time.
5
²²²²²²²²²² ²²²²² B 55 5 5 5 1
11
of
²²²²²²²²
9
4
C#5
wrong
5M 5 5 5 5M 5 5 5
11
º 5
5
²²²²²²²² EEEE 5M 5 5 5 5M 5 5 5 5 5 E
Now
EE G E EE
the bear - er
²²²²²²²²² 6
Wrong place
8
you, I’m
7
²²²²²²²²² 5M 5 E5 E5
²²²² ²²²²²²²² 5 M 5 5 5 5 M 5 5 5
6
B5
hate. To
Gtr. 1
M M º º ºº º º 0M 5M 5 5 5 5M 5 5 5 5 5 5
C#5
^
Gtrs. M M ººº º 0 3&4 º º 5 5 B 5k 5M 5 5 5 5M 5 5 G ? Bb5
²²²²²²²²²
14
is
all
that
you’ll
5M 5 5 5 5M 5 5 5
14
14
14
²²²²²²²²² 5M 5 5 5 5 5 4
4
5
11
11
11
11
12
14
5M 5 5 5 5M 5 5 5
6
4
4
Whoa,
²²²²²²²²² B 55 5 5 1
²²²²²²²²² 4
find.
²²²²²
1
14
ter - ror
14
²²²²²²²²
1
14
14
14
²²²²²²²²²² B 5 5 5 ²²²²²²²²²²
7
10
Authorized for use by Joshua Olson
7
7
7
9
8
4
4
6
4
0
A5
°B EE G E EE °
0
¯5 ¯5 ¯ ¯
!' ±
²²²²²²²²² 5M 5 5
5
¯5MMM ¯
Interlude
D5 Gtrs. 3&4
±
º
=
4
?
0
whoa.
²²²²²²²²²² M 5 EEEE 5 G E ²²²²²²²²²²
²²²²²²²²²
14
14
²²²²²²²²²²²²² B 5
²²²²²²²²²² 5 EEEE ! 5M E G
16
16
16
²²²²²²²²² 5M 5 5
5
²²²²²²²²²²²²²² B 5
²²²²²²²²²²
²²²²²²²²²
10
12
10
²²²²²²²²²²²²
1/2
14
16
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 Riff G1
Gtr. 2
1
10
12
6
6
8
5
8
5
6
8
8
10
8
6
5
8
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 Riff G
Gtr. 1
²²²²²²²²²²²²
12
6
12
7
5
7
5
6
5
6
5
8
5
8
6
5
8
6
5
F#5
º
=
4
º
?
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 G
6
5
5
6
8
5
8
5
6
8
6
8
10
8
6
5
8
=
4
?
(cont. in notation)
5 5 5 E5 5 5 5 5 5 E5 5 ! 5 E 5 5 5 5
10
9
10
12
9
12
9
10
12
10
12
14
12
10
9
12
5 5 5 5 5 5 5 5 5 E5 5 5 E5 5 5 5 ! 5 E 5 5 5 5 5 5 5 5 5 5 5 5 5 5 G 5
7
5
7
5
6
5
6
8
5
8
5
6
5
8
6
5
11
9
11
9
10
9
10
12
9
12
9
10
9
12
10
9
11
Authorized for use by Joshua Olson
Double-time feel Gtrs. 1 & 2: w/ Riffs G & G1 Riff G1 E 5 5 5 End 5 5 5 5 E 5 5 5 ! 5 5 5 5 E5 5
Gtr. 2
G
10
9
10
12
9
12
9
10
12
10
12
14
12
10
9
D5
0
12
End Riff G
E5 5 5 5 5 5 5 5 E5 5 5 E5 5 5 5 ! 5 G EEBB 55 E 5 5 5 5 5 5 B 5 Gtrs. 3&4 divisi µ P.M. Gtr. 1
11 4 4 4
9
11
9
10
9
10
12
9
12
9
10
9
4
4
4
12
10
9
4
4
4
Gtrs. 3 & 4
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 P.M.
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
End double-time feel
F#5 Gtrs. 3 & 4
G
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 E5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 E5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 µ P.M. 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Dm
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
A7
Bb
Bb5
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
F5
A5
E5
D5
5 E5 5 5 5 5 5 5 5 5 5 5 5 5 ²²²²²² 5 5 5 5 5 5 5 5 5 5 5 5 5 E 5 4 G ²²²²²² loco
Gtr. 1 8v a
17
19
18
17 20
19
18
17 15
18
17
15 18
17 15
17
18
14
15
15
14
14
15
14
17 14
15
15
loco 5 5 5 5 5 5 5 5 5 5 5 E5 ²²²²²² 5 5 5 5 5 5 5 5 5 5 5 4 E 5 5 5 5 5 G ²²²²²² Gtr. 2 8v a
13
14
G 55 Gtrs. 3 & 4
3 5
15
=
13 17
14
4
15
13 12
14
E 55 2 4
14
=
12 15
4
13 12
14
15
10
11
12
10
10
12
5 = 55 = 5 = 5 55 55 55 5 3 0 1
3 3 1
12
Authorized for use by Joshua Olson
2 2 0
3 3 3
10
9
! 555 2 2 2
11
12
12
= 55 BM BMM 5 B 0 0 0
?
0 0 0
?
Chorus Gtrs. 1 & 2: w/ Riffs A & A1 (fade in) Gtrs. 3 & 4 tacet
Dm
Fsus2
Cadd9
Bbsus2
G 5k 5
5 5 5 5 5 5
5 5 5M
Can’t you feel
Gtr. 6 (acous.)
55MM G 55MM mf 1 3 2 0
the
poi -
son
ris - ing
straight to
Dm
55 5 5
55 5 5
55 5 5
55 5 5
22 2 2
55 555
55 555 =
55 55 5
55 = 55 5
55MM 55 MM 5M
55 55 55 55 5 5
1 3 2 0
1 3 2 0
1 3 2 0
1 3 2 0
1 3 2 0
X X X X
1 1 0 3 3
1 1 0 3 3
0 3 0 2 3
0 3 0 2 3
1 1 3 3 1
1 1 3 3 1
5 5 5M 5 5 you
feel
the
G
5 5 5M
You
-
son
can
feel
5 my
5k 5 strength
-
1 1 3 3 1
ris - ing
out
of
the
C/E
Bb
¯5 ¯¯
¯5 ¯¯
¯5 ¯¯
straight to
the
stroy
5k 5
5k 5 you
Bb
5
5
of
the
5 5 5 5 5 5M ven - om - ous bite?
55 55 55 55 22 55 55 55 55 22 5 5 5 5 2
1 1 3 3 1
1 1 3 3 1
¯5 5¯k ¯5 ¯¯ ¯¯ ¯¯
5 5 5 5 de
55 55 5
¯5 ¯¯
5 5 5 5 5 poi
heart
¯5 ¯¯
C/E
F
Dm
5k 5
F
^
Can’t
the
55 5 5
Gtrs. 1 & 2: w/ Riffs A & A1 (2 times) Gtrs. 3 & 4: w/ Rhy. Fig. 2 (2 times) Gtr. 6 tacet
55k 5 BM = G
P.S.
5 5 5 5k 5 5
5k 5
¯5 ¯¯
1 1 3 3 1
X X X X X
1 1 3 3 1
¯5 ¯¯
¯5 ¯¯
morn - ing
and
k ¯ 5¯ 5 ¯ ¯¯ ¯
¯5 ¯5 ¯¯ ¯¯
heart
¼))))))) ¼)))))))
?
Gtrs. 3&4
from
55 555
55 555 =
55 55 5
55 = 55 5
1 1 0 3 3
1 1 0 3 3
0 3 0 2 3
0 3 0 2 3
¯5 ¯¯
¯5 ¯¯
¯5 ¯¯
¯5 ¯¯
¯5 ¯¯
in - to
the
night?
F
C/E
¯5MM ¯¯ MM
D.S. al Coda
¯5 ¯¯ the
¯5 5¯ ¯5 ¯5 ¯¯ ¯¯ ¯¯ ¯¯ F
ven - om - ous
¯5 5¯ MM ¯¯ ¯¯ MM
C/E
bite.
; Coda
Interlude Dm
C
A
Bb
Rhy. Fig. 5 Gtr. 7 (acous.)
º ºº¼¼º ºº¼¼º ¼¼ º ºº¼¼º ºº¼¼º ¼¼ º ºº¼¼º ºº¼¼º ¼¼
mf
Gtrs. 3 & 4
G ' ' '
' ' '
' ' '
0 0 0
13
Authorized for use by Joshua Olson
C
Dm
C
' ' '
' ' '
A
º ¼ º º º º º º º ¼ ¼ ºM ¼ ¼ º º º ¼ ¼ º º º ¼ ¼ º ¼ ¼ º º º ¼ ¼ º º º ¼ ¼ º ¼ ¼
G ' ' ' 0 0 0
0 0 0
Bridge Gtrs. 3 & 4 tacet *Gtrs. 7 & 8: w/ Rhy. Fig. 5 (4 times)
Bb
C
Dm
º ºº¼¼º ºº¼¼º ¼¼ º º ¼ º º ¼
C
A
BM
5 5
End Rhy. Fig. 5
G
0
5k 5
5M 5 B
0
Stay
G
in
5 B
5M
Gtr. 6
' ' '
' ' '
10 10
C
5 5 B
5M
B
Dm
5M
5
?
Voc. Fig. 3
?
4
5 5M 5 5 5 5 M = G
B B
=
5 5
5 5
5 5
5 5
(You’re
out
there
all
5M
5 5
5 5
10 X 10
10 X 10
10 10
5k 5
5 5 a
5M 5M -
5 5M µ
let ring
12 10
12
5
5 B 5 B
lone.
5
µ let ring
let ring
8 X 9
5 5 =
BM BM
5 5
13 X 14
12 X 12
8 X 9
5k 5
-
Van
G
to - night.
*Gtr. 8 (acous.), played mf.
Bb
G
side
µ
let ring
0 0 0
-
13 15
14
Authorized for use by Joshua Olson
B µ
C
A
BM
5
ish
from
my
5 5
BM BM
5 5
55 =
5M 5 5 5 5 5M
5 5 =
let ring
13 X 15
12 X 12
13
12
µ
8 X 9
Bb
G
5 5 B
5
Dm
C
B
5 5M
?
You
sights.
G
BM BM
5 5
4
5 5
Ven
-
om
-
Bb
G
10 X 10
13
15
12 14
ous
con
12
14
-
B
G G
4
5 5
=
5 5
5 5
µ let ring
12
My
ap
5
10
Dm
5 5M
10 X 10
10
Bb
5M
5 5
5
pe - tite
has
µ
13
12
12
5
BM BM
4
5 5M 55 5M = 5 G
B B
5 5
No
love
5M
5 5
12 X 12
8 X 9
10 X 10
10 X 10
will
be
shown.)
µ let ring
let ring
10 10
5
µ
5k
5M
14
12
5 5
5 5
B B
5
13 12
12
14
5 5 5 5 5 = µ let ring µ 12
13
12
13
8 X 9
C
A
BM
5 5
side
to - night.
0
55 =
5M 5 5 5 5 M 5M 5 5
15 17
12 X 12
µ 13
14
-
fight.
End Voc. Fig. 3
5
let ring
12 10
in
nal
5 5
let ring
5 5
5 5
-
13
5 5
5 55
5 5
13 X 15
5k 5
12 12 12
BM
5M 5 5M
5 5
13
12
A
5
5
µ
µ let ring
C
5M 5 B 5M 5 B
5 5M
55555
9
BM BM
13 X 15
5 5
8
5 5
4
5 5
µ let ring
5 B 5 B
Stay
G
5M
10
5k 5
Dm
BM
5
fi
C
55B
55
10 10
grown.
5 5M 5
10 X 10
it
the
5M 5M
let ring
10 10
-
5k
5 5
5M 5 5 5M 5 5
4 µ
let ring
G
5
10
10
? 5 5
make
0
Lost
?
5M
5 5
5M
right.
5 5
5
5 BM 5 BM
10
12
BM
trol.
12
14
won’t
5M 5M
C
5 5 5 5 5
5
5 5
µ let ring
let ring
10 X 10
5 5
5 5 M 5M 5 M 5 55 5 5 5 5
5M 55 55 55MM 5M = G 8 X 9
5
A
C
5k 5
12 X 12
13
12
5 5 8 X 9
15
Authorized for use by Joshua Olson
Bkgd. Voc.: w/ Voc. Fig. 3
Bb
G
C
5
5
B
B
5 B 5M 5 5 5 M = 5 B G 10 X 10
5 5
5M
µ
Bb
G
5
µ
let ring
10
10
12
BM
10 X 10
from
12
my
5
5
10
µ
10
5 5
10 X 12
10
5
=5
5
let ring
10 X 10
10
A
5M 5 5
5 5
µ
10
Dm
5
ish
let ring
12 X 12
12
C
BM
5M 5 5 5M 5 5 =
12
10
5
5
C
5k 5 -
Van
5 5
5 5k 5M
10
10 X 10
5k B
5k BM
?
let ring
8 X 9
Dm
C
A
it
BM
5
'5 5M
5
You
5
can’t
make
13
15 17
12
sights.
5M 5 5 B 5M 5 = 5 B G
5 5
5M
5 5M
10 X 10
Bb
G
10
10 X 10
5 5M 5M 5 5M 5 = 5 5M G
10
5
10 X 10
10 X 10
10
13
14
C
5 5M
4
10 X 10
µ
10
12
5
5M 5 5 5 5M 5 = 5 5 12 X 12
12
10 X 10
5M 5 5 5 5M 5 5 5
5k 5
Lost
12 10
14
Dm
5 5MM 5 5 5 5 5 5 5 5 5 8 X 10
5
55 = µ
let ring
let ring
8 X 9
5 5
13
12
BM
right.
µ
12
10
5 5 5 5 5
5
5M
E5
µ let ring
let ring
8 X 9
5 5
13
13
12
13
A
C
5 5
BM
5 5 =
5M 5 5 5M 5 5
5 5
nal
10 X 10
8 X 9
10 X 10
8 X 9
your
10 X 10
12
-
fi
8 X 9
5 5
fight.
Outro-Guitar Solo Gtr. 6 tacet Gtrs. 7 & 8: w/ Rhy. Fig. 5 (till fade)
Bb
G
B
5M
5M 55 55 55 55 5M G
C
5 5 B 5
5
10 X 10
10 X 10
10 10
5
5 5 5M 5 5 5 5M 5 5 5 5M µ let ring
let ring
8 X 9
Dm
5k 5
10 X 10
10 X 10
10
12 10
12
BM
4
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
Gtr. 9 (nylon-str. acous.)
µ
mf 5
16
Authorized for use by Joshua Olson
3
6
5
7
5
6
8
5
8
6
5
7
5
6
5
7
6
5 5
C
!5 5 G 5M
C 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 !B 5 5 5 E 5 5 5 5 5
A
Bb
4
8 5
7
9
8
7
6
8
7
6
7
5
6
5
6
5
6
C 5 5 5 5 5 ! 5 5 5 5 5 5 5 5 3 G = 5 5 5M 5 5
8
6
5
6
7
7
7 8
7
8
5
3
5
5
A
5 5
6
5 = 5
Dm
5
5
6
5
6
7
5
7
6
5
C
Bb
BB M
BB MM
BB MM
BB MM
MM3
MM5
MM7
MM9
5
3
5 X 7
7
8
6
8
²²²²² 5 Gtr. 10 45 ? 5 5 Gtr. 9 5 !5 5 5 5 5 5 5 5 5 5 5 5 5 E5 5 55 5 55 5 5 5 5 555 5 5 5 5 5 5 5 5 5 = 3 G 5 5 5 Gtr. 9 tacet
Dm
C
3
Gtr. 10 (acous.) divisi mf
5 8 5 5
10 10 5
Bb
A
5
5
7
7
5
7
5 6
8
5
12
6
8 10
10
8
15 13 12
13
12
²²²²²
13
12
13 14
15
Dm
C
G 3
13 10
10
10 12
10 12
5 5 5 5 5 5
C
12 13 12 10
10 13
10 13 10
13 10
12
10
10
11 12
9 10 12
10
9 10 12 10 9
15 13 15
8
10 8
10
A
55 5 5 5 3 =
10
12
15 12
12
C
3
5 !5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 + 5 5 5 5 5 5 5 5 5 +555 3
12 13 12
55
12
5k
6
6
²²²²²
Bb
13 10
8
²²²²² 5 !5 5 5 5 5 5 5 5 5 5 E5 5 5 5 5 !5 5M 5 5 5 5 5 5 5 3 E5 5 = 55 G
12
3
10
12 10
12 10
12 10
12
12 12 12 10 12
3
10
12
10
3
3
9 12 10 9
12
10 12
13 12 10
12 14
13
17
Authorized for use by Joshua Olson
C
Dm
5555 =
8v a
Gtr. 10
G
5
3
555 4
555 =
=M
3
A
Bb
555 4
=M
55 5=
3
55 5555 5
1/2
17 13
17
555 Riff H
Gtr. 9
G
17 13
15
3=
13 12 10
15 12
15
555 =M
5 5 5 E5 5 !5 5
13 12 10
13 12 10 11
12 10
15 12
13
3=
13
13 10
13
555 =M
5 5 5 E5 5 !5 5
12 10
12 10
13
13 14
10
13 10
11
3=
13 11
11
13 12 10 12
555 =M
5555
10
10
13 11
13 11 13
Begin fade Gtr. 9: w/ Riff H (till fade)
C
Dm
C
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 4 5 3 =M 5 = 3 3
G
13 12 10
11
10 12 13
15 13 12
12 13 15
13
17 13
17 13
15
5 5 5 5 5 5 5 5 5 5 5 5 5 5 3 3 G
A
5 5 =M 5 5 = 3 5 5 4
Riff I
8v a
15 12
15
15 12
13
13
End Riff H
10
13 11
10
11 13
10
12 10
13
13
12
0
0
10 12
Gtr. 10: w/ Riff I (till fade)
Dm
C
Bb
End Riff I
8v a
5 5 5 = 3 5 5 5 5 5 5 5 5 5 5 5 5 5 5 3 5 5 5 5 5 5 5 3 G =M Gtr. 10
13 10
13 10
11
11
13 12 10 12
13 12 10
11
10 12 13
15 13 12
13
0
12 13 15
Fade out
G
C
0
A
Bb
0
0
C
18
Authorized for use by Joshua Olson
Dm
0
C
0
A
from Avenged Sevenfold - City of Evil
The Wicked End Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker Eb5
D5
F5
Fm
Db 8fr
111
111
C
1342
Db7b5
G5
D5
4fr
Drop D tuning: (low to high) D-A-D-G-B-E
1 3 33
1213
V
5fr
1333
1342
C/E 4fr
134
143
Dm 7fr
A/C# 5fr
111
Em 4fr
5fr VIII
1342
F5 7fr
8fr
143
134
Intro Moderately fast q = 120 * Dº Gtr. 1 (dist.)
< < < < G !<
< M
<
15ma
< < !
f
£
Harm.
+1/2
( 3.1 )
3.1
8v a
<
( 3.1 )
+1/2
( 3.1 ) 3.1
<
+1
( 3.1 )
Pitch: D -1 1/2
<
+1 1/2 +2
( 3.1 )
3.1
-1
< < E< +1
Harm.
( 3.1 )
-1 -1 1/2 -1 1/2 **Harmonic located one-tenth the distance between the 3rd & 4th frets. Gtr. 2 (dist.)
!< <
15ma
fdbk.
+ 1/2
Harm. w/bar **
< < !< !< <
( 3.1 )
-1 1/2
) )) 2 )) E2 ) 2 ))))))) 2 ))))) !2 ))))))))))) 2 )))))) E2 )))))) 2 ))))) 2 2 )))))) E 2 ))))))) 2 )))) E2 ))))))) 2 ))))) 2))))))))) E2 ))))) )))))) ))))))
G
f
P.S.
£
X
)))))))) X )))))))) X )))))) X )))))))) X )))))) X )))))))))) X )))))) X )))))))))) X )))))))) X )))))))) X )))))) X )))))))))))) X )))))))) X ))))))))X )))))))) X
*Chord symbols reflect implied harmony.
Double-time feel Gtrs. 1 & 2 tacet
D5 End Riff A
Riff A Gtr. 3 (dist.)
E5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 E5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 MM G MM f
M 13 M
14
13
15
13
15
14
15
14
15
13
15
13
15
14
15
5 5 5 5 5 5 E5 5 5 5 5 5 5 5 5 5 G MM Gtr. 4 (dist.)
M M
f
9
10
Rhy. Fig. 1 ***Gtrs. 5 & 6 (dist.)
G MM M M
55 55 f P.M. µ 0 0
9
12
9
12
11
12
10
12
9
12
9
12
11
12
13
14
13
15
13
15
14
15
14
15
13
15
13
15
14
15
M M
5 5 5 5 5 5 E5 5 5 5 5 5 5 5 5 5 M M 9
10
9
12
9
12
11
12
10
12
9
12
9
12
11
12
M M
End Rhy. Fig. 1
=
0 0
4
=
55 55 55 55 55 P.M.
0 0
0 0
0 0
0 0
55 55 µ 0 0
=
4
0 0
=
5 5 5 5 5 5 µ P.M. 0
0
0
0
0
0
MM M M
***Composite arrangement
© 2005 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHING All Rights Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
1
C Double-time feel
Gtrs. 5 & 6: w/ Rhy. Fig. 1 3rd time, Gtrs. 5, 6 & 7 tacet
5 5 5 5 E5 5 5 G MM 8v a
Gtr. 3
M M
13
=
14
13
15
16
5 5 5 5 5 5 E5 G MM M M
10
9
12
²²²²²²² 5 5
=
15
5 E5 5 5
17 14
13
15
16
16 18
14
5 5 5 5 5 5 E5
=
17
!5 E5 5 MM
5
5 5 5
M M
15
17
5 5 E5
MM
²²²²²²²
13
10
13
16
14
Gtr. 4
10
5 5 5 5 E5 5 5
=
²²²²²²²
17
15
²²²²²²² E5 5
12
12
10
10
11
13 10
9
12
12
13
12 14
11
M M
12
14
Verse Quadruple-time feel Gtrs. 3 & 4 tacet
D5
5 G
1. Man’s
5
5
5
5
be - com 2. We’ve grown
ing in
-
loco Gtr. 3
G
BB
5 5 5 5M cor - rupt the num
more to
5
5
now, - ber
god six
5 -
5
less, wick hun - dred
-
55
5M 5M
5 5
5 5
ed and six - ty
cruel. six.
0
Gtr. 4 divisi
13 15
13 15
Riffs B & B1 Gtrs. 5 & 6
G
5 5 5 5 µ P.M.
0
0
0
0
5 5
6
5
5 5 P.M. µ
0
0
5 5
3
5
5 5 P.M. µ
0
0
5 5
5 5 P.M.
1
3
0
0
5 5 5 5 µ
0
0
0
2
Authorized for use by Joshua Olson
0
5 5
6
5
5 5 P.M. µ
0
0
5 5
8
10
5 5 P.M. µ
0
0
5 5
5 5 P.M.
10
12
0
0
5
G =
5
The War
soul breaks,
5
5
less a
men sign
5
5
stood si of the
5
5
5 Mar e
lenced, end,
5 -
y’s ter
5
5
5
words rang nal - ly
-
so ex
5 -
End Riff B
Gtr. 5
G
true. pelled.
5 5 5 5 µ P.M.
0
0
0
5 5
6
0
5
5 5 P.M. µ
0
0
5 5
3
5
5 5
5 5 P.M. µ
0
5 5 P.M.
1
0
3
0
0
5 5 5 5 µ
0
0
0
5 5
5 5 µ
5 5
P.M.
6
0
5
0
0
8
10
3
5 5 P.M. µ
0
0
5 5 5 5
12 10
5 5 5 5 µ P.M.
0
0
0
5 5
6
0
5
5 5 P.M. µ
0
0
5 5
3
5
5 5
5 5 P.M. µ
0
5 5 P.M.
1
0
3
0
0
5 5 5 5 µ
0
0
0
5 5
6
0
5 5 P.M. µ
5
0
Gtrs. 5 & 6: w/ Riffs B & B1
G
10
End Riff B1
Gtr. 6
G
8
5 5 5 5
5 5 5 5 5M
Chas - tise - ment worse than the Look to
the
sky
flood,
5 5 5 5 5 5 5 5M 5 5 3
spread the word,
for knowl - edge,
the
stars
it’s all
through.
a - lign to - night.
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
10
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² 5 5 5M 5M 5 G Gtr. 3
14 12 14
12
0
0
14
5 !5 5 5
8
7
5
7
= 4 5 5 5 5 5 5 5 5M 5 2 2 2 2 2 2 2 2M the mes - sen - ger
girl,... ...as fall. shall
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² 5 5 5M 5M 5 ²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² 15 13 15
15
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² 5 5 5M 5M 5
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² 5 5 5M 5M 5
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
12 10 12
10
5 5 P.M. µ
E - clipse and heav - en
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² 5 5 5M 5M 5
10 9 10
8
Don’t kill
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² 5 5 5M 5M 5 G Gtr. 4
=
0
5 5
3
10 9
10
10
14 12 14
14
3
Authorized for use by Joshua Olson
To Coda 1 ; Interlude End quadruple-time feel
Dm
if Now
Gtr. 4
G
5
5
5
5
we have - n’t swam I know I’ve seen
5
5
^
G
5
e - nough it all
²²²²²²²²²²²²²²² 5M 5
B
²²²²²²²²²²²²²²
grad. bend
Gm
5
5
5
5
in in
this my
life life
of of
17
Gtr. 3
G
²²²²²²²²²²²²²²² 5M 5
B grad. bend
1
²²²²²²²²²²²²²²
5
5
5
5k 5
B
B
G
13
0
5
5k 5 5k 5 5k 5
grad. bend 1
Riff C1
5
²²²²²²²²²²²²²²²²²²²²²
15
5
5
5
15
13
5
loco
=
=
10
²²²²²²²²²²²²²²²²²²²²²² B
8v a
B
5
1 15
5k 5
5
13
12
Riff C
5
=
12
5k
5
8
10
11
55 5
55 5
=
5
²²²²²²²²²²²²²²²²²²²²²
grad. bend
1/2
12
13
Bb5
mis - er - y. mis - er - y.
²²²²²²²²²²²²²²²²²²²²²² B
8v a
1/2
17
D5
A7
17
Gtr. 5
5 5 5
5 5 5
E5
5
5
5
55 5
55 5
15
5 5
5 5
µ
P.M.
8
10
12
8
10
12
4
7
7
10
7 7 5
7 7 5
55 P.M.
7 5
7 5
7 7 5
55
55
55 5
0 0
8 8 8
Rhy. Fig. 2
G
0
Gtr. 6
5 5 5
5 5 5
5 E5
5
5
55 5
55 5
µ
P.M.
5
7
8
5
7
8
0
4
4
Authorized for use by Joshua Olson
4
7
7 7 5
7 7 5
7 5
7 5
5 5
55 5
P.M.
7 7 5
0 0
8 8 8
* F/A
5 5M G
5
5 5 ²²²²²² 5 5 G 9
G
10
12
12
11
9
0
5
5
5
5
5
5
yeah.
11
5 5 5
=
5
5
8v a
5
k 5 5 5 555
5 5
10
15
10
15
14
18
14
5 5 5 5 5 5 5
5
15
17
18
18
5
5
17
15
18
15
17
k loco 5 5 E5 5 5 5 5 5 1/2
15 15
12
15
12
13
15
13
13
13
17
17
14
12
15
12
13
End Rhy. Fig. 2
G 55 55 55 5 5 5 8 8 8
5
5
5 5 5 5 5 5 5
8v a
Gtrs. 5 & 6
8 8 8
0
'
5 5 5
9
²²²²²² 11
***A/E
1
5 5 ²²²²²² 5 5
Gtr. 3
5 =
=
²²²²²²
10
** Dm/F
(Oh,
Gtr. 4
12
G5
P.M.
55 55 5 55 5 5 5 µ P.M.
8 8
8 8
55
8 8 8
7 8 7
55 55 55 5 5 55 2 2 55 5 5 5 5 5 5 2 2 5 µ P.M.
5 5 5
8 7
5 5 5
5 5 5
5 5
5 5 5
5 5
X X
*Bass plays A.
X X
55 5
3 5 3
55 2 2 E 55 55 55 55 5 2 2 5 5 5 5 3 5 3
X X
**Bass plays F.
X X
2 4 2
2 4 2
2 4 2
***Bass plays E.
Gtrs. 5 & 6: w/ Rhy. Fig. 2
D5
G
Bb5
0
BM
F/A
G5
0
4
Dm/F
0
'
8v a
G
5 15
5 5 5 loco
18 15
Gtr. 3
G
5
12
5k 5
15
5 5 5
7
8
5
5
10
5
5k
55 5 5 5 5 ²²²²²²² 5 5 = ²²²²²²²
10
12
5k 5
10
²²²²² 15
14
14
10 12
10
11
10
10
9
5 5 ²²²²² 5 5
12
12
µ
-
=
5
8
9
0
5 B
5
oh, Gtr. 4
A/E
5 5
yeah.)
5 5 5 5 5 5 5 8v5a 5 5 5 5 5 5 5 5 5
End Riff C1
1
11
5 5
8v a
11
10
10
15
15
14
14
5 5 5 5 5 5 5
18
5
18
18
17
18
15
17
C loco 5End Riff 5 5 5 5 5 E5 5 5
1/2
15 15
12
15
15
15
13
13
13
13
17
17
17
14
15
12
14
5
Authorized for use by Joshua Olson
Pre-Chorus Gtr. 3 tacet
D5
G
5B 5 5 5
5k 55
Bb5
4
Voice your proph - e
-
5k 5
A5
5 5
cy,
shed
G5
5 5 5
4 k 5 5 5M5 5 5 5 5 5
us
light.
some
5k 5
5
5 5
man - kind’s
Feel sor - row for
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²Gtr. 4 ' Gtr. 4 B 5M 5 5 = 4 G ²²²²²²²²²²²²²²²²²²²²²²²²²² Gtr. 3
A/E
Dm/F
chance
loco
?
?
4
5 5
=
* ²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
divisi
18 15
15
18
9
²²²²²²²²²²²²²²²²²²²²²²²²
5 5 5 5 to sur - vive.
5 5
5 E 5 5 8v5a 5
11 10
15
18 17
14 17
*Gtr. 4 to left of slash in tab.
End Rhy. Fig. 3
Rhy. Fig. 3 Gtrs. 5 & 6
55 G 555 555 55 55 555 55 5 µ P.M. P.M. 7 7 5
7 7 5
7 5
7 5
7 7 5
0 0
55 55 55 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 55 55 55 55 55 55 55 55 55 22 22 55 55 55 22 22 E 55 5 P.M. µ P.M. P.M. µ 8 8 8
8 8 8
8 8 8
8 8
7 7 7
8 8
7 7
5 5 5
5 5 5
5 5 5
5 5
5 5
3 5 3
3 X X 5 X X 3
5 5 5
X X X X
55 55 55 5 5 5 2 4 2
2 4 2
2 4 2
Gtrs. 5 & 6: w/ Rhy. Fig. 3
D5
5k 5
G B
5 5 5 5
Swal - lowed lies Riff D 8v a
5
Gtr. 3
G
Riff D1 8v a
5 G 15
A5
5
17
10
²²²²²²²²²²²²²²²²²²²² 5 5M 5
5
18
11
²²²²²²²²²²²²²²²²²²²²
18
our
in
²²²²²²²²²²²²²²²²²²²² 5 5M 5 17
5 5 5
5 5
swam
²²²²²²²²²²²²²²²²²²²² 13
Gtr. 4
and
Bb5
5k 5
own
G5
5k 5
5k 5
4 5 5M
A
Dm/F
5 5 5 5 5 in
stab
5 5 5 5 5 5 5
dark,
but
it
wound - ed our
5 will.
tears.
²²²²²²²²²²²²²²²²²² 5 5M 5
5
13
18
²²²²²²²²²²²²²²²²²² 5 5M 5
5
15
20
5
5
²²²²²²²²²²²²²²²²²² 13
the
A/E
15
5
18
5
²²²²²²²²²²²²²²²²²²
15
15
20
6
Authorized for use by Joshua Olson
5 10
5 11
5 5 5 5 5 5 E5 5 5 5 10
14
14
15
15
17
15
18 16 18
5 5 5 5 5 5 5 E5 5 5 9
12
12
15
15
17
18 17 15 17
Chorus Half-time feel Gtrs. 3 & 4 tacet
0
0
Eb5
Rhy. Fig. 4 Gtrs. 5&6
G
4 B
5k 5 ¯¯ ¯¯
5 ¯¯ ?
We
55 G
0 5k 5 ¯¯ ¯¯
5 5 ¯¯ ¯¯
won’t
be
8v a
0
0
5 5 5 ¯¯ ¯¯ ¯¯
5 5 ¯¯ ¯¯ -
to - mor
here
0
F5
5k 5 ¯¯ ¯¯
4
hold
row,
5 ¯¯
5 5 ¯¯ ¯¯
on
to
me
End Riff D1
Gtr. 4
=
4
?
0
0
8v a
Gtr. 3 divisi
End Riff D *
18 15
*Gtr. 4 to left of slash in tab. Riff E Gtr. 7 (dist.)
5 5 5 5 5 5 5 5 5 8v a 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5!5 5 5 5 5 5 5 5 5 5 5 5 5 555 3 555 G !5 f
15
16 15
15
15 16 15
15
15 11
12
11
12 10 12 10
13 12
13 10 13
12
10
11
11 13
11
15
17
12
13
18 17
17
17 18 17
20 17
18
17 15 17 15
9
D.S. al Coda 1 End half-time feel
0
D5
5 ¯¯ G
5 ¯¯
º
5 ¯¯
5 ¯¯
5 ¯¯
(cont. in notation)
5 ¯¯
one
EB E°°
?
time.
last
8v a
G 5 5
5 5 5 5 5 5
5
5
8 10
9 10
G
8
10
9
12 10
0
Bb5 A5 C#5
0
loco ²²²²²²²²²²²²²²²² ²²²²²² B 5 5 5M End Riff E
Gtr. 7
D5 Ab5 E5
º
5 ¯¯
for
Bb5 A5 Ab5
End Rhy. Fig. 4
5
5
13 10
13 14
5 5
²²²²²² ²²²²²²²²²²²²²²²²
17
15
Gtrs. 5 & 6
55 5 0 0 0
B
5M
5
1
15
14
16
16
²²²²²²²²²²²
²²²²²
5 5 5 !5 E 5 5 5 55 5 5 5 5 5 5 5 5 5 µ P.M. ²²²²²²²²²²² ²²²²² 0 0
0 0
0 0 0
8
7
6
0
6
7
7
13
12
11
7
Authorized for use by Joshua Olson
; Coda 1 C C Interlude
Gtrs. 3 & 4: w/ Riffs C & C1 Gtrs. 5 & 6: w/ Rhy. Fig. 2 (2 times)
Bb5
D5
G
F/A
5 5k 5 5k 5 5k 5
B
5 5M
5
Dm/F
G5
5 =
4
5
5k
5M
0
Bb5
G
BM
F/A
4
0
5
Dm/F
G5
?
0
4
5
5
0
5
5
A/E
5
=
0
5
yeah.
(Oh,
D5
5
A/E
5
B
5
5
0
Yeah.)
Pre-Chorus Gtr. 3 tacet
Gtrs. 5 & 6: w/ Rhy. Fig. 3 (4 times)
G
=5
D5
' 5
5 5 5 5
Voice your proph - e
Gtr. 4
G
5 =5
A5
5 5 55
G5
5 5 5 us
shed
- cy,
BB
E BB
Gtr. 3 divisi
Bb5
5
some
Dm/F
k 5 5 5 5 5 5k 5 4 5 5M5
5
5 5 5 5
light. Feel sor
55
A/E
5 5
Gtr. 4
?
?
-
row for
man - kind’s
= 5
4
chance
to
sur - vive.
5 E 5 5 8v5a 5 5 5 5
1/2
*
17 14
17
14
11
9
10
15
14
17
18
17
*Gtr. 4 to left of slash in tab.
D5
5k 5 G B
5 5 5 5
Bb5
5k 5
A5
5 5 5
5 5
G5
5k 5
Dm/F
k 5 5 5 5 5 5 4 5 5M5
5 5 5 5 5 5 5 5
5
5 5 5 5 5 5 E5 5
A
Swal - lowed lies 8v a
5
Gtr. 3
G
13
8v a
G 5 Gtr. 4
15
and
swam
in
our
own
5
17
17
10
13
²²²²²²²²²²²²²²²²²²²²² 5 5M 5
5
²²²²²²²²²²²²²²²²²²²² 5 5M 5 ²²²²²²²²²²²²²²²²²²²²
18
11
15
²²²²²²²²²²²²²²²²²²²²² 18
in
stab
the
dark,
but
it
wound - ed
our
will.
tears.
²²²²²²²²²²²²²²²²²²²²² 5 5M 5 ²²²²²²²²²²²²²²²²²²²²²
A/E
²²²²²²²²²²²²²²²²²²²² 5 5M 5 ²²²²²²²²²²²²²²²²²²²²
13
15
18
5 20
5 15
5 15
8
Authorized for use by Joshua Olson
5 18
5 20
5 10
5 11
10
14
14
17
17
18
15
18
5 5 5 5 5 E5 5 5 14
17
17
20
20
22
23
22
D5
55 54 5 5 5 G
A5
Bb5
5k 5
G5
5 5 5
5 5
4 5k 5 5 5 5 5 5M
5
And deep
the
Dust
ap
ple
-
²²²²²²²²²²²²²²²²²²²² 5 5M 5
8v a
5 G
sa
off,
18
5 G
11
15
17
in
-
10
15
13
A/E
5 5 5 5 5 5 5 5
side,
you know Ad
-
am was
right.
bite.
²²²²²²²²²²²²²²²²²²²
17
k
15
15
15
17
15
15
15
5 5 5 5 5 5 E5 5
13
15
²²²²²²²²²²²²²²²²²²² 5 5M 5k 5 5 5 5 5 5 5 5
5
²²²²²²²²²²²²²²²²²²²² 13
each
²²²²²²²²²²²²²²²²²²²
18
²²²²²²²²²²²²²²²²²²²² 5 5M 5
8v a
vor
5k 5
²²²²²²²²²²²²²²²²²²² 5 5 5M 5k 5 5 5 5 5 5 5
5
²²²²²²²²²²²²²²²²²²²² 15
-
Dm/F
13
k
18
20
19
20
19
20
18
15
14
15
14
14 15
14
5 5 5 5 E5 5 5 5
17
20
18
19
19
18
17 19
19
Gtrs. 3 & 4: w/ Riffs D & D1
D5
55 5BM 5 5 5 G
Bb5
5k 5
5 5
5
A5
G5
5 5
5
4 5 5M
5k 5 Left
Lust
and
pow
-
in
er,
-
dul - gence,
no
Dm/F
5 5 5
5
with
sins,
his
A/E
5 5 how
5 5 5
5
does
end?
this
fear.
To Coda 2 Chorus Half-time feel
;
Gtrs. 5 & 6: w/ Rhy. Fig. 4 Gtr. 7: w/ Riff E
Eb5
' G 4
5 ¯ =¯
5 ¯¯ We
5 5 5 ¯¯ ¯¯ ¯¯ won’t
be
5 B5 ¯ ¯¯ =¯ here
5 5 55 5 55 ¯¯ ¯¯ ¯¯ ¯ ¯ ¯ ¯ to - mor
-
row,
F5
4
5k 5 ¯¯ ¯¯
hold
5 ¯¯
5 5 ¯¯ ¯¯
on
to
me
¯¯
5 5 5 5 5 5 5 ¯¯ ¯¯ ¯¯ ¯¯ ¯ ¯ ¯ ¯ for
one
last
9
Authorized for use by Joshua Olson
Guitar Solo D5
G
E5
E5 E ¯¯
4
?
0
²²²²²²²²²²²²²²²²²²²²²²² B 55
time.
Gtr. 7
G
5
1
²²²²²²²²²²²²²²²²²²²²²²
13
²²²²²²²²²²²²²²²
6
3 1
13
13
12
10
13
12
13
²²²²²²²²²²²²²²²²²²²²²²² E5M 5
²²²²²²²²²²²²²²² 5 5M
5 !5 5 5 5 5 5 E5 !5
12
11
10
²²²²²²²²²²²²²²²²²²²²²²²²
9
17
13
13
Gtrs. 5 & 6
G 5 5 5
5 5
5 5
5 5
5 5
5 5
5 5 µ
0 0
0 0
0 0
0 0
0 0
0 0
P.M.
0 0 0
! 55 5
5 5
5 5
5 5
5 5
5 5
5 5 µ
2 2 2
2 2
2 2
2 2
2 2
2 2
2 2
P.M.
End half-time feel
A/E
Dm/F
G5
5 8v5a 5 5 5 5 ! 5 5 5 E 5 E5 !loco 5 5 5 5 5 !5 5 5 5 5 E 5 5 5 5 5 5 5 5 ! 5 5 5 5 55 5 5 5 5 G 55 5555 6 6 6 3 Gtr. 7
7 10
8
10
8
12 13 15
15 17 18 15
15
µ
.
6
3
15
17
17 17
17
17
15
3
15 18 20
18 14
17 15 10 11 13 11 10
10
9 10
10 11
9 10 9
9
11 10
10 9
Gtrs. 5 & 6
G 55 5
5 5
5 5
5 5
5 5
5 5
5 5 µ
5 5 5
5 5
5 5
5 5
5 5
5 5
5 5
P.M.
55 5
55 5
55 5
55 5
E 55 5
55 5
55 5
55 5
3 5 3
3 5 3
3 5 3
3 5 3
2 4 2
2 4 2
2 4 2
2 4 2
Gtrs. 5 & 6: w/ Rhy. Fig. 3 (3 1/2 times)
²²²²²²²²²²²²²²² ²²²²²²²²²²²² ²²² ²²²²² 5 5 5M 5 5 5 5 5 E 5 5 5 5 E 5 5 ! 5 5 5 5M 5 5 E 5 E 5 5 5 5 5 5 5 5 5 5 E5 5 Bb5
D5
Gtr. 7
G
1 13
²²² ²²²²²² 13
3
A5
²²²²²²²²²²²²²²
²²²²²²²²²²²
10 13 14 15
13 14 15 14
15
14 15
14
10
Authorized for use by Joshua Olson
15 17
²²²²²²² 5
Dm/F
!5
3
1/2
1/2
10
G5
1
1/2
15 17 15
18
15 17 18 19
18
²²²²²
²²²²²²²² 5 5 5 E5 5 5 ! 5 ! 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 !5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 555555 5 G A/E
D5
A5
Bb5
G5
8v a
3
1
17 18 17
8v a
G 5
21
17 18 19 20
20
20 17
20
22 17
18
17 16 13 15 13
18
17 14
1/2
14 15 16 17 17
17
55 18
17
16 15 14
15
15
15
G5
²²²²²
1
X 15 X
17
15 16 17
15
18 15 15 19
17
17
15
18
18
5 5 5 5 5 5 5 5 E5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 6
6
18
18
17 18 17
18
17 18 17
6
6
14
15
14 15 14
15
14 15 14 15 14 15 17
A5
13 15 17
G5
5 5 55 5 5 5 5 5 55 55 5 5E5 5 5 5 55 5 5 5 ! 5 5 5 ! 5 5 5 5E 5 5 5 5555 5! 5 !5 5 5 5 !5 5 15
6
14
15 11 12 15
14
6
6
15
13 16 17 13
15
14
15 11 12 15
14
13 17
55 55 555555 ! 5 5 5 5 5 5 G 5555 5555 Gtr. 7
6
15
6
15
17
17 17
17
15
6
13
13 17 18 15
15
18 13
14
17
17 17
17
15
15
15
15
12 15
15
14
13 17 18 13
14
15
15
15
12 15
15
12
13 17
Dm/F
E5 5 55 5 5 5 5E5 !5 5 5 !5 5 5 5 5 5555 55 6
15 18
6
6
12
A/E
6
15
6
6
15
Dm/F
G ^ _55 _5
16 13 12 13
17 15 14 15
17
A/E
²²²²²
8v a
18 15
1/2
Bb5
6
17 13
17
15 14 15 14
Bb5
Dm/F
D5
55
15
15 13
5 5 5 E 5 5 8v a E5 5 5 5 5 5 5 5 16
14 14
15 13
D5
1/2
²²²²²² ²²²²²² !2 5 5 5 5 5 5 5 2 5 5 5 5 5 5 5 5 !5 5 55 1
15 12 18 12 15 13 12 15 12 15
3
A5
G
16 17 18
A/E
1
8v a
8v a
15
8v a 5 5 5 5 5 5 5 loco 5 5 5 E5 5 5 !5 5
17
18
20
Dm/F
5 5 ! 5 5 5 5M
loco
15
G
²²²²²²²²
1
17 13
15
6
6
14
15 12 12 15
14
15
13 17 21 17
18
3
3
18
19
17
18
17 19
19 20
Gtrs. 5 & 6
5 5 5
55 5 5 5 5
55 5 5 5 5
5 5 P.M.
5 5 µ
5 5
5 5
55 5 5 5 5
2 2 55 2 2 5 X X
X X
55 5
3 5 3
55 5
2 2 E 555 2 2
3 5 3
X X
X X
2 4 2
55 5
55 5
55 5
55 5
(cont. in slashes)
2 4 2
2 4 2
3 5 3
11
Authorized for use by Joshua Olson
0
0
Gtrs. 5&6 8v a
Gtr. 7
G
!5
B²²² B 5 1
0
Interlude
D5
²²
B
5M
0
0
5 loco )))) 2 )) 2 ))) E2 ))))) 2 ))) E2 )))))))) 2 )))))) 2 )))) !2 ))))) 2 )))))) E2 )))))) 2 ))) E2 ))))) 2 )))) ))) 4
w/ bar
1
0
?
P.S.
20
20
20
X -1
Gtr. 8 (clean)
G
55
0
-2
55
55
))))) X ))))) X ))))) X )))))))) X )))))) X ))))) X ))))) X ))))))) X )))))) X ))))) X ))))) X )))))))) X ))))
55
55
55
55
55 555 5 5 5 5 E5 5 5 5 5 5 5 5 E5 5 5 5 5 5 5 5 5
mf let ring throughout
13
0
15
14
15
13
15
14
13
15
G
5
5
13
15
5
14
5
5
5
13
15
15
Dm Gtr. 8
G
*Gtr. 9
G
5
14
14
15
13
15
14
0
Gtr. 7 tacet
Gtr. 8
15
15
15
17
18
18
17
17
18
17
18
17
18
17
18
17
13 18
18
17
15
14
15
13
15
14
15
Gtrs. 5 & 6 tacet
A7
5 5
5
15
5
16
15
5
16
5
15
5
5
16
15
5
!5 E5
12
16
14
5
12
5
5
12
14
5
14
5
5
14
12
Ab
5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
13
13
15
14
15
13
15
14
²²²²²²²²²²²²²²²²²²²²²²²²²
15
15
14
15
13
15
14
BM
5 5
5
5
5
5
5
7
7
5
7
8
²²²²²²²²²²²²²²²²²²²²²²²²²
8
15
11
13
13
13
11
²²²²²²²²²²²²²²²² B 5 ²²²²²²²²²²²²²²²² 6
*Cello arr. for gtr.
12
Authorized for use by Joshua Olson
5
13
13
13
5 5
6
5
11
13
13
13
11
13
13
13
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² '
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² 3
Cm
Db
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 G 11
G
13
12
13
11
13
12
13
²²²²²²²²²²²²²²²²²²²²²²²² B M 5
13
12
11
13
13
²²²²²²²²²²²²²²²² B
²²²²²²²²²²²²²²²²²²²²²²²² 6
²²²²²²²²²²²²²²²²
3
5
3
5
G7
G
11
12
9
13
9
9
9
10
9
10
²²²²²²²²²²²²²²²²²²²²²²²²
5
B M
6
4
9
3
10
9
11
5 5 5
9
10
9
C
6
C(b9)
5 !5 5 5 5 5 5 5
5 !5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
10
10
8
12
10
12
10
12
10
12
3
12
10
12
5
10
12
10
12
0
*Gtr. 10
8
9
8
8
8
2
0
f
5 5 5 5 5 5 5 5
' ²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² 8
3
9
8
9
10
9
8
9
10
9
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
3
0
Gtr. 9 tacet
Fm
Gtr. 9 divisi
9
5
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² ²²²²²²²²²²²²²²² ²²²²²²²²²²²²²²²² ²²²²²²²²²²²²²²²²²²²²²²²²²
G
13
5
²²²²²²²²²²²²²²² ²²²²²²²²²²²²²²²²
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² ²²²²²²²²²²²²²²² ²²²²²²²²²²²²²²²² ²²²²²²²²²²²²²²²²²²²²²²²²² G ' B B BM 5
Gtr. 8
5 5 5
²²²²²²²²²²²²²²² ²²²²²²²²²²²²²²²² B B
5
²²²²²²²²²²²²²²²²²²²²²²²²
5
9
11
12
11
9
5
5
5
4
3
1
11
12
11
5
5
0
Db
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
Gtr. 8
8
9
10
9
8
9
10
9
9
9
10
9
9
9
10
9
9
9
10
9
9
9
10
9
3
*Orchestra arr. for gtr.
13
Authorized for use by Joshua Olson
0
0
Em
G
0
0
Dm
!5 5 5 5 5 5 5 5 !5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 !5 5 5 5 5 5 5
7
8
9
8
7
8
8
9
7
8
9
8
7
8
9
8
8
0
0 G
0
Fm
9
10
9
8
9
10
9
0
C
8
9
10
9
8
9
10
9
10
0
10
10
10
10
10
10
10
0
Db7b5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
10
10
10
10
10
10
10
10
8
8
9
8
8
8
9
8
8
8
9
8
8
8
9
8
9
8
10
8
9
8
10
9
8
8
10
8
9
8
10
Bridge Half-time feel Gtrs. 8 & 10 tacet
Dm
5 5M G As
5
5k 5
5k 5
the
5
proph - ets
5 5
5
shed their
Bb
BM
G BM
8
5 5
10
7
5
5
5
8
10
5
B
3
5
²²²²²²²²²²²
Riff F1 Gtr. 6
G BM
5 5
5
5
5
5
7
7
5
7
5
8
0
5k 5
B
5
5
7
14
Authorized for use by Joshua Olson
5
5
5
8
7
²²²²²²²²²²² 1
5
5
5
what’s
to
5 5 5 5 3
7 5
5
on
10 10
F
light
Riff F Gtr. 5
5
7
5
7
8
5
5
3
5 5 5 5
8
7
8
0
5
1
8
A7
5 5 5 5 5 5 5 5
G
5
5
5 5 5
the crowds did
come,
G E5
5
4
7
G
Dm
5k 5 5k 5
0
5
5
5
4
6
8
5
E5
5
E5
5
5
9
7
5
5 E5
5
7
7
-
Fmaj7
Gm
?
?
4
10
A
5k 5 Your
er.
²²²²²² 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 E5 5
6
9
End Riff F
²²²²²²
5
6
gath
Gm7
10
7
7
8
10
7
8
10
10
7
7
6
8
8
7
²²²²²² 5 5 5 5 5 5 5 5 5 ²²²²²²
5 5 5 5 5 5 5 E5
9
5
7
7
8
5
7
5
End Riff F1
7
8
7
7
8
8
5
7
4
Gtrs. 5 & 6: w/ Riffs F & F1
Dm
5 G
5M
5
time
5k 5
5 is
5
pre - cious,
A7
G
5 5 5 5 5 5 5 5
5
-
ry,
5
5
they
ex
5 Mes
End half-time feel
G5 Gtrs. 5&6
º º º º
º º
5
5 5 5
Don’t
go
to
G 5 5
5 5
5 5
5 5
3 X 1
3
7 X 5
7
Gtr. 7
1
5
sleep
º 5 5 5 5 5 5
to - night,
5 5
5 5
12 X 10
12 10
dar - lin,’
5 5
5 5
15 X 13
14 X 12
'
si
no
plained,
5k 5 -
4
5k 5 -
ah’s
Dm
Gm7
5 5 5 com
-
º 0 º 5 5 5 5 5 5 5
D5
5
5
time
to
wor -
Gm
?
A
0
in’.
V
hold
5
Fmaj7
º BM
0
º 5
A/C#
º 4
^
5
G 4
º
-
5k 5
F
Bb
5
me in your arms.
0
5 5 5
º 5
These will be
our
BM BM
5 5 5 5
5 5
5 5
5 5
5 5
BM BM
5 5
7 X 5
9 X 7
9 X 7
7 X 5
9 X 7
10 X 8
9 X 7
10 X 8
10 X 8
15
Authorized for use by Joshua Olson
º
0
5 5 G fi - nal
V
D5
º
º
5 5 5
5 B
days,
I
and
0
º 5M
0
C/E
º
º
let
5 5
5 5
5 5
5 5
5 5
12 X 10
10 X 8
9 X 7
10 X 8
10 X 8
7 X 5
5 5
14 X 12
5 5
5 5 5 5
5 5
10 X 8
9 X 7
12 X 10
12 X 10
VIII
º º º º
5 5
5 BM can’t
5 G 5
F5
A/C#
º
'
º
º
B
º
5M
5
go.
5 5
5 5
5 5
5 5
5 5
15 X 13
15 X 13
14 X 12
12 X 10
10 X 8
5 5 E5 E5 5 5 55 55 5 5 5 E5 5 5 6 X 4
9 7
9 X 7
12
12 X 10
10
15
15 X 13
13
18 16
Interlude Half-time feel Gtrs. 5 & 6: w/ Riffs F & F1 Gtr. 7 tacet
Dm
Bb
0
G
F
0
A7
0
0
0
0
End half-time feel Gtr. 3: w/ Riff A
Dm
Gm7
Fmaj7
Gm
A
Dº 8v a
Gtr. 1
G
E55 55 !55 E55 5 5 5 3
0
0
0
?
4
6
Gtr. 2 divisi
8v a
13 15 14 15 17 14 15 17 14 15 17
Gtr. 4
G
0
0
0
5 5 5 5 5 5 E5 5 5 5 5 5 5 5 5 5
9
16
Authorized for use by Joshua Olson
10
9
12
9
12 11 12
10
12
9
12
9
12
11
12
End double-time feel
Double-time feel
D5
²²²²²²²²²²²²²²²²²²²²²²²²² BM 55 55 BM = G ²²²²²²²²²²²²²²²²²²²²²²²² Gtr. 2
Gtrs. 1 & 2 tacet
8v a
Gtr. 1
8v a
1
0
0
0
²²²²²²²²²²²²²²²²²²²²²²² 1/2
15 17
15 17
²²²²²²²²²²²²²²²²²²²²²²²² ²²²²²²²²²²²²²²²² 55 5 5 5 5 =
G
4
f *w/ delay 2
²²²²²²²²²²²²²²²²
²²²²²²²²²²²²²²²²²
1
18
18
18
²²²²²²²²²²²²²² 5 5 5 5 5 5 =
²²²²²²²²²²²²²²²²² 5 5 =5 5 5 5M
8v a
Gtr. 11 (dist.)
2
17
17
²²²²²²²²²²²²²²
17
1
18
18
18
²²²²²²²²²²²²²²²² = 5 5 5 5M ²²²²²²²²²²²²²²²² 17
17
*Set for one repeat.
²²²²²²²²²²²²²²²² 5 5 5 5 5 =
G
4
f **w/ delay 1 1/2
15
²²²²²²²²²²²²²²²²
1 1/2
1/2
15
13
13
13
5 5 5 =
5
²²²²²²²²²²²²²²
1
15
15
5 5 ²²²²²²²²²²²²²² 5 5 5 =
²²²²²²²²²²²²²² 5 5 E5 5 5 5 5 =
5
Gtr. 12 (dist.)
E5
²²²²²²²²²²²²²²
²²²²²²²²
1
15
15
13
5²²²²²²²²²²
1/2
13
**Set for one repeat.
8v a
5M 5M
Gtr. 3
G Gtr. 4 divisi
8v a
²²²²²²²²²²²²²²²²²²²² 5M 5 5 5M 5 5M 5 5 5M 5 ²²²²²²²²²²²²²²²²²²²² ²²²²²²²²²²²²²²²²²²²²
18 14
15 10
15 10
²²²²²²²²²²²²²²²²²²²²
Gtrs. 5 & 6
G
= ? 5 5555 5 µ P.M. 0 0 0 0
0 0
17 18
²²²²²²²²²²²²²²²²²²² 55 55 55MM 55 ²²²²²²²²²²²²²²²²²²²
5M 5M
²²²²²²²²²²²²²²²²²²²
13 15
13 15
²²²²²²²²²²²²²²²²²²² = ? 5 5555 5 µ P.M. 0 0 0 0
0 0
²²²²²²²²²²²²²²²²²²² 5 5 5M 5 5 5 5M 5 ²²²²²²²²²²²²²²²²²²² ²²²²²²²²²²²²²²²²²²²
18 14
15 10
15 10
²²²²²²²²²²²²²²²²²²²
= ? 5 5555 5 µ P.M. 0 0 0 0
0 0
55MM
17 18
²²²²²²²²²²²²²²²² 55 55
55 55
²²²²²²²²²²²²²²²²
²²²²²²²²²²²²²²²²
13 15
13 15
5 5 5 5
20 17
20 17
²²²²²²²²²²²²²²²² = = 5 5555 5 55 5555 µ P.M. P.M. 0 0 0 0
0 0
0 0
0 0 0 0
17
Authorized for use by Joshua Olson
Gtrs. 11 & 12 tacet
G
D5
5
3. Walls
k BB k
5
5
are
fall
-
5
5
ing,
church
8v a
5
- es
turn
-
5
5
ing,
wom
2
5 -
-
2
5
aged,
chil
-
en
rav
=
4
?
5 5
5 5
5 5
B B
grad. bend
Gtr. 3
G
5
5
5
dren
cry
-
ing.
grad. bend
Gtr. 4 8v a
kk 2017
1 1/2
20 17
Gtrs. 5 & 6
G
5
5 5 5 5 µ P.M. 0
0
0
0
5 5
6
5 5 P.M. µ
5
0
0
5 5
5
5 5
5
P.M.
3
5
5 5 5 5 µ
3
5 5 P.M. µ
P.M.
P.M.
1
0
5 5
1
0
3
0
0
0
6
0
5
0
5 5
5
5
P.M.
P.M.
8
0
10
10
0
5 5
12
0
10
12
D.S.S. al Coda 2 Gtrs. 3 & 4 tacet
5
5
5
Flesh
is
tear
G
-
5
5
5
5
ing,
some
still
fight
Dm
5 -
ing
Gtr. 5 & 6
G
5
in
this
Gm
5
5
world
of
5 5 5 5 µ
5 5
5 5 µ
0
0
0
5 5
P.M.
6
5
0
0
5
5 5
P.M.
3
5
0
55 !55 55
5 5
5
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from Avenged Sevenfold - City of Evil
M.I.A. Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker Bb5
F5
Am
Bb 7fr
134
1 11
G5
A5
114
5fr
Drop D tuning: (low to high) D-A-D-G-B-E
5fr
114
Bb5 VIII
A/C#
11
311
111
134
134
Dm
Bbsus2
8fr
333
C5
D5 8fr
C/E
8fr 113
124
Intro Moderately fast q = 139 * Dm Riff A
G MM 5 Gtr. 1 (elec.)
Bb
5
5
5
5
5
5
mf
10
10
10
10
6
10
8 Riff A1
G MM 5 Gtr. 2 (elec.)
£
5
5
5
5
5
5
5
8
7
6
8
5
5
5
10
8
5
5
6
5
5
5
5
5
5
5
5
9
9
7
5
mf
M M
5
w/ clean tone let ring throughout
M M
£
C
5
5
5
5
0
1
5
5
5
5
5
w/ clean tone let ring throughout
6
5
6
7
3
7
5
3
3
5
1
5
5
3
*Chord symbols reflect implied harmony.
Verse Gtrs. 1 & 2: w/ Riffs A & A1 (2 times)
G
F
A7
0
MM
0
Dm
5k 5
5 5
1. Star - ing
= G 5 =7
5
10
G 5
5
3
2
5 7
5
5 E5 9
E5 2
3
11
5 3
5
MM
10
M M
End Riff A
MM
End Riff A1
5 2
at
Bb
5
5
5 5 5
the
car
-
nage,
5 5
5
5
pray - ing that
the
sun
5
5
5 5
would
nev - er
0
0
0
0
0
0
0
0
M M
© 2005 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHING All Rights Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
1
C
F
= 5
G B rise,
G
Bb
feel
liv - ing
an
5
ings
-
5
oth
-
-
Dm
5 5 5
5
er
in
day
5
can’t
5
5 5 5 5 5
be
right.
Dm
G 5 5 B
=
B
5
fight.
Oh, End Riff B
5 5 5 5 5 5
5M
5 5
mf w/ clean tone
10
8
10
8
10
Riff B1 Gtr. 4 (elec.)
5 5 5 5 5 5 G
8
5M
5
6
5
6
5 5
5
5k 5 5 5 -
5
age
to
A7
5
5
5k 5
stand
up
and
C
5 5 B
B
5 5 5 5M
5 5 5
²²²²²²²²²²²²²²²²²²²²²²²² BM
8
8
-
to
5 5 5 5 5 5
5
8
8
10
8
10
8
10
5
10
End Riff B1
mf
6
cour
your
10
w/ clean tone
5
me
4
These
5k 5 M
5 4
5B 5
5
guise.
Bb
Riff B Gtr. 3 (elec.)
8
-
5 5 5
F
Lend
G
dis
5
C
5k 5 5
5k 5 M
5
5k 5
A7
5k 5 5
5k 5 M
5 5 5 5 5 5
5
5
5
6
5
6
5
6
5
7
7
10
night.
²²²²²²²²²²²²²²²²²²²²²²²²
5 5
²²²²²²²²²²²²²²²²²²²²²²²² BM
5
5
6
²²²²²²²²²²²²²²²²²²²²²²²²
Gtrs. 3 & 4: w/ Riffs B & B1
F
G B
4
Dm
A7
0
0
5
5
B
5
5
B
5
Oo.
G
5
5
5
5M
5
5
5
5
E5
5
*Gtr. 5 (elec.)
5
5
5
5M
5
12
10
5M
5
9
7
mf w/ dist. 1
10
8
10
10
8
11
10
1
5
1
9 12
12
12
*Two gtrs. arr. for one.
G 5
5
5
5M
5
5
5
5
5
5
5
**Gtr. 6 (elec.)
5
mf
7
6
6
5
8
6
5
1/2
w/ dist. 1/2
5
5
5 1/2
5 9
9
**Two gtrs. arr. for one.
2
Authorized for use by Joshua Olson
9
5
C
Bb
BM
5 B G 5
Gtr. 3
G
5 5 5 5 5 5
5
8
8
10
8
10
8
10
5M
5
G
5 5 5 5 5 5
1
1
13
Gtr. 4
G
13
5
5
5
5
5
6
5
6
G
5 5 5 5 5 5
1/2
1/2
10
10
10
5 5
12
5
14
5
5 5
5
5
8
10
5
5
5
10
12
14
²²²²²²²²²²²²²²²²²² BM 5
5
5
5
6
5
5
5
7
9
10
8
10
²²²²²²²²²²²²² B 5
BM
5
5M
5 5
10
8
5k 5M
12
12
²²²²²²²²²²²²²²²²²²
5
5
6
5 5
5 5
5 5 5
Stand
up
and
E5
5
5
9
10
12
E5
5
5
5
7
²²²²²²²²²²²²² B 5
15
13
14
15
17
5M
5 5
5
5
E5
6
5
5
6
9
5 5
5
5
E5
10
10
11
14
5k 5M
²²²²²²²²²²²²²
1/2
10
²²²²²²²²²²²²²²²²²² BM 5
13
10
7
Gtr. 6
5
A7
²²²²²²²²²²²²² 13
5 5 5 5 5 5
6
5
8
1
13
B
²²²²²²²²²²²²²²²²²² 10
Gtr. 5
5 5
5 5
F
10
10
7
9
10
9
9
11
3
Authorized for use by Joshua Olson
Interlude Faster q = 165 Gtrs. 1–4 tacet
Dm
G 5 5 5 5
BM
MM
* Dm
Bb
C
0
0
0
fight.
Gtr. 3
G
5 B E BM
BM BM
²²²²²²²²²²²²²²²²²²²²²²²²²
Gtr. 6 divisi
1/2
13 14
²²²²²²²²²²²²²²²²²²²²²²²²²
Riff C
MM 4
Gtr. 5
5 5 5
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² ²²²²²²²²²²²² 5 5 5 5 5 ' 5 = = ²²²²²²²²²²²²
M M
10
12
10
10
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² 10
10
11
12
²²²²²²²²²²²²²²²²²²²²²²²²² Riff C1 BM Gtr. 6 Gtr. 5 5BM B ²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² BM ²²²²²²²²²²²² 5 5 5 5 5 5 5 5 M = = 5 ' G M 4 ²²²²²²²²²²²²²²²²²²²²²²²²
Gtr. 4 divisi
1/2
10 17
Gtr. 1
G 5
BB
BBMM
²²²²²²²²²²²²
M M
7
9
10
10
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² 7
10
8
9
Rhy. Fig. 1 Gtr. 7 (elec.)
MM 55 55 5 5 5 22 5 5 5 5 5 5 22 5 5 5 5 5 2 5 5 5 5 5 5 2 55 5 5 5 f
M M
10 10 8
Gtr. 2
G 5
BB
BBMM
P.M.
w/ dist.
7 7 5
7 7 5
10 X 8
10 X 8
10 X 8
X X X
3 3 1
3 3 1
7 X 5
9 X 7
10 X 8
X X X
2 3
MM 55 55 5 5 5 22 5 5 5 5 5 5 22 5 5 5 5 5 2 5 5 5 5 5 5 5 5 5 2 55 f
5
3
µ
2 3
3
µ
P.M.
3
3
2 3
3
P.M.
2 3
3
3
3
Rhy. Fig. 1A Gtr. 8 (elec.)
M M
7 7 5
7 7 5
55 5 5 55 5 5 55 5 5 55 5 5 µ
P.M.
w/ dist.
6 7
55 5 5 55 5 5 55 5 5 55 5 5
7 X 5
9 X 7
10 X 8
X X X
3 3 1
3 3 1
3 X 1
*Chord symbols reflect overall harmony.
4
Authorized for use by Joshua Olson
5 X 3
7 X 5
X X X
2 3
3
3
µ
P.M.
2 3
3
3
2 3
3
3
P.M.
2 3
3
3
A
Bb
Dm
²²²²²²²²²²² 5 5 55 5 5 5 5 = G ²²²²²²²²²²² 12
5 5 5
10
12
10
10
10
10 11 X
10
10
12 10 12
10
10
10
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1/2
9
9
10
7
7
7
9 10
10
55 55 55 5 5 5 22 5 G 5 5 5 5 2 5 5 5 5 5 5 5 E 5 2 5 5 5 5 5 5 2 55 P.M.
2 3
µ
2 3 3 3
P.M.
µ
2 3 3 3
X X
7 7 5
7 10 7 X 5 8
10 10 X X X X 8 8 X
3 3 1
55 55 55 5 5 5 22 5 G 5 5 5 5 55 5 5 55 E 55 22 5 5 5 5 5 5 2 55 P.M.
2 3
µ
2 3 3 3
P.M.
µ
2 3 3 3
7
10
8
X
7
55 55 55 5 5 55 5 5 5 5 5 5 5 5 5 µ
3 3 1
7 X 5
9 X 7
10 X 0 8 0
X X
7 7 5
7 7 5
7 X 5
9 10 X X X X 7 8 X
3 3 1
55 55 55 5 5 5 5 5 5 5 5 5 5 5 5 5
3 3 1
3 X 1
5 X 3
7 X 5
0 0
µ
0 0
7
9
10
11
5 5 5 55 5 5 5 5 5 5 5 5
7
5 3
End Riff C1
5 55 5 5 5
MM
1
12
10
11 15
M M
15
3 3 3
3 3
3 3 1
P.M.
3 3 3
3 3
5 5 5 5 5 5 5 MM 5 5 5 55 5 5 µ
P.M.
5 5 5 55 5 55 55 55 5
5 3
55 5
P.M.
P.M.
5 5 3
10 7
M M
13
End Rhy. Fig. 1
P.M.
5 5 3
0 0
P.M.
2 4
10 9
MM
1
10 13
²²²²²²²
P.M.
2 4
End Riff C
5 55 5 5 5
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²²²²²²²²²²² 12 9 10
12
Bb5
²²²²²²²²²²² 5 5 5 5 5 2 5 5 5 5 5 5 5 ²²²²²²² 5 5 =
1
12
F5
C5
3 1
55 5
3 1
3 1
3 1
3 1
3 1
End Rhy. Fig. 1A
55 55 55 55 55 55 55 MM µ
P.M.
3 3 1
M M
3 1
3 1
3 1
3 1
3 1
3 1
3 1
3 1
M M
5
Authorized for use by Joshua Olson
Verse Gtrs. 5 & 6 tacet
D5
D5
µ
5k 5
G 4
2. The
5 5
5
5 5
5 5 5
5
fight - ing
rag
-
on
on.
es
Gm
µ
and
5 5k 5M
B
?
4
B
5M
5
Rhy. Fig. 2 *Gtrs. 7 & 8
G 5 5 4 5 5 5 5 0 0 0
?
?
4
55 55 5 5 0 0 0
0 0 0
0 0 0
= 5k 5
7
8
5 5 5 5 5 5 5 55 5 7
5
5
8
5
5
5 5 5
*Composite arrangement
µ
G 4
5
5 5
5
To
chal - lenge
me
G
5 5 you
5 5 5
0
5
be
must
µ
C5
F5
5 5 B
4
55 55 4 5 5
= k 5 5
0
strong.
0
4
5 5 3
5 5 3
2
3
5 5
5 5 5
2
5
3
End Rhy. Fig. 2
5 5 5
3
Gtrs. 7 & 8: w/ Rhy. Fig. 2
D5
G 4
µ
5k 5 I
D5
5
5
walk
your
5
5
land,
5 but
5
5
don’t
5
5 be
µ
-
5 Two
5
5
mil - lion
5
5
sol
-
5 diers
5
5
can’t
B
5
4
?
long.
µ
G 4
5
Gm
5k 5M
5
5
be
wrong.
C5
µ
5
5
6
Authorized for use by Joshua Olson
F5
5
5M
5
B
B
2
3
C Pre-Chorus Ab5 G5
2
=
< < =
Riff D *Gtr. 9 (elec.)
G 4
Ab5 G5
D5
2 5 5 5 5
5 5 5 5 5 5
^
kB G ?
F5
**
F5
D5
I’m far from home I take their lives
fun, but I’ve been here be - fore, side, sol- diers on the oth - er
It’s no So man - y
<
=
0
5 5 5 5 5 5
5 5 5 5 5
B
<
< <
=
4
and I’m fight - ing your war. so they can’t take mine. End Riff D
=
0
f w/ dist. P.H.
3
P.H.
1
3
1
3
Pitch: Eb *Two gtrs. arr. for one.
3
C End Rhy. Fig. 3
Rhy. Fig. 3 Gtrs. 7 & 8
G
!5 5 5 5 5 5 5 5 5 5 5 5 !5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 55 5 5 5 5 5 (cont. in slashes) µ P.M. µ 1 1 P.M. 6
5
0
3
0 0
3
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
6
5
0
3
0 0
3
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
**Upstemmed voc. sung 1st time only.
Bb5
F5
º º º º º ¼ º º º º º º º ? 5 5 5 5 5 5 5M B ¯ 5¯ 5 5 5 ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯M G Gtrs. 7&8
Not
the
Scared to Riff E *Gtrs. 5 & 6
G 5 5 3 X 1
way
I
pic
make
it
out
a - live,
5 5
5 5
5 5 5 55M 5 5 5 M
10 X 8
10
5 5 5 5 5 5 5 5 5 X 3
7 X 5
7 5
9 X 7
-
8
tured this,
12 X 10
14 X 12
I now
14 12
17 X 15
Am
Bb
º º º º º ¼ º º º º 5 5 5 5 5 B 5 5 ¯ ¯ ¯ ¯ ¯ ° ¯ ¯
want - ed
bet
mur - der’s
all
-
ter
things.
I
know.
5 5
5 5 5 5 5 5 5 5
13 X 10
15 X 12
17 X 14
17 14
20 X 17
5 5
18 X 15
5 5
º º º B °
5 5 5 5 5 5 18
15
15
12
15 X 12
5 5
End Riff E
15 12
*Composite arrangement
Gtrs. 5 & 6 tacet Gtrs. 7 & 8: w/ Rhy. Fig. 3 Gtr. 9: w/ Riff D
Ab5 G5
G ?
F5
D5
4
5 5
5
5 5 5 5 5 5
Ab5 G5
F5
B
Some are scared, oth - ers kill - ing for fun, No - bod - y tells me all the rea - sons we’re here,
D5
5 5 5 5 I shot a I have my
5 5 5 5
5 5 5 5
moth - er right in front of her son. weap - on so there’s noth - ing to (2.) An -
7
Authorized for use by Joshua Olson
Gtrs. 5 & 6: w/ Riff E
F5
Bb5
5 5 5 ?5 5 B G ¯ ¯ ¯ ¯ ¯ Take this fear. oth - er Gtrs. 7 & 8
G 55 5
from
my
day,
an
5 ¯
-
3 3 1
3 3 1
3 3 1
3 3 1
X X X
Am
-
oth
-
scious - ness er
-
my
dreams.
real
to
show
55 55 55 5 5 5
5 5 5 5 2 5 5 5 5 5 2 55 5 5 5 5 2
3 3 3
10 7 7
10 7 7
3 3 3
B °
rase
5 5 5
3 3 3
3 3 3
3 3 3
5 5 5 5 5 ¯ ¯ ¯ ¯ ¯
noth - ing
but
55 55 55 5 5 5
3 3 3
please e
and
life,
Bb
5 5 ¯ ¯
5 5 5 5M ¯ ¯ ¯ ¯M
con
55 55 55 55 22 5 5 5 5 5 2 55
3 3 1
5 ¯
10 7 7
10 7 7
10 7 7
X X X
B °
for.
5 5 5 5 5 = 4 5 5 5 5 5 5 5 5 5 5 (cont. in slashes)
12 8 8
12 8 8
12 8 8
12 8 8
12 8 8
Chorus
D5
Gtrs. 7&8
G
º ¯5
º º º º ¼ º º º º º º º ¯5 ¯5 ¯5 ¯5 °B ¯5 ¯5 ¯5 ¯5 for
Fight
hon
-
or,
5 5 5 G 5 5 5 5 5 µ P.M. µ P.M. 7
7
7
5
7
3
1
3
A5
º
¯5 ¯5 ¯ ¯ ¯5 5 5
though we
won,
I
to
Pray
3
1
3
3
3
God
that
our
¯5 ¯5 ¯5MM
¯5
still
3
5
5
5
3
5
º º º º
5¯ 4
side
5
5 P.M.
5 3
3
5
7
5¯¯5 ¯5
is
right. E - ven
5
5 5 µ P.M. 3
3
3
5
5 P.M.
7
3
C5
Bb5
º º º º ¼ º º º ¼ º º º º
G 5¯ ¯5
º º º º ¼ º º º º ¯5 ¯5 ¯5 ¯5 5¯ 5¯ ¯5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 µ µ µ P.M. P.M. P.M. P.M.
7
G5
F5
º ¯5
for your life.
fight
Gtr. 6
5
C5
Bb5
Rhy. Fig. 4
End Rhy. Fig. 4
¯5
º º º º º º º º º º º º º º º 4 = ¯5 ¯ ¯5 ¯5 ¯ °B ¯5 ¯5 ¯5 ¯5 ¯5 5 5 5¯
un - til
may lose
I
make
it
home
to
you I
Riff F
G
5
P.M.
5
5 µ 5
5
5 P.M.
8
5
5
5
5 µ 5
5
5
5
5
5
5 5
P.M.
8 7
7
5
5
P.M.
10 8
8
5 P.M.
12
8
5 5 µ
10
10
5
14
8
Authorized for use by Joshua Olson
5 5 5 µ P.M. 10
10
10
5
5 P.M.
14
10
5 5 µ
10
10
5
End Riff F
5
5 5 5
P.M.
14
10
1/2
14
14
1st time, Gtrs. 7 & 8: w/ Rhy. Fig. 4 2nd time, Gtrs. 7 & 8: w/ Rhy. Fig. 4 (1st 6 meas.)
¯ G 5
¯5 ¯5 ¯5 ¯5
D5
our
see
G 5 5 P.M. µ
12
12
5
moth - ers
5
5
P.M.
15
¯5
Bb5
12
12
5
¯5 ¯5 ¯5MM
filled
5
µ
12
¯5
5
with
5 5
5
P.M.
15
8
8
12
tears.
5 5 5 µ P.M. 8
8
8
¯5 Grow
up
5
5
¯5 ¯5 ¯ ¯ ¯5 5 5
G5
A5
G 5¯ ¯5 Mem - o
-
ries
won’t let
¯5
¯5 ¯5 ¯5MM Bb5
you
12
8
10
¯ 5¯ 5¯ 5
so
5
µ
10
5
5
5
5
µ
P.M.
14
10
10
10
¯5
5
5 5
did
where
fast,
¯5
F5
5
¯5
5¯
5¯
those
years
go?
5
P.M.
14
3
3
7
5 5 5 µ P.M. 3
3
3
5
5 P.M.
7
3
;
¯5
¯5 ¯5 ¯5 ¯5 ¯5
¯5 ¯ 5
less
re - turn
C5
un -
cry,
5
P.M.
T o Coda Gtr. 6: w/ Riff F
¯5 ¯ 5
C5
I
don’t
¯5
¯5 ¯ ¯5 ¯ ¯ 5 5 5 to - night.
Interlude Gtrs. 5 & 6: w/ Riffs C & C1 (2 times) Gtrs. 7 & 8: w/ Rhy. Figs. 1 & 1A (2 times)
°BMM G Dm
G
G
Bb
4
0
Dm
0
C
0
Bb
Bb
0
C5
0
0
F5
C
0
A
Dm
A
Dm
0
Bb5
0
0
0
D.S. al Coda
G
0
Bb
0
C5
F5
0
Bb5
0 9
Authorized for use by Joshua Olson
; Coda
Verse Half-time feel D5
C5
Bb5
º º º ºM 4 5 5 5 5M
º º º ºM
Rhy. Fig. 5
¯5 ¯5 ¯5 ¯5 ¯5 G I
less
don’t
¯5 ¯ ¯5 5
¯5 ¯5 ¯5 ¯5 ¯5
re - turn
to - night.
Gtrs. 7&8
ºM
° B5
the
3. Star - ing at
G
0
-
5 5 5 5M 5 5 5
Riff G Gtr. 5
0
1
12
1
12
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 3
5 3
5 3
5 3
5 3
C5
5 5 3
5 5 3
9
12
D
9
13
10
1
13
1
13
5 5 5 5 5 5
5 5
1/2
1/2
9
the
5 5 5 5 5 5 1
12
9
r
F5
pray - ing that
1
55 55 55 55 55 55 5 5 5 5 5 55 55 5 5 5 5 5 5 5M 5 5 5 5 5 5 5 5 5 5 5 5 5 (cont. in slashes) 1/2 1/2 1/2 µ P.M.
G 555
nage,
5 5
Riff G1 Gtr. 6
Gtrs. 7 & 8
5
5 5
car
ººº 5 5 5
10
7
10
1/2
10
Gtrs. 7 & 8: w/ Rhy. Fig. 5
A5
A/C#
D5
open
º º º ºM 5 5 5 5 BM G sun would nev - er
G
5
rise,
²²²²²²²² 5 5 5 5M 5 5
M º ººº 5 5 5k 5 liv - ing
5 5
an
5
-
M º ºº5 º º º 5k 5M 5k 5 5 5 5 5 5
End Rhy. Fig. 5
oth -
5M
²²²²²²²²
13
G
º ºº
5
10
12 14
12
12
12
²²²²²²²² 5 5 5 5M 5 5 7
9
10
9
9
5 5
day
in
5 5
dis
-
E5
12
14
15
5 5
5
15
13
5M
5 5
15
14
5 5
14
5
9
10
12
11
10
10
Authorized for use by Joshua Olson
12
10
10
5
guise.
5 5 5 5 5 5 5M
12
1
12
9
12
1/2
9
These
5 5
1
12
5 5 5 5 5 5 5M 1/2
9
? BM
5 5 5
1
²²²²²²²²
10
er
5
10
5 5
1/2
9
9
7
5k 5M
Bb5
G
5k 5
feel
G
5
ings
-
5 5 5 5 5 5 1
1
13
G
5
13
10
13
1/2
10
5 5 5 5M
5
can’t
be
right.
5
5 5
²²²²²²²²²²²²²²²²² B 5
5
13
10
5
12
14
12
5 5
5
12
²²²²²²²²²²²²²²²²² B 5
F5
A5
5k 5 ¯ ¯
5 5 ¯ ¯
Lend
me
your
cour
5
5
5
5M
5 5
12
14
15
15
13
13
14
15
5M
5 5
5
5 E5
11
10
10
11
age
to
5 ¯
stand
up
E5
5
5 ¯
5 ¯
-
5 ¯
A/C#
5 ¯
5
5
5
9
10
12
²²²²²²²²²²²²²²²²²
1/2
10
5k 5 M ¯ ¯M
5 ¯
and
5
End Riff G
²²²²²²²²²²²²²²²²²
1
5 5 5 5 5 5 1/2
5
C5
10
7
9
10
9
9
10
17
End Riff G1
14
Bridge Gtrs. 5 & 6 tacet
D5
52 5 5 5 2 4 4 ^
fight. Watch - in’ the
Gtr. 5
G
5 5
5
death toll
rise,
^
G
5
5 5 5
won - der - in’
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² BB BB 55
E 55
5
5
how
I’m
a
0
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
Gtr. 6 divisi
5
5 5 B -
B
5
live.
0
0
0
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
1/2
*
17 14
17
14
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
*Gtr. 5 to left of slashes in tab. Rhy. Fig. 6 Gtrs. 7 & 8
5 G 55
12 12 12
55 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 µ µ P.M. P.M.
55 5
12 12 12
12 12 12
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
55 5 5 5 5 5 5 5 5 5 µ P.M. 0 0
0 0
0 0
0 0
12 12 12
5 5 5 5 5 5 5 5 µ P.M. 0 0
0 0
0 0
0 0
4
5 5 5 5 5 5 5 5 µ P.M. 0 0
0 0
0 0
0 0
4
5 5 5 5 5 5 5 5 µ P.M. 0 0
0 0
0 0
0 0
11
Authorized for use by Joshua Olson
C/E
F5 Gtrs. 7&8
G
BM
BM 5 5 4 =¯ ¯
5 ¯
º
ºººº
º
5 ¯
5 ¯
5 ¯
B °
5 ¯
on
my
hands,
I’ve
Stran - gers’ blood
Gtr. 6
Gtrs. 7 & 8
G 4
Bbsus2
Bb5 VIII
5 5 5 5 5 55 555 55 5 5 5 5 5 5 5 µ (cont. in slashes) P.M.
5 55
5 5
ºººº
5 5
5 5
11 15 11 0 0
0 0
0 0
0 0
3 3 3
2 3 2
0 0 0
8 8
ºººº
º
5 ¯
5 ¯
5 ¯
BM °M
shot
all
I
can.
5 5
5 55
5 5
11 15 11
10
8
12
5 55
º
8
ººº
5 5
5 5
11 15 11
10
8
12
End Rhy. Fig. 6
8
11 15 11
10
8
12
8
10
12
Gtr. 6 tacet Gtrs. 7 & 8: w/ Rhy. Fig. 6
D5
5 5 5 5 G There are no
5 5
5 5 5 5
5
5 5 B
5 5 5
si - lent nights watch - ing your
broth - ers
B
5
5 55
C/E
BM
BM 5 5 5 4 =¯ ¯ ¯
die...
all
...to
Bb5
Bbsus2
stroy
Gtr. 6
G
5 5
5 ¯
5 ¯
B °
5 ¯
all
their
plans
with
5 5
5 55
5 5
5 5
5 55
de -
Dm Gtrs. 7&8
5 G ¯
F5
º ºººº º ºººº
5 ¯
5 ¯
5 ¯
BM °M
BMM ° °M
no
thought
of
me.
No
5 5
5 5
5 55
5 5
5 5
5 55
5 5
5
5 5¯ ¯ ¯ ¯
¯5 ¯
5 5
5
let ring
11 15 11 8 8
12
11 15 11
10
8 8
12
11 15 11
10
8 8
12
11 15 11
10
8 8
12
12
Authorized for use by Joshua Olson
10
12
10
10
10
10
10
µ
End half-time feel
F5
C/E
A5
º º º º º º º º º º º º º º º º º º º º º º º º º 5¯ B° 5¯ B° MM B° 5¯ B° MM 5¯ ¯5 ¯ ° ¯ ¯ ° ° ¯ M M ¯ G ° thought
5
5
5
5 G
of
5
me.
5
µ
let ring
13
12
14
12
13
12
5
5
5
5
5
5
5
5
15
13
14
13
E °°55
!55
5
E5
B
µ
55
14
14
15
º 4
(cont. in notation)
12
13
14
º
(No thought
5
let ring
13
º
A/C#
of
5
15
Guitar Solo Gtr. 6 tacet
D5
G
0
^^
BB
Bb5
0
?
me.)
5 5 5 5 5 5 5 G E5 Gtr. 10 (elec.)
5
²²²²²²² 5M 5
8v a 5 5 5 5 5 5 5
3
f
1
w/ dist.
11
12
10
10
10
12
10
10
13 13
15
13
15
5 5 5 5 5 5
²²²²²²
13 15 16
0
13
20
18
18
19
19
15
5 14
Rhy. Fig. 7
G 555 555 4 Gtrs. 7 & 8
?
4
5k 5
=
7 7 5
7 7 5
7
55 55 4 5 5
5 5 5 5
8
7
5
3 3 1
3 3 1
7
?
loco 8v a 5 ! 5 5 5 ²²²²²²²²² 5 5 5 5 loco 5 5 5 5 5 5 ²²²²²²²² 5 ! 5 5 5 ! 5 5 5 !5 5 5 5 5 5 5M 5 5 5 5 5 5 5 G 5 5
C5
8v a
²²²²²²²²
3
14
G
13 11 8 10
5 5
5
3
1
5
13 10
5 3
13
10
12
5
9 10
12
10
5 5 5
55 5
55 5
1
5 5 3
5 5 3
3
5
9 12 14 13 14
4
20
20 17
4
18 19
20 17
55 5
55 5
5 5 3
5 5 3
17 19
20
20
20
12
²²²²²²²²²
15 13
15 12
12
' ' '
13
Authorized for use by Joshua Olson
A/C#
A5
5 5 E5 5 5
5
5
G E5
A7/E
5
8v a
5
5
5
3
3
E5
5
5
5
5
5
5
5
1
1/2
9
11
10
9
10
12
10
12
17
5
3
3
3
5
17
17
14
14
15
15
17
17
17
20
20
End Rhy. Fig. 7
G 55 5
E 55
5
55
55
5
55
55
2 4
0
2 4
E55 5
5
P.M.
P.M.
2 2 0
55
55 5
55 5
55 5
6 5 7
6 5 7
P.M.
5 7
0
5 7
6 5 7
0
Gtrs. 7 & 8: w/ Rhy. Fig. 7
D5
loco 5 8v a 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 !5 G 6 6 8v a
Gtr. 10
6
3
3
1
20 18 17
17 17
17 19
17 17
19 17
20 17 20 17 20
17
19
20 19 17 20
17
18
19 17 17 17 19
18
17
18 18 17 18
17 20 17 17
18
²²²²²² 5 5 loco 5 5 5 5 5 5 5 5 5 5 5 5 E 5 ! 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 E5 5 5 5 5 5 5 = G 5 6 6 6 3 Bb5 8v a
3
3
²²²²²² 15
15
19
18
15 18 18 15 15
18
15 18 18 15 15
22
18 18
22 19 19
18 18
19 17 17
²²²²²²² 5 5 = G C5
1
5 5 5 !5 5 5 5 5
15 17 15 17 17
15 17 15 14 15 13 14
5 5 5 5 8v a 5 3 5 5 5 5 5 5 !5 5 5 5 5 5 5 5 !5 5 5 5 3 3
²²²²²
15 15
12
14
12
13
12
13
12
15
17
15
17
20
18 17 22 18 18 17 19 18
14
Authorized for use by Joshua Olson
18 16
16 15
16 13 17
16 13
15
A5
A/C#
8v a
G E5
17
18
loco
G
14
14
8v a
G
5
5
17
17
5
E55
5
18
5
5
12
15
5
5
5
13
13
5
5
5
5
17
17
E5
5
14
14
11
5
5 !5 E5
5
14
15
14
15
5
5
5 E5
5
5
14
15
12
14
15
5
5
5
5
14
14
15
17
E5
5
5
11
11
12
17
13
Gtrs. 9 & 10 tacet
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² BBMM 55 ²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
D5 Gtr. 9
5
18
20
E5
!5
Gtr. 10
5
5
5
Gtr. 9
A7/E
Bb5
=
4
?
5
5
5 5
5 5
5 5
13
12
10
13
10
5
5
0
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
Gtr. 10 8v a divisi
1/2
*
16
16 12
12
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
*Gtr. 9 to left of slashes in tab.
Gtr. 6
G
5 5 Riff H1
5 5
13
10
12
5 5 Riff H
Gtr. 5
G
10
5 5
13
10
10
12
10
5 5
5 5
13
5 5
10 10
10
5 5
13
10
10 10
Rhy. Fig. 8 Gtrs. 7 & 8
5 5 G 55 5 5 55 5 5 55 5 5 55 5 5 55 µ µ P.M. P.M. P.M. 7 5
5
5
7 7 5
5
5
7 5
5
5
7 7 5
5
5
7 5
10
5 5
5 5
13
10
12
10 10
13
13
12
5 5
5 5
10
10
5 5 5 5 5 55 5 5 55 5 5 55 55 µ µ P.M. 5
5
7 7 5
5
5
7 5
5
5
5 5
7 7 5
3 3 1
5 5
5 5 10
13
11
11
12
10
5 5
5 5
13
5 5
10 10
11
5 5
13
11
10
55 5 5 5 5 5 55 5 5 55 5 5 55 5 5 µ P.M. µ P.M. P.M. 1
1
3 3 1
1
1
3 1
1
1
3 3 1
1
1
15
Authorized for use by Joshua Olson
Gtr. 6
G
Gtr. 5
G
5 5
13
12
5 5
10
5 5
5 5
5
10
13
12
10
5 5
5
11
5 5
13
11
10 10
13
C5
5 5
15
13
5
5 5
12
11
Gtrs. 7 & 8
5 5 G 5 5 5 5 55 5 5 55 5 5 55 µ µ P.M. P.M.
55 5
3 3 1
5 5 3
3 1
1
1
3 3 1
1
1
3 1
1
1
A5
5
8v a
5 5
5 5 12
15
13
15
13
13
12
5 5
5 5
12 12
5 5
5 5
15
13
13
13
12
5 5
5 5
15
5 5
12 12
13
5 5
15
13
5 5
5
15
13
12
5 5
5
12 12
15
13
5 17
5
13
55 55 55 55 55 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 µ µ µ P.M. µ P.M. P.M. P.M.
55 5
5 5 3
2 2 0
3
3
5 5 3
3
3
5 3
3
3
5 5 3
3
3
5 3
3
3
5 5 3
3
3
5 3
3
3
Gtrs. 5 & 6: w/ Riffs H & H1 Gtrs. 7 & 8: w/ Rhy. Fig. 8
A/C#
A7/E
²²²²²² 5 5 5 5
5 5 5 5 5 5
5
5
5
17
18
17
17
12
5 5 5 5 5 5 G
5
5 E5
²²²²²² 5 5 5 5
13
13
10
8v a
G
13
18
15
15
12
17
13
15
G 55 55 55 5 5 5 5 5 5 E5 5 5 5 2 2 0
2 2 0
0
2 4
2 4
0
5 7
Bb5
²²²²²²
15
55
0
0
0
0
0
15
²²²²²²
12
12
5
E55 55 55 55 5 5 5 5
P.M.
5 7
0
End Riff H
9
P.M.
P.M.
13
End Rhy. Fig. 8
55
D5
End Riff H1
0
6 5 7
6 5 7
6 5 7
16
Authorized for use by Joshua Olson
C5 Gtr. 10
G
0
0
A5
0
A/C#
0
A7/E
0
?
4
5 =
12
D5
Bb5
Rhy. Fig. 9 Gtrs. 7&8
º º º
º º º
0
= ?
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² 5²²²²²²²²²²²²²²²²²²²²²²² BM 5 BM 5 G
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² ²²²²²²²²²²²²²²²²²²²²²²²² 5 BM 5 5 BM
Riff I
8v a
Gtr. 5
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
13
13
²²²²²²²²²²²²²²²²²²²²²²²
17
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
10
17
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² ²²²²²²²²²²²²²²²²²²²²²² 5 BM 5 5 BM G Gtr. 6
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² ²²²²²²²²²²²²²²²²²²²²²²² 10
13
²²²²²²²²²²²²²²²²²²²²² 5 5 5 5 BM 5 5 5 5 5 5 G 10
13
6
6
10
5 5 5 5 5 5
10
12
10
10
13
10
²²²²²²²²²²²²²²²²²²²²²²²²² 5 B 5M 5k 5 = 5k
²²²²²²²²²²²²²²²²²²²²² 10
13
²²²²²²²²²²²²²²²²²²²²²²²²²²
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
13
Gtr. 10
12
²²²²²²²²²²²²²²²²²²²²²²²²²
10
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² ²²²²²²²²²²²²²²²²²²²²²²²²²² 5 BM 5 5 BM
Riff I1
8v a
10
0
= ?
²²²²²²²²²²²²²²²²²²²²²²²²² 11
11
10
10
11
13
13
6
6
8
17
Authorized for use by Joshua Olson
Gtrs. 7 & 8: w/ Rhy. Fig. 7 (last 2 meas.)
C5
º º º
¼ º
= 4
0
A5
²²²²²²²²²²²²²²²²²²²²²²²²²²² ²²²²²²²²²²²²²²²²²²²²²²²²²²²² 5 BM 5 5 BM G ²²²²²²²²²²²²²²²²²²²²²²²²²²²
End Riff I
²²²²²²²²² ²²²²²²²²²²²²²²
²²²²²²²²²²²²²²²²²²²²²²²²²²²²
15
12
15
12
5 5 G 8
²²²²²²²²²²²²²²²²²²²²²²²²²²²²
8
12
6
5
6
8 5
9
9
²²²²²²²²²²²²²
5
5
5
5
5
6
Gtrs. 5 & 6: w/ Riffs I & I1 Gtrs. 7 & 8: w/ Rhy. Fig. 9
²²²²²²²²² 5 5
D5 Gtr. 10
G
²²²²²²²²² 10
5 5
5 5 5 5 5
5
10
10
12
10
12
12
13
5
6
5 5²²²²²²²²²²² M 5
5
5
²²²²²²²²²²² 13
13
5 G
5
9
10
12
5
10
5
5
12
5
5
5
5
10
12
10
9
8
21
21
5
10
18
Authorized for use by Joshua Olson
9
10
9
8
18
5 5
5 5
10
11
²²²²²²²²²²²²²²²²²²²²²² 5 BM 5 = ²²²²²²²²²²²²²²²²²²²²²²
13
5
6
5k
18
5k
5
13
6
6
5 5 5 5
3
3
3
9
5 5 5
5
5 5
1
C5
5
15
15
Bb5
5 5 5 5 5 =
13
18
²²²²²²²²²²²²²²² ²²²²²²²²²²²²
12
12
6
1
10
18
²²²²²²²²²²²²² 5 5 5 5 5 5k 5 5 5M 5 5 E5 5
5 5
7
²²²²²²²²²²²²²²² ²²²²²²²²²²²²
15
²²²²²²²²² ²²²²²²²²²²²²²²
12
5 5 5 5 5k 5
15
²²²²²²²²²²²²²²² ²²²²²²²²²²²² ²²²²²²²²² ²²²²²²²²²²²²²² 5 5 5 5 5 5 5 5 5 E5 5
²²²²²²²²²²²²²²²²²²²²²²²²²²² ²²²²²²²²²²²²²²²²²²²²²²²²²²²² 5 5 5 BM G BM 8
12
End Riff I1
8v a
²²²²²²²²²²²²²²²²²²²²²²²²²²²
A7/E
²²²²²²²²²²²²²²² E²²²²²²²²²²²² ²²²²²²²²² ²²²²²²²²²²²²²² 5 5 5 5 5 5 5 5 5 5 5
8v a
12
A/C#
End Rhy. Fig. 9
5k
5
13
15
5
3
12
10
12
13
12
12
10
Gtrs. 7 & 8: w/ Rhy. Fig. 7 (last 2 meas.)
A5
A/C#
5 5 5 5 5 G 13
12
14
15
12
Interlude Half-time feel 2nd time, Gtr. 10 tacet
D5
º
Gtrs. 7&8
º
A7/E
5
5
5 5 E5 5 E 5 5
8v a 5 E5 5 5 5 5 5 E5 5 5 !5
5 E5
3
12
9
11
0
BM G MM
5
9
10
12
13
17
0
0
B
B
14
14
16
16
14
14
18
17
16
16
1st time, Gtr. 10 tacet
Bb5
(cont. in notation)
whoa,
All: Whoa,
17
14
14
5k BM
5
5
B
?
whoa.
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² ' BM 5
8v a
Gtr. 10
G MM
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
M M
G
Gtrs 7 & 8
17
55 5
55 5
55 5
55 5
BB B
55 5
55 5
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
17
C5
5k BM
5
F5
5k B
B
B whoa,
Whoa,
55 5
55 5
55 5
55 5
55 5
55 5
55 5
22 2
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
X X X
B
Whoa,
5M
5
4
5
55 5
55 5
BB B
55 5
55 5
55 5
55 5
55 5
3 3 3
3 3 3
3 3 3
3 3 3
3 3 3
3 3 3
3 3 3
3 3 3
A5
5
whoa,
Bb5
B
?
55 5
55 5
BB B
BB B
55 5
55 5
2 2 0
2 2 0
2 2 0
3 3 1
3 3 1
3 3 1
B
B
5k 5
^
G B
B
whoa.
G 555
G5
5k B
whoa.
G 55 5
55 5
BB B
BB B
55 5
55 5
5 5 5
5 5 5
5 5 5
5 5 5
5 5 5
5 5 5
19
Authorized for use by Joshua Olson
C5
5k B
B
5k B
B
A/C#
B
B
MM
?
^
G
5k B
Whoa.
G 55 5
55 5
55 5
55 5
55 5
55 5
55 5
55 5
55 5
55 5
55 5
55 5
5 E 55
55 5
55 5
55 5
MM
55 5
(1st time, cont. in slashes)
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
M M
2 2 4
2 2 4
2 2 4
2 2 4
2 2 4
5 5 3
Gtrs. 5 & 6: w/ Riffs G & G1
D5
Bb5
C5
F5
G BM BMM B
A/C#
A5
Rhy. Fig. 10
End Rhy. Fig. 10
BB B
0 0 0
5 5 5 5 P.M. µ 0 0
0 0
BBMM BM
BB B
5 5 5 5
µ
P.M.
3 3 1
3 1
3 1
BM BMM B
BB B
5 5 5 5
µ
P.M.
5 5 3
5 3
5 3
5M 5MM 5
55 55 5 5
3 3 3
3 3 3
55 5
55 55 5 E5
2 2 0
2 2 0
2 2 4
Gtrs. 7 & 8: w/ Rhy. Fig. 10
G
D5
0
0M
0
0M
D5 Gtrs. 7&8
Gtr. 5
G
E 55
Gtr. 6 divisi
0
0
0M
C5
0
0M
F5
0
A5
0
Gtrs. 5 & 6 tacet
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² Gtrs. 7 & 8 BB BM BM BM BM BM BM _ BBBMMM ²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² ^ _ 1/2
*
Bb5
(cont. in notation)
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
17 14
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
*Gtr. 5 to left of slash in tab.
20
Authorized for use by Joshua Olson
0 0 0
BBMM BM
0
A/C#
A tempo Gtrs. 7 & 8 tacet
Gtrs. 1 & 2: w/ Riffs A & A1 (2 times)
Bb
Dm
G BM BBMM
BM BBMM
F
C
BM BBMM
BM BBMM
BM BBMM
BM BBMM
0 0 0
A7
*Gtr. 11
5
5
7
5
5
5
E5
5
5
6
7
5
*Clarinet arr. for gtr.
G
Dm
0
0
B
Gtr. 12 (elec.)
G 4
Bb
BM
0
0 ²²²²²²²²²² B
BM
w/ dist. & reverb
10
0
0
F
A7
0
?
=
5
4. I
4
4
²²²²²²²²²²
mf
**
C
BM
B pp
10
BM
0
mp
8
**Vol. swell Gtr. 11
G BM
0
BM
0
0
0
8
5
5
8
7
E5
5
5
5
5
6
8
8
Verse Gtrs. 1 & 2: w/ Riffs A & A1 (2 times)
Dm
G 5
walk
5 5 the
cit
-
Gtr. 11 tacet
5
5
5 5M
y
lone
-
Bb
5 5
5
5
mem - o - ries
that
haunt
5
ly,
C
5
5 5
BM ?
are
pass - ing
by.
= 5 A
Gtr. 12
B G M
0
? BM
5
BM BM
mp
BM BM
B
Gtr. 12
4
5
5
5
mur - der - er
BM
Gtr. 11 divisi
10
8
7
21
Authorized for use by Joshua Olson
Gtr. 12 tacet
F
A7
5
walks
your
G 5k 5M
5
5 streets
BM
G
5
Dm
5k 5 to
Bb
5 -
5
5
5
5
B
night.
For
BM
0
5k 5M
5
give
me
-
0
5
0
p 8
F
C
G 5
5
5
for
5
5
my
5 5M
don’t
crimes,
Bb
G BM was
5 G Gtr. 1
12
Gtr. 2
G 5
8
5
10
5
7
5
11
5
6
5k 5 M
4
B
5
so
young,
5
10
5
6
5
11
5
6
5
10
5
7
5
12
5
8
5
10
5
11
5
10
5 5 for
-
5
5
5
get
that
I
Dm
BM
B
BM
A7
5
11
5
BM
BM
fought
so
5
10
5
10
5
10
5
10
5
10
5
5
10
8
5
7
5
6
5
6
5
6
22
Authorized for use by Joshua Olson
5
7
5
0
5
7
5
6
5
5
5
6
5
7
B
5 G
5
scared
5
5
G 5
10
10
5
10
5
5
in
the
5
5
10
B
5 5
5
5 0
5
5
6
7
5
5
6
7
6
4
11 11
5
6
6
5
5
10
5
5
5
5
9
10
11
5
B M
5M
5 5
God
5
5
5
5
5 5
of
8
5
B
name
10
8
G
Db
5
5
5
5
5
5
5
8 10
10
11
5
5
5
11
5
5
4
8
6
and
6
6
6
6
6
Outro-Guitar Solo Gtrs. 1 & 2: w/ Riffs A & A1 (till fade)
G
C
5k BM
Gtr. 13 (acous. elec.)
BM
Dm
BM
0
0
4
5 5 5 =
5 5 5 5 5 5
mf
6
G 5
7
5
10
Gtr. 2
G 5
3
5
5
5
9
5
5
5
8
5
6
0
5
9
5
5
5
5
10 10
5
5 5
5
5
9
5
5
5
5
8
6
5
5
11 10
5
²²²²²²² ²²²²²²²²²²² k ²²²²²²²²²²²² 5M 5 5 5 BM ²²²²²²² ²²²²²²²²²² ²²²²²²²²²²²²
w/ clean tone & slight chorus
Gtr. 1
0
try.
-
coun
G
5 5 5
5M
5 5
5
6
5
9
5
5
8
10
5
8
6
7
5
7
0
0
0
0
10
5
5
23
Authorized for use by Joshua Olson
²²²²²²²²²²²²²²²² BM 5 5 5 5 5 =
C
Bb Gtr. 13
G
5 5 5 5 5
²²²²²²²²²²²²²²²²
6
6
7
²²²²²²² 5 5 G 5M Dm
5k
²²²²²²²
3
2
5
6
5
5
7
²²²²²²² 5M 5 5
Bb
5 5
5M 5
3
8
7
6
3
3
A7
5 5 5 5 5 5 5
5 5 5 5 5 5
5
3
2
5
5
2
2
5
2
5 5 ²²²²²²²²² B 5 C
5 5
5M
²²²²²²²
²²²²²²²²²²² B 5 = ²²²²²²²²²²²
F
5
²²²²²²²²²
6
6
8
3
5
5
6
2
F
5 8
3
5555
²²²²²²²
5
6
2
5
²²²²²²²² 5 5k 5M
5
5
3
5
6
5
8
Begin fade
A7
Bb
Dm
B
Riff J Gtr. 12
G
0
0
4
C
BM
BM
End Riff J
B
4
mf 10
²²²²²² ²²²²²²²² ²²²²²²²²²²²²² 5 5 5k 5 5 5 5M 5 5 5 5M 5 5 5 5 5 5 5 B G
5 55 = 4
Gtr. 13
²²²²²² ²²²²²²²²
6
8
8
10
8
6
8
6
²²²²²²²²²²²²²
5
=
5 5 5 5 3 5 5 5 5 5 3
1 1/2
5
7
5
7
5
7
7
5
10
9
Gtr. 12 tacet
Gtr. 13
G
²²²²²²²²² 5 5 1
²²²²²²²²
10
F
5
3
A7
5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 !5 5 5
8
10
8
9
10 7 10
²²²²²²²² 5 5 555
5 3
3
1
10
13
12
10
13
12
10
12
13
12
10
10 13
10
12
10
12
13
12
10
13
10
12
10
13 10
²²²²²²
13
Fade out Gtr. 12: w/ Riff J
Dm
G
BM
5
2
2
5
rake
13
13 X X
5 5 5 5 5
µ1
3
5k
5
3
²²²²²²²²²²²²²²²²²²²²²²²²²²²²² 5 5 5 5 5 5 3 5 5 B 5
Bb
1
13
10
12
10
12
14
12
10
12
24
Authorized for use by Joshua Olson
10
12
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
10
10
=